With a rich cast, a fast-moving story line, and dialogue that displays all the wit and panache for which Frederic Raphael is famous, Fame and Fortune is a powerful sequel to his bestselling classic, The Glittering Prizes. Success as a novelist and Hollywood screenwriter has brought fame and its pleasures to Adam Morris, whose public cynicism continues to mask his private anguish. He still moves warily amongst his ambitious Cambridge contemporaries, but for them, as for him, success has proved a double-edged sword.

The manager's name was Love. His first-floor flat was diagonally across the private road and the rose beds from ours. Each weekday morning, at eight fifteen, he hooked open his lattice-paned bedroom window and did exercises, in a white sleeveless vest and white drawers. So begins the extraordinary life story of one of Britain's most celebrated writers, Frederic Raphael. Going Up is a journey from Chicago to Putney, to Charterhouse, on up to Cambridge, and beyond to Hollywood and France, recording experiences that were absorbed in his opulent novels and screenplays. Raphael is the author of over twenty novels, the most celebrated being The Glittering Prizes and its sequels, following the aspirations and changing lives of a group of Cambridge students through to middle age. The Glittering Prizes became a critically acclaimed six-part BBC television series for which Raphael would win a Royal Television Society Writer of the Year Award. He also won an Oscar for his screenplay for the 1965 movie Darling.Going Up is a dazzling piece of virtuoso prose writing that is fabulously indiscreet but also deeply moving, and punctuated throughout by Raphael's indefatigable wit and incomparable erudition.

As a couple drive across America, the anguish, humour and tragedy of their lives emerge in this beautifully written novel. Between the meetings with people from their past, Marion and Barnaby live and re-live their own secret dreams, and in the elusive, edgy dialogues of a long married couple, reveal more about themselves than they might care to confess.

Mixing observations about friends and family with short sketches and literary gossip, this third installment of the author's notebooks updates an intriguing personal and cultural record. Starting where Rough Copy: Personal Terms II left off, the story of one contemporary writer's life is resumed in anecdotes, aphorisms, journal entries, reviews, and vignettes of people and places.

"Frederic Raphael, the English novelist, screenwriter, and man of letters, and Joseph Epstein, the American essayist, short-story writer, and literary critic, exchanged e-mails sporadically over the years, usually commenting on each other's various writings. Then one day in 2009, Raphael wrote to Epstein to suggest that, since they enjoyed a benevolence toward each other unusual among literary men, they begin an exchange of e-mail correspondence on a regular basis. His thought was that, at the end of a year or so, the result might be an interesting book. Epstein, who had long admired Raphael's writing, agreed. The two men had never met, nor had they even spoken over the phone. Their friendship was conducted entirely online. Each week they exchanged e-mails of roughly 2,000 words. They discovered a great many things about each other they hadn't previously known. They shared, for example, a common birthplace in Chicago, where Raphael was born, though his family moved to England in 1938, and his education after that was exclusively English. Each man belongs to that dolorous fraternity of those who have buried a child. Their literary tastes vary, though not widely, since both grew up admiring the great modernist writers and both had an enduring love for Greek and Roman culture. Both men share a fundamental agreement about what, in artistic and intellectual realms, is serious. Raphael and Epstein are artists who happen also to be intellectuals. The result is that few subjects are off limits to them. They are of an age when they have long ceased to worry about their reputations. Wherever else they may look, it is not over their shoulders. Candor reinforced by comedy is the reigning note of Where Were We? as it was of Distant Intimacy, their earlier volume of e-mail correspondence. Writing about other writers, actors, politics, the movies, intellectual fashions, the writing life, and much else, both men say precisely what they think, and say it in high style. Readers may or may not agree with their strong views, but they will never find their thoughts other than fascinating. "--

Set in post-war London, The Limits of Love is an examination of the lives and tensions of several Jewish families. Otto Kahane, a Dachau refugee, his nephew, delicatessen-keeper Isidore, Ben the zealous Communist, Paul the reluctant Jew and his girl-friend, Julia--Frederic Raphael probes the characters and their shifting relationships with a touch at once clinical and sympathetic. His long, intricately woven novel displays the same gift for detail and dialogue that characterizes all the work of this talented writer.

'Personal Terms IV' follows Raphael's distinguished and eventful career as a novelist and Oscar-winning screenwriter, offering a wry take on the glamorous worlds of Hollywood and literary London during the second half of the 1970s.

Against the Stream is the latest volume of Frederic Raphael's acclaimed memoirs Personal Terms , an unrivalled parade of the author's eventful and provocative life, opinions and times drawn from his living and breathing cahiers and journals. "Shrewd, funny, gossipy and elegantly written," as Jeremy Lewis said in the Literary Review , these writings are as unguarded, sardonic and tactless as they are candid. This seventh volume relives Margaret Thatcher's first years in office. Raphael's wide acquaintance in the world of politics, literature, journalism and the movies gives him rare access to the character of those, in England and America, who dominated the times. The unintended result is a Proustian parade of people, famous and otherwise forgotten, and events momentous and strictly personal, presented by an unabashedly partisan, unblinking eye-witness. There is nothing else quite like this unfolding project in English or American literature. "I am not a camera, but--as these carnets prove--I am a pen. The moving finger writes differently from the clicking keys."

This is the latest collation from Frederic Raphael's personal journals. Compulsively readable, wise, and mischievous by turns, this sixth volume chronicles his eventful life in the seemingly glamorous worlds of 1980s Hollywood and literary London.

Recounts the main events and relationships of Maugham's long life and analyzes most of the important plays, stories, novels, and essay collections, with a glance at film scripts and miscellanea