ANATOMY OF A KILLER Sam Jordan never lets emotion interfere with his work. He is a precise and ruthless killing machine, dealing out death for hire. But his last job had ended wrong for Jordan, and now Sandy is sending him out again--without a break, yet--to take care of someone named Kemp. Hell, he even has to case the job himself. The whole thing feels jinxed. That's when Jordan meets Betty, who works at the diner. To her he is Mr. Smith, a button salesman. But to Jordan, Betty is a sweet moment in his life, a safe haven. And that's where he makes his first mistake--he allows himself to feel human. A SHROUD FOR JESSO Jack Jesso knows that Gluck wants him out of the syndicate. Still, when Gluck sends him on an errand to find a missing guy named Snell for a shady client of his, Johannes Kator, Jesso doesn't figure it to be anything more than a test. He finds the guy alright--sick and rambling--but Gluck double-crosses him, and tosses Jesso onto a Europe-bound steamer with Kator's crew, their orders to kill him. Jesso quickly realizes that he holds the key to a big money deal in Snell's ramblings, information that Kator desperately needs. All he has to do to stay alive is keep Kator interested. It's a simple enough scheme--until Jesso meets Kator's beautiful sister, Renette.

He was a tall, cleanly attractive young man, the kind you'd like to have for a neighbor. Press the wrong button and he'd mow you down with the ruthlessness of a Sherman tank. His name was Daniel Port. He was a gangster, the brain and spirit behind the machine that milked the dirty pennies from the city. Now Port wanted out. He had a bellyful of corruption, a one-way ticket to New York, and a dark, shining girl to go along with it. The problem was to get there alive, because the one way out for Daniel Port was over his own freshly dug grave...

Pander wore dark glasses and fancy suspenders and he moved into the San Pietro rackets like a sandblaster gone berserk. Fell, the boss, was mysteriously away, and Pander grabbed the chance to bury his hands in the heavy money. Then Fell came back. At his side was Cripp, the human adding machine with the beautiful face and the twisted leg. With them came murder... wholesale.

WAR OF THE DONS The Guarda brothers run capo Messina's territory. Pepe, the oldest, is the muscle. Nuncio, the younger brother, is the accountant. And Marco, he's the wolf. Restless, hungry, he's through taking orders. It's his idea to get rid of Messina and take over. But to do that, the hit has got to look like an accident, or they risk the wrath of Messina's boss, Don Angelo. So Marco hires a twitchy drug addict with a penchant for danger, a guy who knows how to turn Messina's simple hospital visit into a fatality. It's all going so well, so smoothly. Then Don Angelo steps in to take control, and the Guarda brothers really go to war. BLACK MAFIA Cutter used to be part of the movement, but got busted for knocking over a bank. He did his time, now he's out. But things have changed. His former mentor is now a teacher, and wants nothing to do with him. It's all Cutter can do to stay one step ahead of the Man. And now some white guys are coming into the Belt to stir up trouble, busting the local action and making it look like a Perrini job. But Perrini is quite happy with the status quo. Sure he skims the Belt, but he's not looking for trouble. Trouble finds him anyway in the form of Don Santino's nephew, Angelo, who's got a hidden agenda all his own. And that's when Cutter figures it's time to make his move.

Charley's Rope was about frayed out. The caribinieri were after him, he had a bullet in his hip and no goddamn passport. Charley needed a passport bad. He needed that intricate piece of paper--signed, sealed, and innocent looking--the way only a G.I. in italy could need one. A G.I. deserter with a sweet fortune in blackmail lire and the carabinieri lusting to lay hands on him...

MURDER ME FOR NICKELS Walter Lippit makes music all over town. He owns the juke boxes that play the tunes that keeps the bars and the diners hopping. Jack St. Louis works for Lippit, smoothing the customers and keeping the nickels coming. But then along comes Benotti and the Chicago syndicate to louse up the operation. It's everything Jack can do to stay one step ahead. One step ahead of Benotti's gang, Lippet--and Lippit's willing wife Patty, who wants to be a singer and is convinced that Jack can make that happen too. And maybe he can. It's all in a week's work. BENNY MUSCLES IN Benny Tapkow has worked as crime boss Pendleton's chauffeur for seven years, but he's itching to get ahead. He feels like he deserves a piece of the action, but Pendleton won't budge. So Benny strikes a deal with Big Al Alverato to kidnap Pendleton's daughter Pat to get him in with the rival gang. But the snatch doesn't come off as planned, and now Benny is stuck with Pat, a hellion with a temper and plenty of mood swings. Pendleton's men are after him and he has to dope her just to keep her in line. The last thing he figured on was falling in love.

