In the Middle Ages, Jews were hated for their religion. In the twentieth century, they were hated because of their race. Today, Jews are hated for something else entirely, their nation-state of Israel. Antisemitism has morphed into something both ancient and modern: Israelophobia. But how did this transformation occur? And why? Award-winning journalist Jake Wallis Simons answers these questions, clarifying the line between criticism and hatred, exploring game-changing facts and exposing dangerous discourse. Urgent, incisive and deeply necessary, Israelophobia reveals why the Middle East"s only democracy, which uniquely respects the rights of women and sexual and religious minorities, attracts such disproportionate levels of slander. Rather than defending Israel against all criticism, it argues for reasonable disagreement based on reality instead of bigotry. Through charting the history of Israelophobia - starting in Nazi Germany, travelling via the Kremlin to Tehran and along fibre optic cables to billions of screens - and using it to understand contemporary prejudice, this timely book will restore much-needed sanity to the debate, creating the space for mutual understanding, tolerance and peace.

The novel centres on a colourful group of refugee Tibetans. One of the group's members, the charismatic (and slightly dubious) Rabbi Chod, recognises himself as the reincarnation of Moses, and various friends as reincarnations of key Biblical figures. Despite condemnation from both the mainstream Jewish and Tibetan communities, he declares his followers the true 'lost tribe of Israel', and defiantly opens up a synagogue in a pet shop. a family where suppression and dysfunction are common currency. Both of his parents are Tibetan Jews, followers of Rabbi Chod. His father owns a cafe called 'Hush Hush', so called because within the cafe, all forms of noise are forbidden. Any customer who speaks is instantly banned and a Polaroid photo of them is pinned to a cork board in case they should dare to return. way not into the future, but the past. He falls asleep each night only to wake up the day before. In this way, as he grows up his parents get younger. By the end of the book his parents are children - too young to manage by themselves - and the adult Monlam has to look after them. In this way he witnesses his own family history, quite literally living backwards into their lives.