The Seagull , a spectacular failure on its first appearance, was the play that, on its second, established Anton Chekhov as an important and revolutionary dramatist. Here, amid the weariness of life in the country, the famous actress Arkadina presides over a household riven with desperate love, with dreams of success and dread of failure. It is her son, Konstantin, who one day shoots a seagull; it is the novelist Trigorin who will one day write the story of the seagull so casually killed; but it is Nina, the seagull herself, whose life to come will rewrite the story. This new translation of The Seagull --made by Tom Stoppard for the Peter Hall Company at the Old Vic in 1997--was produced by The Public Theater/New York Shakespeare Festival in New York City in 2001. The volume also contains an Introduction by Stoppard that indicates some of the problems translators have faced since the first English language Seagull in 1909

The play begins with Max and Charlotte, a couple whose marriage seems about to rupture. But nothing one sees on a stage is the real thing, and some things are less real than others. Charlotte is an actress who has been appearing in a play about marriage by her husband, Henry. Max, her leading man, is also married to an actress, Annie. Both marriages are at the point of rupture because Henry and Annie have fallen in love. But is it the real thing? In The Real Thing , Tom Stoppard combines his characteristically brilliant wordplay and wit with flashes of insight that illuminate the nature--and the mystery--of love, creating a multi-toned play that challenges the mind while searching out the innermost secrets of the heart.

"The Coast of Utopia is Tom Stoppard's long-awaited and monumental trilogy that explores a group of friends who came of age under the Tsarist autocracy of Nicholas I, and for whom the term intelligentsia was coined. Among them are the anarchist Michael Bakunin, who was to challenge Marx for the soul of the masses; Ivan Turgenev, author of some of the most enduring works in Russian literature; the brilliant, erratic young critic Vissarion Belinsky; and Alexander Herzen, a nobleman's son and the first self-proclaimed socialist in Russia, who becomes the main focus of this drama of politics, love, loss, and betrayal. In The Coast of Utopia, Stoppard presents an inspired examination of the struggle between romantic anarchy, utopian idealism, and practical reformation in this chronicle of romantics and revolutionaries caught up in a struggle for political freedom in an age of emperors."--Publisher's description.

"Hilary, a young psychology researcher at the Krohl Institute for Brain Science, is nursing a private sorrow and a troubling question. She and other researchers at the institute are grappling with what science calls the 'hard problem'--if there is nothing but matter, what is consciousness? What Hilary discovers puts her fundamentally at odds with her colleagues, who include her first mentor and onetime lover, Spike; her boss, Leo; and the billionaire founder of the institute, Jerry. Hilary needs a miracle, and she is prepared to pray for one."--Back cover.

"It is 1936 and A.E. Housman is being ferried across the river Styx, glad to be dead at last. His memories are dramatically alive. The river that flows through Tom Stoppard's The Invention of Love connects Hades with the Oxford of Housman's youth: High Victorian morality is under siege from the Aesthetic movement, and an Irish student called Wilde is preparing to burst onto the London scene." "On his journey the scholar and poet who is now the elder Housman confronts his younger self, and the memories of the man he loved his entire life, Moses Jackson - the handsome athlete who could not return his feelings. As if a dream, The Invention of Love inhabits Housman's imagination, illuminating both the pain of hopeless love and passion displaced into poetry and the study of classical texts. The author of A Shropshire Lad lived almost invisibly in the shadow of the flamboyant Oscar Wilde, and died old and venerated - but whose passion was truly the fatal one?" --Book Jacket.

Tom Stoppard's dramatization for BBC TV of 'Parade's End' by Ford Madox Ford will bring new readers to the novel as well as giving Stoppard's audience much that is original to his inventive version of a masterwork of modernist English literature. This is the story of Christopher Tietjens, the 'last Tory', his beautiful, disconcerting wife Sylvia, and the virginal young suffragette Valentine Wannop who completes this triangle of love among the English upper class before and during the Great War

Let others sing of war and a hero buffeted by fate. I sing of marriage and amarriage bed, and the endurance of love.

It begins as the elderly painter Donner lies dead at the bottom of the staircase in the studio he shares with fellow artists Martello and Beauchamp, who are accusing each of murder. From this moment on, through an inventive dramatic framework of 11 scenes that flash back and forward between the years 1914 and 1972, Stoppard examines the artists' relationships to each other, to their work and to a beautiful blind woman named Sophie, who was loved by Donner, courted by Beauchamp, sculpted by Martello, and died tragically....Cover.