PASSENGERS In this Nebula Award winning short story, unseen visitors can come without warning and inhabit our minds for days at a time. Taking over our bodies, controlling our will for their own selfish, immoral joyrides. Society makes adaptations in its mores and taboos. Since people being ridden have no volition in their actions, they are best ignored. And any action—crime, murder, or rape committed while one in ridden is best forgotten and ignored if at all possible. Becoming conscious after such an psychic invasion is disorienting. For one man who has flashes of memory of his time being “ridden” by a passenger, memories of an uncontrolled sexual encounter impels him to break society’s taboo of forgetting this chance encounter. And he becomes, perversely, compelled to seek her out. “Passengers” is not the only highly-acclaimed masterpiece included within. The other four stories were nominated for multiple major SF awards—and highlight the author’s mastery of the language and his capacity to engage the reader fully in worlds of his own making. Included in this collection are such classic tales as “The Macauley Circuit”, “A Thief in Ni-Moya”, and “Lion Time in Timbuctoo”.

The universe of the mind is a limitless expanse of wonders, filled with worlds and secrets that cannot be fully explored within the pages of a single novel. Avid readers of science fiction have long appreciated the myriad joys of returning to fictional galaxies already experienced. In Far Horizons, a variable "Who's Who" of science fiction's most beloved and highly honored writers once again revisit the remariable worlds they created and made famous. Perhaps the greatest concentration of science fiction talent ever in one volume, this unprecedented masterpiece reopens vast empires of imagination and adventure to new explorations and appreciations. It is a major SF event, sure to bring unparalleled joy to the hearts of serious fans everywhere.

Aliens in all shapes and sizes--some fearsome, some outlandish, and some just plain fun--fill the pages of these hand-picked classic stories by sci-fi grand master Robert Silverberg, each featuring a new introduction by the acclaimed author. Every day we are discovering new worlds in far-reaching galaxies which may or may not sustain life as we know it. In Alien Archives: Eighteen Stories of Extraterrestrial Encounters , sci-fi Grand Master Robert Silverberg collects his finest short stories and novellas about one of the genre's most enduring themes. Spanning fifty years of writing from the Science Fiction Grand Master, this collection of alien encounters features new introductions to all fifteen stories, including the Hugo Award-nominated "Schwartz Between the Galaxies" and HBO adapted "Amanda and the Alien." In these pages lie tales of a young man venturing into the occupied territory of an alien conquered United States to rescue his brother, three visitors from a very strange alien world arriving on Earth and meeting a tragic fate, and a dangerous life-form from a far-off world finding that suburban California holds some beings that are even more dangerous than it is. With Alien Archives , Silverberg puts us in contact with extraterrestrial beings of all shapes, sizes, and personalities--some fearsome, some outlandish, and some just plain fun. The Associated Press says, "Done Silverberg's way, science fiction is a fine art." With sheer force of imagination and incredible storytelling skills, Alien Archives confirms that Silverberg's classic work continues to resonate for readers today.

"The stories in this volume were written between July of 1990 and March of 1995-the second half of the fifth decade of my career as a science-fiction writer. I don't think I could have imagined, when I began that career in the early 1950s, that science-fiction publishing would evolve the way it did over the next forty years. Here, then, is the cream of the Silverberg output, 1990-95. I suppose I wrote more short stories in the first six months of 1957 than in that entire six-year period; but so be it. It's a different world today. I look back nostalgically on the small-town atmosphere of the era in which I began my career, and there are times when I'd be glad to 'call back yesterday, bid time return.' As Shakespeare pointed out, though, that can't be done. The one recourse is the one I have chosen, which is to soldier staunchly onward through the years, come what may, writing a story or two here and a book there, while the world changes out of all recognition around me. And so-to leap neatly from the Bard of Avon to F. Scott Fitzgerald-'so we beat on, boats against the current, borne back ceaselessly into the past.'" -Robert Silverberg, from the Introduction

The eighth in a series of superb science fiction. The Alpha series of anthologies center on no particular theme except that of literary quality and importance to the science fiction genre. Here is another set of the best stories, stories which were ahead of their epoch when they were new, which display a freshness and vigor that make them almost indistinguishable from the best of today's s-f, and which set the standard by which modern writers have guided their careers. A DUSK OF IDOLS: Not only are the gods cruel, but they can make you like it. THE HUMAN OPERATORS: The great ships possess unlimited cruising range--and unbounded ferocity. WARM: It's just a simple guessing game: to be? or not to be? KLYSTERMAN'S SILENT VIOLIN: Powerful weapons are a fine thing--but you wouldn't want your lover to marry one. THE NEW REALITY: It's amazing how much destruction you can wreak with a few simple tools--if you put your mind to it. These and six other tales of the highest quality--the most amazing conviction

