'A strange and compelling new book from one of America's greatest living authors' Times Literary Supplement 'As cunning and rich as anything Ozick's written' Wall Street Journal 'One of our era's central writers. About a man ensnared by history, Antiquities is at once a warning against the hazards of nostalgia and an invitation to take a longer view of how we got to where we are' The New Yorker 'Ozick's prose urges the breathless reader along, her love of language rolling excitedly through her sentences like an ocean wave' New York Review of Books I remember nothing. I remember everything. I believe everything. I believe nothing. In 1949, Lloyd Wilkinson Petrie returns as a Trustee to the long-defunct boarding school that he attended as a child. There he is preparing a memoir about the subtle anti-Semitism that pervaded the school, about his fascination with the Egyptian archaeological adventures of his distant cousin, about the passions of a boyhood friendship with named Ben-Zion Elefantin, a mystifying older pupil. In this novella, and the three stories published alongside it, one of our most preeminent writers weaves together myth and mania, history and illusion to capture the shifting meanings of the past.

"Selected by Cynthia Ozick from a dozen books written across more than fifty years, the essays and short stories gathered here constitute a summing-up of her remarkable literary career. In such classic essays as 'Who Owns Anne Frank?,' 'What Helen Keller Saw,' 'Dostoevsky's Unabomber,' and 'Transcending the Kafkaesque,' Ozick examines some of the world's most illustrious writers and their work, tackles compelling contemporary literary and moral issues, and looks into the wellsprings of her own lifelong engagement with literature. In her short stories, including 'A Hebrew Sibyl,' 'What Happened to the Baby?,' 'Dictation,' 'The Biographer's Hat,' and 'The Conversion of the Jews,' Ozick demonstrates again and again her stylistic brilliance and the originality of her distinctive interweaving of the strands of history and myth." -

The Bear Boy is a story specific to time and place, and about the dislocation of time and place too. It is set in 1935 at the only moment in history when the idea of socialism flickered to life in the United States, when Jewish intellectuals were fleeing out of the country where they were once respected writers and professors, and when a great many people were equal to each other in that the most had little material wealth. The oversize Mitwisser clan are German refugees who survive at the whim of their vagabond benefactor, James Albair. James is heir to the fortune amassed by his father, the author of a wildly popular series of children's books called The Bear Boy. Wayward, feckless and with money to burn, James has taken up the eccentric Mitwissers - scholarly patriach, invalid wife, and five scrappy children - as his latest caprice. Into this chaotic household comes Rose Meadows, orphaned at the age of eighteen. Rose quickly becomes indispensable as assistant to Professor Mitwisser in his research on an arcane sect and then, inevitably, as general nursemaid, nanny and companion to the entire family. Her sole inheritance is a book: the first title in the Bear Boy series. When the actual Bear Boy appears on the Mitwisser doorstep, Rose must resist the pull of his reckless orbit as she pursues her own desires. The Bear Boy evokes Depression-era New York from the perspective of perpetual outsiders. Brought together by coincidence and fate, the hard times they inherit still hold glimmers of past wonders and future dreams.