Yearning for a life of the mind, Ruth Puttermesser finds herself mired in the lowest circles of city bureaucracy. Her love life hopeless, her fantasies more influential than wan reality, she nevertheless turns out to be the best mayor New York City has ever elected. Soon enough, though, paradise gained becomes paradise lost, and--even for a wistful visionary like Puttermesser--the problem of disappointment remains unresolved.

"In a collection that includes new essays written explicitly for this volume, one of our sharpest and most influential critics confronts the past, present, and future of literary culture. If every outlet for book criticism suddenly disappeared -- if all we had were reviews that treated books like any other commodity -- could the novel survive? In a gauntlet-throwing essay at the start of this brilliant assemblage, Cynthia Ozick stakes the claim that, just as surely as critics require a steady supply of new fiction, novelists need great critics to build a vibrant community on the foundation of literary history. For decades, Ozick herself has been one of our great critics, as these essays so clearly display. She offers models of critical analysis of writers from the mid-twentieth century to today, from Saul Bellow, Bernard Malamud, and Kafka, to William Gass and Martin Amis, all assembled in provocatively named groups: Fanatics, Monsters, Figures, and others. Uncompromising and brimming with insight, these essays are essential reading for anyone facing the future of literature in the digital age"--

Presents essays addressing a range of literary, historical, and moral issues, covering the joys of literature in the works of such writers as Leo Tolstoy, Saul Bellow, and Sylvia Plath, as well as the author's early literary endeavors.

A collection of essays in which Cynthia Ozick examines the works of some of the world's most illustrious writers.

"Selected by Cynthia Ozick from a dozen books written across more than fifty years, the essays and short stories gathered here constitute a summing-up of her remarkable literary career. In such classic essays as 'Who Owns Anne Frank?,' 'What Helen Keller Saw,' 'Dostoevsky's Unabomber,' and 'Transcending the Kafkaesque,' Ozick examines some of the world's most illustrious writers and their work, tackles compelling contemporary literary and moral issues, and looks into the wellsprings of her own lifelong engagement with literature. In her short stories, including 'A Hebrew Sibyl,' 'What Happened to the Baby?,' 'Dictation,' 'The Biographer's Hat,' and 'The Conversion of the Jews,' Ozick demonstrates again and again her stylistic brilliance and the originality of her distinctive interweaving of the strands of history and myth." -

Four stories of comedy, deception, and revenge (including one previously unpublished) showcases heroes who suffer from willful self-deceit. These not-so-innocents proceed from self-deception to deceiving others, who do not take it lightly. The novella "Dictation" imagines a fateful meeting between the secretaries to Henry James and Joseph Conrad at the peak of their fame. Timid Miss Hallowes, who types for Conrad, comes under the influence of James's Miss Bosanquet, high-spirited, flirtatious, and scheming. In a masterstroke of genius, Ozick hatches a plot between them to insert themselves into posterity.--From publisher description.

Ch. 7 (pp. 151-170), "Mark Twain's Vienna", is an expanded version of an article which appeared in "Commentary" 99 (May 1995). It was written as the introduction to a facsimile edition of Twain's "The Man That Corrupted Hadleyburg and Other Stories and Essays" (New York: Oxford University Press, 1996).