3 results for "Poetry"

Monster

Robin Morgan
The debut poetry collection from one of feminism’s most passionate voices, with a new preface by the author Well before Robin Morgan was known as a feminist leader, literary magazines published her as a serious poet, and in 1979 she received a National Endowment for the Arts Creative Writing Fellowship in poetry. Monster, her first collection, originally published in 1972, contains work that will astonish, disorient, and move readers in powerful ways. But Monster is more than just a book; it has become a phenomenon. Written at a time of political turmoil during the birth of contemporary feminism, the title poem was adopted by women as the anthem of the women’s movement; it was chanted at demonstrations and some of its lines became slogans. “Arraignment” stirred an international controversy over Ted Hughes’s influence on Sylvia Plath’s suicide—complete with lawsuits, the banning of this book, and the publication of underground, pirated feminist editions, all of which Morgan reveals in her new preface. From her well-wrought poems in classical forms to the searing energy and poignant lyricism of the longer, later ones, Morgan’s work when it was first released spoke to women hungry for validation of their own reality—and the book sold thirty thousand copies in hardcover alone in its first six months, which was unheard of for poetry. Available now for the first time in years, Monster is an intense, propulsive journey deep into the heart of one of feminism’s greatest heroes.
Random House, Incorporated 1972-11 100 pages

Hot January Poems, 1996-1999

Robin Morgan
Robin Morgan's work, celebrated for its vindication of female experience and its evocation of the zeitgeist, is here intensely personal and powerful in new ways. In her sixth book of poems, prize-winning poet Robin Morgan undertakes a radical departure from her previous work, as she locates the landscape of her vision in the stark isolation of a self confronting love's aftermath, its losses, and its undeniable betrayals. In poems documenting a seven-year silence, Morgan's voice emerges markedly different, sounding a singular passage through a private hell of despair, the madness of a "Hot January," to a place of furious peace in which the artist weeps "to recognize the self I'd fled to find."
W. W. Norton, Incorporated 2000-12 79 pages