Hugh Bennett, young reporter on a local paper, witnessed a terrible crime - a group of boys stabbed a man to death on Guy Fawkes' night, right in front of the fire on the village green. But as Bennett attempts to write the story for his paper, doubts begin to creep in about what he had actually seen, and he finds himself facing an immense moral dilemma. On first publication, The Progress of a Crime was seen as setting new standards in crime fiction.

Crime-writer Charles Applegate decided to set his second novel in a progressive school. Taking a job at Bramley Hall to see what such a school was like 'from the inside, ' Applegate found to his dismay that he was expected to do rather more than just people-watch. And when a murder took place on his first night there, his skills as a detective writer were called upon as well. But real-life crime was to prove very different from its fictional counterpart...

American-born John Wilson and his troop of distinguished friends were well known in the fashionable parts of London. And at their social gatherings the very latest fad was 'Immaterialism', and the quest for the perfect immaterial work of art - but what they hadn't expected to find was the perfect immaterial murder.