Blood on the Desert Anthony Wheeler didn't want the job. When Major Pitt called him into the London office, Wheeler was trying to track down his old mentor, Fairchild. It had been Fairchild who had pulled him into the business. Not everyone is cut out to be a spy--Wheeler excelled at it. And Pitt would simply not accept his refusal. Now he is off to Kaden in North Africa, where three Arab chieftains who had been feuding for years are suddenly acting very friendly. Wheeler's mission--find out why. The last person he expects to run into is Fairchild. It is good to see his old friend--so why did it all feel so wrong? A House in Naples Charley had a sweet set-up in Naples. He and his partner Joe Lenken run a tight blackmarket operation. But tonight there is trouble and Charley is shot--and worse, he is recognized. Fleeing the police, he has to get his hands on a passport fast. Luck is with him in the form of a dead American drunk. All Charley has to do is get rid of the body. Weighting the body, he lowers it into the Tiber, his body wracked with pain from the bullet wound. But his luck runs out--he is seen! She is standing on the bridge overhead. But instead of crying "murder" she helps him up the bank and takes him away to tend his wounds. But is she Charley's guardian angel--or the sweet angel of death?

THE SILENT WALL Matty Matthews has been to the town of Forza d'Aguil before. Stationed there with a small group of soldiers during WWII, it was here that Matty fell in love with Rosanna. It was a sweet, short-lived affair until the soldiers unexpectedly got orders to pull out. Matty never got to say goodbye. Now he's back in Sicily, drawn to the mountain town after all these years. But the citizens of Forza d'Aguil are easy to offend, and when Matty inadvertently crosses Pino, the mafioso sabotages his leaving. Trapped in Forza d'Aguil, hemmed in on all sides by the oppression of the town and its silent citizens, he's stuck in the middle of mafia country with no way out. He has only the help of the innkeeper Vinciguerra, a man he can't understand, and the passion of the sweet Sophia. Or is she part of the sinister web, too? THE RETURN OF MARVIN PALAVER Marvin Palaver dies at the worst possible moment in life, just when he is coming out even with his nemesis, fellow scrap seller Sidney Minsk. He is so close. The contract is signed and Sydney has just bought back his own scrap, the deal of a lifetime. Marve knows happiness supreme. But as the tears of joy make his eyes swim, there comes a bump in his chest, and he is dead before he hits the floor. But death doesn't stop Marvin. His masterful schwindel must be complete. So Marve finagles his way back to the material plane for a bit of artful ghosting. Sidney has hidden the contract away, confident that he's the only one who knows about it. All Marve needs to do is get him to reveal it--he should live so long

Colour illustration by Kirwan.

KILL THE BOSS GOOD-BY Tom Fell, the boss, is gone, and Pander has temporarily taken over the rackets in town. He's got some ideas of his own how the bookies should be operating. The business needs some fresh blood. Then Fell is back, back from his rest at Desert Farm where Dr. Emilson has been treating him for manic depression; back with Cripp, his right-hand man. Fell knows he's been gone too long, that Pander has stepped in and made some changes. Pander thinks he's got the big bosses behind him, but what he doesn't know is that Fell may be manic, but he knows what he wants--power. And nobody is going to stop him from taking it. MISSION FOR VENGEANCE Eight years ago they were running guns, then something went wrong and they were all running for their lives. Farret spent some time in a South American prison but now he's back and out to even the score. One of the four betrayed him, and Farret knows you got to keep the score even on these things. John Miner owns a ranch and is engaged to Getterman's daughter, Jane. He's the first to find out about Farret. But Farret isn't interested in Miner yet. First he's got to settle with Lena; and after that, Metz. And if it isn't Metz who set him up, Getterman is next. But sooner or later, it all comes down to Miner. Miner brought him into the group--and his is the biggest score to settle of them all.

GIRL IN A BIG BRASS BED Lobbe wants his painting back. Goering confiscated it when the Nazis raided Rotterdam. But now, years later, it has been located, and the German government wants to return it. So Lobbe sends his assistant Manny deWitt to Munich to fetch it. The painting is Vermeer's "Apple Girl," Lobbe's prized possession. The mission seems easy enough. But as deWitt soon discovers, those who have the misfortune to come in contact with the elusive Vermeer seem to experience an early and unpleasant death. The sooner he gets the painting and gets out, the better. If only it were that simple. THE SPY WHO WAS 3 FEET TALL This time Lobbe sends Manny to a recently emerged African nation called Motana. It's deWitt's job to negotiate the contract to build a road through the country. As usual, Lobbe doesn't muddy the waters with too much information for deWitt. But this time, everyone seems to be up on the project but him. Yum Lee, the Chinese emissary who also wants the contract, is one step ahead of him. Inge, Lobbe's delightful niece, is strictly undercover. And then there's his ubiquitous taxi driver, Baby, who is much more (or less) than what he seems. Just what the hell is so important about this road anyway? CODE NAME GADGET As gadgets go, it was supposedly a fairly large one, large enough to fill a medium-sized factory. Manny's mission is to buy it for his boss Lobbe before the competition beats him to it. The mission takes him to England under the eccentric guidance of a pilot named Max Garten, and into the unexpected arms of Meghan Bushmill. Together, the three of them form a kind of team as they try to figure out who are the good guys and who are the bad guys--and if it even makes any difference anymore. Because whoever has the gadget can destroy the world, and even Lobbe may not be able to buy his way out of that one.