The 1991 Nobel laureate wrote this book before the end of apartheid as her prediction of how it would end. The book was notably banned in South Africa after its publication (cit. Wikipedia)

"Superb...a series of masterly drawn glimpses into the storymaking art of one of Africa's great modern literary geniuses." -Alan Cheuse, NPR A selection of short stories written to date by Nobel Laureate Nadine Gordimer, Life Times reveals her acute understanding of human nature and paints a fascinatingly original portrait of South Africa. Whether focusing on politics, sexuality, race, love, or loss, Gordimer maps out the terrain of human relationships with razor-sharp psychological insight and a stunning lack of sentimentality. Complex and multifaceted, her stories challenge us, time and again, to examine the conflict between our actions and our unspoken desires. This powerful collection, which includes two new stories, is a testament to Gordimer's literary genius and the ongoing power and relevance of her vision.

With her characteristic brilliance, Nobel Prize winner Nadine Gordimer follows the inner lives of characters confronted by unforeseen circumstances. An earthquake offers tragedy and opportunity in the title story, exposing both an ocean bed strewn with treasure and the avarice of the town's survivors. ?Mission Statement? is the story of a bureaucrat's idealism, the ghosts of colonial history, and a love affair with a government minister that ends astoundingly. And in ?Karma, ? Gordimer's inventiveness knows no bounds: in five returns to earthly life, a disembodied narrator, taking on different ages and genders, testifies to unfinished business and questions the nature of existence. Revelatory and powerful, these are stories that challenge our deepest convictions even as they dazzle us with their artful lyricism.

Nadine Gordimer describes this collection of her non-fiction pieces as a reflection of how I've looked at this century I've lived in. The collection of essays, articles and addresses encompass Gordimer's own evidence of the inequities of apartheid as she saw them in 1956, her account of the bans on literature still in effect in the mid-1970s, through to South Africa's emergence in 1994 as a free country. Gordimer's canvas is global and her themes are wide-ranging. She examines the impact of technology on our expanding world-view, the convergence of the moral and the political in fiction and she reassess the role of the writer in the modern world.