The seventh in a series of superb science fiction. The Alpha series of anthologies center on no particular theme except that of literary quality and importance to the science fiction genre. Since its inception in 1970, the Alpha series has been dedicated to the proposition that science fiction can be a literature not only of stimulating and unfamiliar ideas but also of skilful and vigorous writing. Thus far Alpha has offered sixty-odd stories that exemplify the best of science fiction: challenging, provocative views of the universe, presented in crisp, sparkling prose. The volumes in the series offer some of the liveliest work produced in the short-story form anywhere in the world, and not just of the science-fiction category. Alpha serves a secondary purpose: to rescue from oblivion stories that might otherwise be undeservedly forgotten. Herewith, the seventh feast of outstanding fiction.

The first in a series of superb science fiction. Alpha is, aside from the first letter of the Greek alphabet, a term that denotes excellence and primacy in a variety of disciplines: in nuclear physics, for example, it is the name of a particle of unusually large mass and charge. It seemed a useful label to attach to this volume, the first of an intended series of collections of science fiction stories. The Alpha series of anthologies will center on no particular theme except that of literary quality. The presence in any one volume of a cluster of stories bearing other thematic resemblance-as in this volume, where there are four or five time-travel stories-will be purely coincidental. I propose to cull the files of the science fiction magazines for stories that an educated and sophisticated reader will find stimulating, and to assemble them in books of roughly equal size that will appear once a year over the next few years. Some of the stories will be fifteen or twenty years old and richly in need of restoration to print. Others will be quite recent: the literary level of the science fiction short story has undergone an extraordinary transformation in the past few years, a fact that demands recognition here. Appropriately enough, this first volume of the ALPHA series covers a roster of writers from A to Z. Specifically, Aldiss to Zelazny-although this coincidence in alphabet is merely incidental to the fact that both these gentlemen, and the several others represented in this anthology, all write superb science fiction. Two criteria were used in the selecting of these stories-literary merit and importance to the genre. The result is that the variety of subjects is matched only by the richness and diversity of their handling-brilliant, frightening, clever, bizarre, powerful, witty, funny-and several steps in-between. So much for policy. The nine volumes of this series provide an exciting cumulative view of a field in which some of the most vigorous and inventive fiction of our times has been produced. Simply put, here is the best science fiction from the best science fiction writers.

From multiple Hugo and Nebula Award-winning author Robert Silverberg, Roma Eterna takes an in-depth look at an alternative history in which the Roman Empire survives into the twenty-first century and beyond. What would happen if Imperial Rome never fell? Roma Eterna, spanning fifteen hundred years of global history, follows the reign of the Roman Empire from its inception to the present day. Empire continues to expand, creeping across the globe and through the annals of history from the conquest of the Mayans to the first circumnavigational voyage, and finally the attempt of the Hebrews to flee Rome's tyranny by escaping to another planet. Originally published as a series of short stories, Roma Eterna presents a powerful new world written by an endlessly imaginative writer.

These science fiction stories here were published just last year and honored in April. The winners are: Connie Willis's "A Letter from the Cleary's" and "Firewatch," John Kessel's novella "Another Orphan" and an excerpt from Michael Bishop's novel No Enemy But Time. Equally impressive is the quality of the nominees that didn't win. Joanna Russ's "Souls" is a medieval setting. Barry Malzberg's "Corridors," actually from the inside. "Swarm," one of the best stories ever about living with aliens, by Bruce Sterling. Also includes stories by Silverberg and William Gibson.

Robert Silverberg needs little introduction to anyone at all familiar with the history of the science fiction field. Fan. Author. Editor. Creative force. He has been an integral part of the field for longer than most of his readers have been alive. Earlier this year, he kindly agreed to put together a MEGAPACK(R) of his short stories, so here, then, is a selection of early works by one of the all-time greats. Included are: ALAREE BIRDS OF A FEATHER BLAZE OF GLORY DELIVERY GUARANTEED THE DESSICATOR THE HAPPY UNFORTUNATE THE HUNTED HEROES THE IRON STAR THE ISOLATIONISTS THE LONELY ONE THE MAN WHO CAME BACK NEUTRAL PLANET OZYMANDIAS THE PAIN PEDDLERS THE PLEASURE OF THEIR COMPANY POINT OF FOCUS POSTMARK GANYMEDE PRIME COMMANDMENT THE SONGS OF SUMMER SPACEROGUE THERE WAS AN OLD WOMAN THE WOMAN YOU WANTED VALLEY BEYOND TIME WE KNOW WHO WE ARE

