3 results for "Booker Prize"

When I grow up

Rubens, Bernice
In a rare foray outside that natural home, Booker Prize-winner Bernice Rubens penned these memoirs 'while I still have a memory'. Poignantly, the highly-acclaimed author, literary bon-vivante and celebrated film-maker died shortly after completing them. She wasn't quite expecting that but nor, as she reveals in these pages, did she expect to become a writer. It wasn't the sort of thing that happened to girls born in Glossop Terrace in Splott, the 'unmentionable and indisputable armpit of Cardiff'. In this delightful evocation of her own life, Rubens escorts us, with a flotilla of anecdotes, away from that armpit through her wartime childhood, her first 'major folly' (studying English at University) to stints as a teacher, lady's maid and actress before stumbling upon a career that bemused her until the end of her days. 'What shall I do,' was her constant internal refrain, 'when I grow up?' Bernice Rubens died in the autumn of 2004.
Abacus 2006-12-07 229 pages

Set on edge

Rubens, Bernice
Product Description Glady's Sperber remains home as one by one her younger brothers and sisters marry and move out, but finally, at sixty, she decides to marry From Publishers Weekly Originally published in England in 1960, this is a bleak rendition of a mother/daughter love/hate relationship by the Booker Prize-winning author (see review of Our Father below). Gladys Sperber, the family "martyr," is the oldest of five "failures" who, because her mother is "too busy," virtually raises her siblings. "She would take her food when the others had eaten. . . . She would wait for their happiness before she felt entitled to her own, and she would have looked after their dying if she'd been able." The title refers to Gladys's destructive symbiotic relationship with her mother: the biblical book of Ezekiel observes that fathers eat sour grapes and the children's teeth are set on edge. Although the novel, which covers two world wars, evokes the limited choices available to women in a man's world and is replete with manifestations of mother-daughter interdependence (an adult Gladys shares a bedroom with her widowed mother), it doesn't probe the psychodynamics of that relationship. The result is a contrived work that depresses rather than engrosses. Copyright 1987 Reed Business Information, Inc.
Hamilton 1987 221 pages