Winner of the 2012 Jewish Journal Book Prize After her father?s death, Nancy K. Miller discovered a minuscule family archive: a handful of photographs, an unexplained land deed, a postcard from Argentina, unidentified locks of hair. These items had been passed down again and again, but what did they mean? Miller follows their traces from one distant relative to another, across the country, and across an ocean. Her story, unlike the many family memoirs focused on the Holocaust, takes us back earlier in history to the world of pogroms and mass emigrations at the turn of the twentieth century. Searching for roots as a middle-aged orphan and an assimilated Jewish New Yorker, Miller finds herself asking unexpected questions: Why do I know so little about my family? How can I understand myself when I don?t know my past? The answers lead her to a carpenter in the Ukraine, a stationery peddler on the Lower East Side, and a gangster hanger-on in the Bronx. As a third-generation descendant of Eastern European Jews, Miller learns that the hidden lives of her ancestors reveal as much about the present as they do about the past. In the end, an odyssey to uncover the origins of her lost family becomes a memoir of renewal.

How do we come to terms with what can't be forgotten? How do we bear witness to extreme experiences that challenge the limits of language? This remarkable volume explores the emotional, political, and aesthetic dimensions of testimonies to trauma as they translate private anguish into public space. Nancy K. Miller and Jason Tougaw have assembled a collection of essays that trace the legacy of the Holocaust and subsequent events that have shaped twentieth-century history and still haunt contemporary culture. "Extremities" combines personal and scholarly approaches to a wide range of texts that bear witness to shocking and moving accounts of individual trauma: Toni Morrison's "Beloved", Sylvia Plath's "Daddy" and "Lady Lazarus," Kathryn Harrison's "The Kiss", Tatana Kellner's Holocaust art, Ruth Klger's powerful memoir "Still Alive", and Binjamin Wilkomirski's controversial narrative of concentration camp suffering, "Fragments". The book grapples with the cultural and social effects of historical crises, including the Montreal Massacre, the Warsaw Ghetto Uprising, and the medical catastrophes of HIV/AIDS and breast cancer. Developing insights from autobiography, psychoanalysis, feminist theory and gender studies, the authors demonstrate that testimonies of troubling and taboo subjects do more than just add to the culture of confession--they transform identities and help reimagine the boundaries of community. "Extremities" offers an original and timely interpretive guide to the growing field of trauma studies. The volume includes essays by Ross Chambers, Sandra M. Gilbert, Susan Gubar, Marianne Hirsch, Wayne Koestenbaum, Eve Kosofsky Sedgwick, and others.

In her latest work of personal criticism, Nancy K. Miller tells the story of how a girl who grew up in the 1950s and got lost in the 1960s became a feminist critic in the 1970s. As in her previous books, Miller interweaves pieces of her autobiography with the memoirs of contemporaries in order to explore the unexpected ways that the stories of other people's lives give meaning to our own. The evolution she chronicles was lived by a generation of literary girls who came of age in the midst of profound social change and, buoyed by the energy of second-wave feminism, became writers, academics, and activists. Miller's recollections form one woman's installment in a collective memoir that is still unfolding, an intimate page of a group portrait in process.

French Dressing looks at the ancien régime's scenarios of libertine seduction--unsafe sex and its consequences for women's lives. It places the gender performances of male and female-authored novels in dialogue in order to recover the complexity of a century obsessed, as we are today, with writing and living plots of desire. French Dressing exposes the erotic anxieties behind a national culture of sexual self-display--French undressing.

What can reading for the gender of signature tell us about the act of reading as a poetics and politics? In Subject to Change Miller demonstrates the textual effects of female authorship in the production, reception, and circulation of women's writing. In the wake of Roland Barthes's famously Dead Author, Miller argues for the cultural vitality of feminist writing subjects.