Hollow City surveys San Francisco's transformation - skyrocketing residential and commercial rents that are driving out artists, activists, nonprofit organizations and the poor; the homogenization of the city's architecture, industries and population; the decay of its public life; and the erasure of its sites of civic memory. California's Bay Area is home to nearly a third of the venture capital and internet businesses in the United States, generating a boom economy and a massive influx of well-paid workers that has transformed the face of San Francisco. Once the great anomaly among American cities, San Francisco is today only the most dramatically affected among the many urban centers experiencing cultural impoverishment as a result of new forms and distributions of wealth. A collaboration between writer-hiostorian Rebecca Solnit and photographer Susan Schwartzenberg, Hollow City surveys San Francisco's transformation - skyrocketing residential and commercial rents that are driving out artists, activists, nonprofit organizations and the poor; the homogenization of the city's architecture, industries and population; the decay of its public life; and the erasure of its sites of civic memory. Written as a tour of the city's distinctive characters and locales, Solnit's text grounds the current evictions in earlier histories of urban renewal and the economic geography of artists, from Haussmann's impact on the Paris of Baudelaire, to the relationship between the Beats and San Francisco's African-American community during 'negro removal' of the 1950s. She investigates the ways wealth is now clear-cutting the cultural richness of American urban life, erasing space for idealism, dissent, memory and vulnerable populations. Schwartzenberg's photo-essays document the profusion of construction and demolition projects in the city, the imperial spaces of dot-com businesses, the proliferation of retail chains, and the rapid disappearance of areas in which artists can live and create. They feature works by more than a dozen San Francisco artists.

Adorno, Foucault, and the Critique of the West argues that critical theory continues to offer valuable resources for critique and contestation during this turbulent period in our history. To assess these resources, it examines the work of two of the twentieth century's more prominent social theorists: Theodor W. Adorno and Michel Foucault. Although Adorno was situated squarely in the Marxist tradition that Foucault would occasionally challenge, Cook demonstrates that their critiques of our current predicament are complementary in important respects. Among other things, they converge in their focus on the historical conditions economic in Adorno and political in Foucault that gave rise to the racist and authoritarian tendencies that continue to blight the West. But this book will also show that as Adorno and Foucault plumb the economic and political forces that have shaped our identities, they offer remarkably similar answers to the perennial question: What is to be done?