1973 Mass Market Paperback. Stanislaw Lem is the most widely translated and best known science fiction author writing outside of the English language. Winner of the Kafka Prize, he is a contributor to many magazines, including the New Yorker, and he is the author of numerous works, including Solaris.

A crew of six crash-land on Eden, fourth planet from another sun. They set forth into a strange world that grows ever stranger. The sun is not completely circular. The desert ground is soft, spongy, it exudes acrid vapors. Thickets of plants are shaped like hanging spiders; trees, violet and blue, breathe noisily; flower petals lift into the air like a flock of startled pigeons. The men come to a wall that moves in rhythmic waves; they enter an automated factory where mysterious objects are created, destroyed, and created again in a meaningless cycle. They meet an inhabitant of Eden, a large, humped, pearl-colored, naked torso from which protrudes another, smaller torso with a child's head and two small arms -- a "doubler," they call him. One doubler leads to another, to whole communities, to a world of flying saucers and genetic engineering. And everywhere, death. Swollen bodies in ditches and in wells, a beehive structure filled with clusters of glass eggs -- a skeleton within each egg.

Ijon Tichy is the only human who knows for sure whether the self-programming robots on the moon are plotting a terrestrial invasion. But a highly focused ray severs his corpus collosum. Now his left brain can’t remember the secret and his uncooperative right brain won’t tell. Tichy struggles for control of the lost memory and of his own two warring sides. Translated by Elinor Ford with Michael Kandel. A Helen and Kurt Wolff Book

Stanislaw Lem's Highcastle is at once a remembrance and a meditation. Even as Lem gives an account of his childhood in Lvov in the years between the two world wars, he ponders the nature of memory, innocence, and the imagination. His recollections of growing up the son of a bourgeois doctor at Number 4 Brajerska Street are stunningly evocative, re-creating with acuity a boy's perception of the world around him: his gossipy French tutor; the magical window of Zalewski's Confectionery; his father's anatomy books and carefully hidden French pornography; a trip to Klaften's Toy Shop; an aborted visit to a tattooed lady at the Eastern Fair; the trams, organ grinders, and halvah stands of Lvov.

These wickedly authentic introductions to twenty-first-century books preface tomes on teaching English to bacteria, using animated X-rays to create "pornograms," and analyzing computer-generated literature through the science of "bitistics." "Lem, a science fiction Bach, plays in this book a googleplex of variations on his basic themes" (New York Times Book Review). Translated by Marc E. Heine. A Helen and Kurt Wolff Book