"[This book] is Gertrude Stein's 1937 sequel to The Auobiography of Alice B. Toklas, but it is a profoundly different different book from its predecessor. Where that book is breezy and almost glib, this book is serious, and funny in a more biting manner. [It] is a book of the thirties, rather than the twenties: more sober, more concerned with social issues like nationhood and justice, and more realistic. Most dramatically, of course, Stein drops the voice of Alice B [Babette] Toklas and writes as herself. ..."--Publisher's note (page vii)

Although remembered mostly for her audacious bestseller, The Autobiography of Alice B. Toklas, Gertrude Stein was a unique literary artist of the twentieth century who left a voluminous body of work, including novels, essays, poetry, and prose. Stymied--just once--by a case of writer's block, Stein forayed into the world of mystery fiction to rediscover her path to creativity. Combining elements of free association and interior monologue that earned her reputation as an avant-garde stylist, Stein drew from a summer's worth of mysterious events at her French country home for inspiration. Blood on the Dining-Room Floor is the brilliant result. A possible murder disrupts the peaceful setting when, in a nearby village, Madame Pernollet is found on the cement courtyard of her husband's hotel. Did she fall from a window above . . . or was she pushed? Was there someone who wanted the preoccupied woman out of the way? In a departure from the typical whodunit, with nary a detective to lead the way, Stein lays out a series of crimes and clues, enticing readers to come up with their own verdict on the baffling events of one unnatural summer.

There is no summarizing or explaining the writings of Gertrude Stein. With the exception of her fledgling efforts like Three Lives or her funny, successful memoir, The Autobiography of Alice B. Toklas , her fictions are without conventional plot, setting, or character. They are intellectual flowers, each sentence growing or receding from the one before it, repeating its main points with subtle, telling changes. In Lucy Church Amiably , first published in Paris in 1930 and long out of print, Stein describes the landscape and pastoral life of central France (while writing, she was staying near a small village named Lucy) in and through her character Lucy "Gradually remembering a lake. Gradually. Remembering. A lake. In gradually remembering a lake by the shore of the lake where they were sitting." Yet Stein is not opaque or purely she always provides solid details in unexpected places, specializing, as the critic Fred Dupee put it, in "the mingling of apparent conviction with transparent nonsense." She is a central figure in the modernist movement, but her relentless pleasure in her quirky, handmade idiom can repel the unwary reader. Although it is a delight to have this reprint, a brief introduction would have been useful for the uninitiated. Those interested in Stein should also turn to her Selected Writings , or, for a painless entrée to her work, begin with The Autobiography of Alice B. Toklas . --Regina Marler

The Autobiography of Alice B. Toklas is a book by Gertrude Stein, written in October and November 1932 and published in 1933. It employs the form of an autobiography authored by Alice B. Toklas, her life partner.

Written in 1932 at the house that Gertrude Stein and Alice B. Toklas had rented in the Rhone Valley, Stanzas in Meditation is one of Stein's most abstract and complex works. It is almost as if Stanzas was conceived as a mirror opposite of The Autobiography of Alice B. Toklas, penned in the same year. The latter, written in a more direct and normative language, brought Stein international acclaim and resulted in the attention she received from 1934 on, while the former remained unavailable until its publication, after her death, in 1956. To Stein readers and admirers, however, this is one of her most important works, a poetic achievement central to her canon. From John Ashbery's groundbreaking essay-review of Stanzas in 1957 to Richard Bridgman's 1970 publication, Gertrude Stein in Pieces, poets and critics have recognized the importance of this masterpiece.