You know the music... but do you know the man? Ludwig van Beethoven is one of the world's best loved and most influential composers. His life - its dramas, conflicts, loves and losses - is played out in his music. Now John Suchet shows us the man behind the music in this compelling biography of a musical genius. He reveals a difficult and complex character, struggling to continue his profession as musician despite increasing deafness, alienating friends with unprovoked outbursts of anger one moment, overwhelming them with excessive kindness and generosity the next, living in a city in almost constant disarray because of war with France. This is the real Beethoven, and Suchet brings him faithfully and vividly to life.

The Classic FM Friendly Guide to Beethoven will tell you everything you ever wanted to know about this famous composer, who is consistently in the top five in the Classic FM Hall of Fame (a yearly poll of the nations musical 145,000 listeners took part in 2005). Why was his childhood unhappy? How did his deafness affect him? Who were the women in his life? Who was The Immortal Beloved? What was The Heiligenstadt Testament? While giving all the facts about The Man and The Music, The Classic FM Friendly Guide to Beethoven includes lively and light-hearted features, quotes and anecdotes. There are sections about Beethovens Top 20 hits (with reference to the CD) and about his music in films, and even a Beethoven Mood Chart for when you need to raise or lower your blood pressure. Classic FM, the worlds largest classical music station (9.5 million listeners per month), have teamed up with popular TV journalist and acclaimed Beethoven expert John Suchet and publishers Hodder Arnold to publish this book, which takes its title from a new Friendly Guides on-air feature.

True Beethoven fans know that Beethoven is the greatest composer of all time, but in recent years Mozart's followers have grabbed most of the good tunes. Beethoven is admired but he is lost in our affection. John Suchet both admires Beethoven and likes him, and his three-volume fictional biography, THE LAST MASTER is a carefully researched labour of love. Not a street name or coffee-house in Vienna has gone unchecked. There are many studies of Beethoven and his music, but fewer biographies. His work is complex, and his letters are not immediately revealing in the way that Mozart's are. John Suchet makes his aims clear: within the framework of the historical evidence, he allows himself to imagine episodes which could have happened. Anything which turned out to be impossible has been rewritten until it met this criterion. The result is an awesomely impressive feat of scholarship as well as a compelling read.