FIRST EDITION The world's most distinguished author of the literature of the fantastic presents his most extraordinary stories of worlds lost and dreams fulfilled... In his illustrious forty-five year career as a novelist and author of short fiction, Robert Silverberg has belonged in the company of the best writers of the 20th century. His writing has been compared to Conrad, Huxley, and Orwell. In this definitive collection Silverberg presents the novellas that have won him multiple Hugo and Nebula Award nominations, including his Nebula Award winning achievement, "Sailing To Byzantium." Here are the virtuoso performances of the third phase of Silverberg's astounding the Nebula Award nominee "Homefaring"; the Hugo Award nominee "The Secret Sharer"; "Thomas The Proclaimer" and "We Are For The Dark." If you are a lover of Silverberg's work or are simply looking for a place to begin a relationship with the literature of science fiction and fantasy, this is the place to start.

A remarkable collection, Robots through the Ages includes stories from some of the best writers of science fiction, both old and new. This anthology, with an introduction by Robert Silverberg, offers a sweeping survey of robots as depicted throughout literature. Since the Iliad--in which we are shown golden statues built by Hephaestus "with minds and wisdoms"--humans have been fascinated by the idea of artificial life. From the Argonautica to the medieval Jewish legend of the Golem and Ambrose Bierce's tale of a chess-playing robot, the idea of what robots are--and who creates them--can be drastically different. This book collects a broad selection of short stories from celebrated authors such as Philip K. Dick, Seanan McGuire, Roger Zelazny, Connie Willis, and many more. Robots through the Ages not only celebrates the history of robots and the genre of science fiction, but the dauntless nature of human ingenuity.

Now ibooks proudly presents a collection of Silverberg's best short fiction, as selected by the author. The 1950s: The Road to Nightfall, The Macauley Circuit, Sunrise on Mercury, Warm Man. The 1960s: To See the Invisible Man, Flies, Passengers, Nightwings, Sundance. The 1970s: Good News from the Vatican, Capricorn Games, Born with the Dead, Schwartz Between the Galaxies. The 1980s: The Far Side of the Bell-Shaped Curve, The Pope of the Chimps, Needle in a Timestack, Sailing to Byzantium, Enter a Soldier. Later, Enter Another. The 1990s: Hunters in the Forest, Death Do Us Part, Beauty in the Night. The 2000s: The Millennium Express, With Caesar in the Underworld.

Somehow, for all my outward pretence of cold-eyed professionalism, all my insistence that writing is simply a job like any other, I've discovered to my surprise and chagrin that there's more than that going on around here, that I write as much out of karmic necessity and some inescapable inner need to rededicate my own skills constantly to my-what? My craft? My art? My profession? I wrote these stories because the only way of earning a living I have ever had has been by writing, but mainly, I have to admit, I wrote these stories because I couldn't not write them. Well, so be it. They involved me in a lot of hard work, but for me, at least, the results justify the toil. I'm glad I wrote them. Writing them, it turns out, was important for me, and even pleasurable, in a curiously complex after-the-fact kind of way. May they give you pleasure now too. -Robert Silverberg, from his Introduction

Capturing a behind-the-scenes glimpse into the world of science fiction, this unique autobiography by Robert Silverberg shows how famous stories in this genre were conceived and written. Chronicling his career as one of the most important American science fiction writers of the 20th century, this account reveals how he rose to prominence as the pulp era was ending--and the genre was beginning to take on a more sophisticated tone--to eventually be named a Grand Master by the Science Fiction Writers of America. Stating that this will be his only autobiographical work, Silverberg's book includes rare photos, ephemera from his own archives, and a complete bibliography of his works, from novels and short story collections to nonfiction.

A collection of fourteen short science fiction stories.

Armchair fiction presents extra large editions of the best in classic science fiction novels and short stories. Here's a top-of-the-line novel by one of sci-fi's most heralded authors, Robert Silverberg. Against the night sky, the nearly completed World's Fair Satellite gleamed like a shiny new penny. You could see it even with low-powered field glasses as it moved in its stately orbit around the Earth: a giant copper-hued globe, the biggest space satellite ever constructed. The Fair's opening day?October 12, 1992?was only some six weeks away. And in very much less time than that, Bill Hastings was going to be up there to begin his year in space. From every loudspeaker in Denver Spaceport came the booming message: ?Attention, passengers for Flight 100 Special Transit to the World's Fair. Boarding has now begun? Don't miss this tremendous sequel to ?Regan's Planet.'