"From beloved New Yorker TV critic Emily Nussbaum comes a groundbreaking narrative detailing the fights, egos, drama, and future presidents of reality television. Cue the Sun is a rollicking, deeply reported story about how the early reality TV business metastasized into an industry that now dominates entertainment in the United States. Starting in 1948, Nussbaum pulls back the curtain on the cultural meat grinder that created a generation-defining form of entertainment, examining shows from The Real World to Survivor to The Apprentice. Through extensive interviews, Nussbaum follows the reality TV industry from its inception with shows like Candid Camera to its 90s heyday and 00s aftermath. The book dives into some of the industry's most remarkable stories--for instance, the one where a serial killer on the run once appeared on The Dating Game"--

"From her creation of the first 'Approval Matrix' in New York magazine in 2004 to her Pulitzer Prize-winning columns for The New Yorker, Emily Nussbaum has known all along that what we watch is who we are. In this collection, including several substantive, never-before-published essays, Nussbaum writes about her passion for television beginning with Buffy--as she writes, a show that was so much more than its critical assessment--the evolution of female protagonists over the last decade, the complex role of sexual violence on TV, and what to do about art when the artist is revealed to be a monster. And, she also explores the links between the television antihero and the rise of Trump. The book is an argument, not a collection of reviews. Through it all, Nussbaum recounts her fervent search, over fifteen years, for a new kind of criticism that resists the false hierarchy that places one kind of culture over another. It traces her own development as she has struggled to punch through stifling notions of 'prestige television,' searching for a wilder and freer and more varied idea of artistic ambition--one that acknowledges many types of beauty and complexity, and that opens to more varied voices. It's a book that celebrates television as television, even as each year warps the definition of just what that might mean"--