New York City, the near future: Mitchell Zukor works on the cutting edge of corporate irresponsibility, and business is booming. A brilliant mathematician, he spends his days calculating worst-case scenarios for FutureWorld, a consulting firm that indemnifies corporations against potential disasters. As Mitchell immerses himself in the calculus of catastrophe, he exchanges letters with Elsa Bruner—a college crush with her own apocalyptic secret—and becomes obsessed by a culture's fears. When Mitchell's darkest predictions come true and an actual worst-case scenario engulfs Manhattan, he realizes that he is uniquely prepared to profit. But what will it cost him? Odds Against Tomorrow , hailed by Rolling Stone as "the first great climate-change novel," is an all-too-plausible literary thriller, an unexpected love story, and a philosophically searching inquiry into the nature of fear. The future is not what it used to be.

All cities have their secrets, but none are so dark as San Francisco's, the city that Ambrose Bierce famously described as "a point upon a map of fog." With its reputation as a shadowy land of easy vice and hard virtue, San Francisco provided the ideal setting for many of the greatest films noir, from classics like The Maltese Falcon and Dark Passage to obscure treasures like Woman on the Run and D.O.A. , and neo-noirs like Point Blank and The Conversation . Readers visit the Mission Dolores cemetery where James Stewart spied Kim Novak visiting Carlotta's grave in Vertigo ; the Steinhart Aquarium, where a steamy love scene unfolded between Orson Welles and Rita Hayworth in The Lady from Shanghai ; and the Kezar Stadium, where Clint Eastwood captures the serial killer, Scorpio, in a blaze of ghastly white light in Dirty Harry . In this guide to the great films noir and the locations where they were shot, the mythic noir city meets San Francisco's own dark past. With period film stills.