Americo Paredes, in a distinguished career spanning the last forty years, has often set the pace and the standard in the two fields with which he is most strongly identified: folklore and Chicano studies. In folklore, he has been instrumental in establishing a new theoretical and methodological framework; in Chicano studies, he has exerted a seminal influence, inspiring an entire generation of scholars. For this book, the noted folklorist Richard Bauman has selected eleven of Americo Paredes's most significant scholarly articles. The selected articles, first published during the years 1958-1987, faithfully reflect the depth and breadth of Paredes's scholarship, as well as the rigor and eloquence of his writing. They represent scholarly discourse at its best: at once erudite and clear, demanding yet accessible, rich in both substance and style. Throughout his career, Paredes has centered his work on the folklore and culture of the Lower Rio Grande Border of South Texas and northeastern Mexico. His studies have always been contextualized, though, by a deep knowledge of Greater Mexico, and by the comparative scope of the folklorist. The essays collected here illustrate the transdisciplinary richness of Paredes's perspective - a synthesis of folkloric, anthropological, literary, and historical theory and method. They also demonstrate the revisionist power of his analysis, which challenges traditionalist conceptions and constructions of Texas-Mexican culture, the social base of folklore, and folklore genres. Paredes is best known for his studies of the corrido, and several articles on this ballad form are included in the collection. Other essays focus variously on decimas, jokes, legends, and the "neighborly names" of ethnic slurs. More general subjects are also addressed, including the nature of the ethnographic encounter, machismo in the United States and Mexico, and the clash of cultures along the Lower Rio Grande Border. What emerges is perhaps the most well wrought and subtle portrait to date of the life and culture of the Mexican American people. An introduction by Richard Bauman discusses the principal themes and focuses of Paredes's work, and his substantive, theoretical, and methodological contributions to scholarship. In addition, the volume includes a complete bibliography of Paredes's scholarly writings, compiled by Linda Adams.

Review "To see why Gregorio became a folk hero, one only has to remember that in practice there was one law for Anglo-Texans, another for Texas Mexicans. The chase, capture, and imprisonment of Cortez are high drama.... This is an extraordinary book." (Tennessee Folklore Society Bulletin) Product Description Gregorio Cortez Lira, a ranchhand of Mexican parentage, was virtually unknown until one summer day in 1901 when he and a Texas sheriff, pistols in hand, blazed away at each other after a misunderstanding. The sheriff was killed and Gregorio fled immediately, realizing that in practice there was one law for Anglo-Texans, another for Texas-Mexicans. The chase, capture, and imprisonment of Cortez are high drama that cannot easily be forgotten. Even today, in the cantinas along both sides of the Rio Grande, Mexicans sing the praises of the great "sheriff-killer" in the ballad which they call "El Corrido de Gregorio Cortez." Américo Paredes tells the story of Cortez, the man and the legend, in vivid, fascinating detail in "With His Pistol in His Hand," which also presents a unique study of a ballad in the making. Deftly woven into the story are interpretations of the Border country, its history, its people, and their folkways.

Text: English, Spanish (translation)