From the Five-Time Nebula Award-Winner""Seven thousand centuries ago, falling death stars unleashed fiery apocalyptic destruction on Earth and inaugurated the Long Winter. One small band of People took refuge in an underground cocoon where they and their descendants waited for the time of ice to end. Now their long winter is over. Prophecy and circumstance urge the tribe out into the half-forgotten world beyond their safe cocoon. Led by their chieftain Koshmar, the tribe journeys to the city of Vengiboneeza, where the prophecy of the gods says they are to rule. On their way the tribe discovers the dangers and wonders of life in the New Springtime. In the face of new temptations and peril, Koshmar and her lover, the priestess Torlyri, struggle to keep the People united and fulfill the prophecy. For soon they will be beset by other trials, as other beings seek to fulfill their own prophecies.Robert Silverberg provides an introduction exclusive to this Bison Books edition.

The eighth in a series of superb science fiction. The Alpha series of anthologies center on no particular theme except that of literary quality and importance to the science fiction genre. Here is another set of the best stories, stories which were ahead of their epoch when they were new, which display a freshness and vigor that make them almost indistinguishable from the best of today's s-f, and which set the standard by which modern writers have guided their careers. A DUSK OF IDOLS: Not only are the gods cruel, but they can make you like it. THE HUMAN OPERATORS: The great ships possess unlimited cruising range--and unbounded ferocity. WARM: It's just a simple guessing game: to be? or not to be? KLYSTERMAN'S SILENT VIOLIN: Powerful weapons are a fine thing--but you wouldn't want your lover to marry one. THE NEW REALITY: It's amazing how much destruction you can wreak with a few simple tools--if you put your mind to it. These and six other tales of the highest quality--the most amazing conviction

Up the Line is a ribald, Byzantine tale of time-tourism from multiple Nebula and Hugo Award-winning author Robert Silverberg. It's 2059 and Jud Elliott--former law clerk and failed Harvard history student--is at loose ends. Having left his previous job out of boredom, he finally takes a position as a Time Courier showing tourists around medieval and ancient Byzantium. Maybe that unfinished master's degree will come in handy after all ... Jud is careful and he (mostly) plays by the rules, not wanting to get on the wrong side of the Time Patrol. But, on one trip up the line, he meets and falls in love with his great-great-multi-great grandmother and suddenly the rules don't seem as important anymore ...

FIRST EDITION The world's most distinguished author of the literature of the fantastic presents his most extraordinary stories of worlds lost and dreams fulfilled... In his illustrious forty-five year career as a novelist and author of short fiction, Robert Silverberg has belonged in the company of the best writers of the 20th century. His writing has been compared to Conrad, Huxley, and Orwell. In this definitive collection Silverberg presents the novellas that have won him multiple Hugo and Nebula Award nominations, including his Nebula Award winning achievement, "Sailing To Byzantium." Here are the virtuoso performances of the third phase of Silverberg's astounding the Nebula Award nominee "Homefaring"; the Hugo Award nominee "The Secret Sharer"; "Thomas The Proclaimer" and "We Are For The Dark." If you are a lover of Silverberg's work or are simply looking for a place to begin a relationship with the literature of science fiction and fantasy, this is the place to start.

Yakoub, interplanetary Gypsy King, tells of his long life, his many loves and his travels from world to world. Yet after everything he has achieved, one final goal remains--wresting back the crown from his usurping son and returning to his people's legendary home, the Star of Gypsies. Fine.

The stories here, all of them written between March of 1972 and November of 1973, mark a critical turning point in my career. Those who know the three earlier volumes have traced my evolution from a capable journeyman, very young and as much concerned with paying the rent as he was to advancing the state of the art, into a serious, dedicated craftsman now seeking to leave his mark on science fiction in some significant way. Throughout the decade of the 1960s I had attempted to grow and evolve within the field of writing I loved--building on the best that went before me, the work of Theodore Sturgeon and James Blish and Cyril Kornbluth and Jack Vance and Philip K. Dick and half a dozen others whose great stories had been beacons beckoning me onward--and then, as I reached my own maturity, now trying to bring science fiction along with me into a new realm of development, hauling it along even farther out of its pulp-magazine origins toward what I regarded as a more resonant and evocative kind of visionary storytelling. --Robert Silverberg, from his Introduction