Academy Award-winning documentary filmmaker and former private detective Errol Morris examines the nature of evidence and proof in the infamous Jeffrey MacDonald murder case. In 1979 MacDonald was convicted of the brutal 1970 murder of his wife and two children, and remains in prison today. Since then a number of bestselling books, including Joe McGinniss's Fatal Vision, and a blockbuster television miniseries have attempted to solve and explain the MacDonald case. Here, Morris, who has been investigating the case for nearly two decades, reveals that almost everything we know about it is ultimately flawed, and an innocent man may be behind bars. In a reinvention of the true-crime thriller, Morris looks behind the haze of myth. Drawing on court transcripts, lab reports, and original interviews, he brings a complete forty-year history back to life and allows the reader to explore the case as a detective might by confronting the evidence as if for the first time.--From publisher description.

"Academy Award-wining filmmaker Errol Morris investigates the hidden truths behind a series of documentary photographs. In Believing Is Seeing Academy Award-winning director Errol Morris turns his eye to the nature of truth in photography. In his inimitable style, Morris untangles the mysteries behind an eclectic range of documentary photographs, from the ambrotype of three children found clasped in the hands of an unknown soldier at Gettysburg to the indelible portraits of the WPA photography project. Each essay in the book presents the reader with a conundrum and investigates the relationship between photographs and the real world they supposedly record. During the Crimean War, Roger Fenton took two nearly identical photographs of the Valley of the Shadow of Death-one of a road covered with cannonballs, the other of the same road without cannonballs. Susan Sontag later claimed that Fenton posed the first photograph, prompting Morris to return to Crimea to investigate.