How did the Virgin Mary, about whom very little is said in the Gospels, become one of the most powerful and complex religious figures in the world? To arrive at the answers to this far-reaching question, one of our foremost medieval historians, Miri Rubin, investigates the ideas, practices, and images that have developed around the figure of Mary from the earliest decades of Christianity to around the year 1600. Drawing on an extraordinarily wide range of sources—including music, poetry, theology, art, scripture, and miracle tales—Rubin reveals how Mary became so embedded in our culture that it is impossible to conceive of Western history without her. In her rise to global prominence, Mary was continually remade and reimagined by wave after wave of devotees. Rubin shows how early Christians endowed Mary with a fine ancestry; why in early medieval Europe her roles as mother, bride, and companion came to the fore; and how the focus later shifted to her humanity and unparalleled purity. She also explores how indigenous people in Central America, Africa, and Asia remade Mary and so fit her into their own cultures. Beautifully written and finely illustrated, this book is a triumph of sympathy and intelligence. It demonstrates Mary’s endless capacity to inspire and her profound presence in Christian cultures and beyond.

This book studies later medieval culture (c. 1150-1500) through its central symbol: the eucharist. From the twelfth century onward the eucharist was designed by the Church as the foremost sacrament. The claim that this ritual brought into presence Christ's own body, and offered it to believers, underpinned the sacramental system and the clerical meditation upon which it depended. The book explores the context in which the sacramental world was created and the cultural processes through which it was disseminated, interpreted and used. With attention to the variety of eucharistic meanings and practices, the book moves from the "design" of the eucharist in the twelfth century to its redesign in the sixteenth--a story of the emergence of a symbol, its use and interpretation and final transformation.

Beginning in Paris in the year 1290, Jews were accused of abusing Christ by desecrating the eucharist—the manifestation of Christ's body in the communion service. Over the next two centuries this tale of desecration spread throughout Europe and led to violent anti-Jewish activity in areas from Catalonia to Bohemia, particularly in some German-speaking regions, where at times it produced regionwide massacres and "cleansings." Drawing on sources ranging from religious tales and poems to Jews' confessions made under torture, Miri Rubin explores the frightening power of one of the most persistent anti-Jewish stories of the Middle Ages and the violence that it bred. She looks not just at the occasions on which massacres occurred but also at those times when the story failed to set off violence. She investigates as well the ways these tales were commemorated in rituals, altarpieces, and legends and were enshrined in local traditions. In exploring the character, nature, development, and eventual decay of this fantasy of host desecration, Rubin presents a vivid picture of the mental world of late medieval Europe and of the culture of anti-Judaism.