'I had this vision very clearly of a book in which I would record my total experience, and I knew how it should sound: with all the tones that no one ever admires, âe" the Gruesome, Tender, Needy, Sleazy, Boring, the Lurid and the Cute.âe(tm) In this way the hero of Adam Thirlwellâe(tm)s new novel describes the book you hold between your hands: a delirious tale of backchat and low tricks, all of which begin when our hero wakes beside a woman who is bleeding, unconscious and not, unfortunately, his wife... And then, of course, events get very much worse. SHORTLISTED FOR THE GOLDSMITHS PRIZE 2015 WINNER OF THE E.M. FORSTER AWARD 2015

After being sidetracked by two affairs in the region, Haffner finally resolves to claim his widow's inheritance in the eastern Alps, a villa seized in darker times, but must first win a fight with a team of bureaucrats and their minions.

'In case you had not noticed,' writes Adam Thirlwell in his first novel, Politics, 'in this book I am not interested in anything so small as the history of the USSR. I am not writing anything so limited.' In this epic miniature, therefore, Politics tells the story of three kids in their twenties falling in love with each in London. And, simultaneously, it tells other, smaller stories- of Stalin on the phone, Mao in the bathroom, Osip Mandelstam in another bathroom, Adolf Hitler on all fours, and Milan Kundera in an argument. Politics is not (quite) about politics.