All modern nation states have a story of their origins, passed down through both official and popular culture, and yet few of these accounts have proved as divisive and influential as the Israeli national myth. The well-known tale of Jewish exile at the hands of the Romans during the first century CE, and the assertion of both cultural and racial continuity through to the Jewish people of the present day, resonates far beyond Israel's borders. Despite its use as a justification for Jewish settlement in Palestine and the project of a Greater Israel, there have been few scholarly investigations into the historical accuracy of the story as a whole. Here, Shlomo Sand shows that the Israeli national myth has its origins in the nineteenth century, rather than in biblical times--when Jewish historians, like scholars in many other cultures, reconstituted an imagined people in order to model a future nation.--From publisher description.

What is a homeland? When does it become a national territory? Why have so many people been willing to die for such places throughout the twentieth century? What is the essence of the Promised Land? Following the acclaimed and controversial The Invention of the Jewish People, Shlomo Sand examines the mysterious sacred land that has become the site of the longest-running national struggle of the twentieth and twenty-first centuries. The Invention of the Land of Israel deconstructs the age-old legends surrounding the Holy Land and the prejudices that continue to suffocate it. Sand's account dissects the concept of "historical right" and tracks the creation of the modern concept of the "Land of Israel" by nineteenth-century Evangelical Protestants and Jewish Zionists. This invention, he argues, not only facilitated the colonization of the Middle East and the establishment of the State of Israel, it is also what is threatening the existence of the Jewish state today.--From publisher description.

"Shlomo Sand was born in 1946, in a displaced person's camp in Austria, to a Jewish mother and non-Jewish father; the family later migrated to Palestine. As a young man, Sand came to question his Jewish identity, even that of a "secular Jew." With this meditative and thoughtful mixture of essay and personal recollection, he articulates the problems at the center of modern Jewish identity. How I Stopped Being a Jew discusses the negative effects of the Israeli exploitation of the "chosen people" myth and its "holocaust industry." Sand criticizes the fact that, in the current context, what "Jewish" means is, above all, not being Arab and reflects on the possibility of a secular, non-exclusive Israeli identity, beyond the legends of Zionism"--

""Internationally acclaimed Israeli historian Shlomo Sand made his mark with books such as The Invention of the Jewish People and The Invention of the Land of Israel. Returning here to an early fascination, he turns his attention to the figure of the French intellectual. From his student years in Paris, Sand has throughout his life come up against the 'great French thinkers'. He has an intimate knowledge of the Parisian intellectual world and its little secrets, on which he draws to overturn certain myths attaching to the figure of the 'intellectual' that France prides itself on having invented. Mixing reminiscence and analysis, he revisits a history that, from the Dreyfus Affair through to Charlie Hebdo, seems to him that of a long decline. As a long-time admirer of Zola, Sartre and Camus, Sand is staggered to see what the French intellectual has become today, in such characters as Michel Houellebecq, Éric Zemmour and Alain Finkielkraut. In a work that gives no quarter, and focuses particularly on the Judeophobia and Islamophobia of the 'elites', he casts on the French intellectual scene a gaze that is both disabused and sarcastic."--Provided by publisher.

"The acclaimed and controversial historian turns his critical gaze on the writing of history today. Drawing on his four decades as a professional historian, Shlomo Sand interrogates the academic discipline of history, whose origin lay in the need for a national ideology. In the last few decades, traditional history has begun to fragment, yet only to give rise to a new role of historians as priests of official memory. Working in Israel has sharpened Sand's perspective, since the role of history as national myth is particularly salient in a country where the Bible is treated as a history book. He asks such questions as: Is every historical narrative ideologically marked? Do political requirements and state power weigh down inordinately on historical research and teaching? And, in such conditions, can there be a morally neutral and 'scientific' truth? Despite his trenchant criticism of academic history, Sand would still like to believe that the past can be understood without myth, and sees pointers for this in the work of Weber and Sorel."--Publisher's description