IN NEW YORK, IF YOU HAVE A PROBLEM NO ONE ELSE CAN SOLVE, YOU CALL LEONID McGILL Ex-boxer, hard drinker, in a business that trades in cash and favours, McGill's an old-school P.I. working a city that's got fancy all around him. When McGill is approached by a small-time office manager, he declines the case. He has better things to do than track down the man's long lost cousin, who is about to inherit millions. But then McGill's office is broken into, and his potential client is found dead. Soon, McGill finds himself drawn into the underbelly of an establishment family, and a Pandora's box of secrets and lies. Taking you from the moneyed haunts of Uptown to the shady corners of Downtown, Mosley is the Chandler of Obama's America, and one of the finest crime writers in the world.

Andrew Vachss called "Devil in a Blue Dress," Walter Mosley's debut mystery featuring Easy Rawlins, a tough black private detective in L.A.'s Watts section, "the most self-assured, uniquely-voiced first novel I've ever read." The "Wall Street Journal" said of its sequel, "A Red Death": "Remarkable...proves Mr. Mosley's debut was no fluke." Readers and critics agree that Walter Mosley is writing novels fit to stand alongside the giants of the L.A. hardboiled tradition.

Seven years ago, Zella Grisham was arrested for illegal possession of a firearm, assault with a deadly weapon, attempted murder, and grand theft. After two years of fruitless negotiations, Zella was sentenced to twenty-five years in prison, mainly because she refused to give up her accomplices in a $6.8 million heist from Rutgers Assurance Corp. But Zella had played no part in that heist. PI Leonid McGill had planted the evidence. All Zella had done was shoot her man, her cheating husband Harry Tangelo, when she'd caught him in bed with her best friend. That was a long time ago, and McGill has regrets. So he hires a hotshot attorney to set her free. Zella's big regret is that she tried to kill Tangelo. McGill agrees to track him down but the trail leads back to Rutgers Assurance, and the man who paid McGill to plant the evidence is found dead. As Zella is hounded and an attempt is made on McGill's life, the detective realises the case is more complicated than he had ever imagined - but can he live long enough to sort it out?

In this Edgar Award-winning novel, "Mosley writes with great power" about a framed NYPD investigator facing racism and political corruption ( Booklist ). Joe King Oliver was one of the NYPD's finest investigators, until, dispatched to arrest a well-heeled car thief, he is framed for assault by his enemies within the NYPD, a charge which lands him in solitary at Rikers Island. A decade later, King is a private detective, running his agency with the help of his teenage daughter, Aja-Denise. Broken by the brutality he suffered and committed in equal measure while behind bars, his work and his daughter are the only light in his solitary life. When he receives a card in the mail from the woman who admits she was paid to frame him those years ago, King realizes that he has no choice but to take his own case: figuring out who on the force wanted him disposed of--and why. Running in parallel with King's own quest for justice is the case of a Black radical journalist accused of killing two on-duty police officers who had been abusing their badges to traffic in drugs and women within the city's poorest neighborhoods. Joined by Melquarth Frost, a brilliant sociopath, our hero must beat dirty cops and dirtier bankers, craven lawyers, and above all keep his daughter far from the underworld in which he works. All the while, two lives hang in the balance: King's client's, and King's own.

A mystery caller sends Leonid McGill to an uptown address 'just to check a girl's okay'. There's no explanation - just a name - Angelique - a reward, and the chilling knowledge that he's working for Rinaldo Alphonse, the most feared man in New York. What LT finds is a crime scene. A girl lies with her face blown off, her assassin felled by a knife. But the dead girl isn't the one LT was sent to find, and her killer's injuries don't make sense. The next day Alphonse comes calling: LT must find Angelique before the assassin's assassin tracks her down. Alphonse isn't the only one who wants a bit of LT's time - the NYPD, finding his appearance too convenient, think they can finally put away the thorn in their side. But why do so many people want a piece of the apparently normal, clean-living Angelique? And why is the mafia coming after McGill, linking his sons - shy Dmitri and streetwise Twill - to the escape of a sex trafficked Belarussian girl. As both plots career towards a thrilling finale, McGill must put his street know-how and book of lethal contacts to the test, while haunted by the re-appearance of a face from his crooked past and wife Katrina's continued infidelities (this time it's her son's best friend).

"A number of below-the-law powerbrokers plead with Easy to locate a mysterious, dangerous woman--Lutisha James, though she's gone by another name that Easy will immediately recognize. 1970s Los Angeles is a transient city of delicate, violent balances, and Lutisha has disturbed that. She also has a secret that will upend Easy's own life, painfully closer to home." --

From New York Times bestselling author Walter Mosley, Detective Easy Rawlins’ latest client sends him down a warren of memory and nostalgia―blinding him to reason and risk. January 1970 finds Ezekiel “Easy” Rawlins, LA’s premier Black detective, at 50 years of age despite all expectations. He has a loving family, a beautiful home, and a thriving investigation agency. All is right with the world ... and then Amethystine Stoller, his own personal Helen of Troy, arrives. Her ex-husband is missing. A simple enough case. But even as Easy takes his first step in the investigation he trips. He falls into the memory of things past. Little things, like loss, love, a world war, and a hunger that has eaten at him since he was a Black boy on his own on the streets of Fifth Ward, Houston, Texas. The missing ex, a young white man named Curt Fields, is found dead. Easy’s only real friend in the LAPD, Melvin Suggs, has gone into hiding rather than allow his femme fatale wife to go to the gas chamber. And that’s only the beginning. Easy finds himself pressed into a reckoning. All of his success cannot succor his heart. The 1970’s have ushered in new expectations of men and women, Black and White, and Easy has to make a choice that will almost certainly hasten a permanent descent, one that might sunder his soul. Shamus Award Finalist for Best Hardcover PI Novel

The economy has hit the PI business hard, and Leonid McGill is getting job offers only from the criminals he's worked so hard to leave behind. So how can he say no to the beautiful young woman who walks into his office with a stack of cash? She's an artist, she tells him, who's escaped poverty via marriage to a rich collector. A rich collector with two ex-wives whose deaths are shrouded in mystery. She says she fears for her life, and needs Leonid's help. Though Leonid knows better than to believe every word, this isn't a job he can afford to turn away. Meanwhile, Leonid's personal life grows ever more chequered: his favourite stepson, Twill, drops out of school for mysteriously lucrative pursuits; his wife takes a new lover, infuriating the old one and endangering the whole family; and Leonid's girlfriend, Aura, is back but intent on some serious conversations... Is the client at his door who she seems and - if his family's misadventures don't kill him first - will sorting out the woman's crooked tale bring Leonid straight to death's door?

After being asked to investigate the charges against a white nationalist accused of treason and murder, Joe King Oliver, with help from bodyguard and mercenary Oliya Ruez, embarks on a winding quest to expose the truth.