"Mournful, insightful, and mystical...Mosley's best work of fiction." —Elle New York Times bestselling author Walter Mosley introduces us to Socrates Fortlow, an "astonishing character" (Los Angeles Times Book Review) in this acclaimed collection of linked stories. "I either committed a crime or had a crime done to me every day I was in jail. Once you go to prison you belong there." Socrates Fortlow has done his time: twenty-seven years for murder and rape, acts forged by his own two rock-breaking hands. Now, he has come home to a new kind of prison: two battered rooms in an abandoned building in Watts. Working a dead-end job at the supermarket and moving perilously close to invisibility, Socrates seeks inner truth and redemption amid the violence and hopelessness of South Central Los Angeles. In fourteen intertwining tales, Socrates grapples with situations that are never easy as he attempts to hold on to a job and offer a lifeline to a young man on his same bloodstained path. In Socrates's battle-scarred wisdom, there is hope of turning the world around in this "powerful, hard-hitting, unrelenting, poignant short fiction" ( Booklist ).

Easy Rawlins comes home one day to find Easter, the daughter of his friend Christmas Black, left on his doorstep. Easy knows that this could only mean that the ex-marine Black is probably dead, or will be soon.Easter's appearance is only the beginning, as Easy is immersed in a sea of problems. The love of his life is marrying another man and his friend Mouse is wanted for murder. As he's searching for a clue to Christmas Black's whereabouts, two suspicious MPs hire him to find his friend Black on behalf of the US Army. Easy's investigation brings him to Faith Laneer, a blonde woman with a dark past.As Easy begins to put the pieces together, he realizes that Black's dissappearance has its roots in Vietnam, and that Faith might be in a world of danger.

Mosley departs from his Easy Rawlins mysteries for this thought-provoking novel. Charles Blakey is a young black man whose life is slowly crumbling. When a mysterious white man offers to rent Charles's basement for the summer, Charles embarks on a journey into inconceivable worlds of power and manipulation, and unimagined realms of humanity.

A brand-new mystery series from one of the countryas best-known, best-loved writers: a new character, a new city, a new era. A new Walter Mosley. His name is etched on the door of his Manhattan office: LEONID McGILL, PRIVATE INVESTIGATOR. Itas a name that takes a little explaining, but heas used to it. aDaddy was a communist and great-great- Granddaddy was a slave master from Scotland. You know, the black manas family tree is mostly root. Whatever you see aboveground is only a hint at the real story.a Ex-boxer, hard drinker, in a business that trades mostly in cash and favors: McGillas an old-school P.I. working a city thatas gotten fancy all around him. Fancy or not, he has always managed to get byakeep a roof over the head of his wife and kids, and still manage a little fun on the sideamostly because heas never been above taking a shady job for a quick buck. But like the city itself, McGill is turning over a new leaf, adecided to go from crooked to slightly bent.a New York City in the twenty-first century is a city full of secretsaand still a place that reacts when you know where to poke and which string to pull. Thatas exactly the kind of thing Leonid McGill knows how to do. As soon as "The Long Fall" begins, with McGill calling in old markers and greasing NYPD palms to unearth some seemingly harmless information for a high-paying client, he learns that even in this cleaned-up city, his commitment to the straight and narrow is going to be constantly tested. And we learn that with this protagonist, this city, this time, Mosley has tapped a rich new vein thatas inspiring his best work since the classic "Devil in a Blue Dress."

A convention-defying novel by bestselling writer Walter Mosley, John Woman recounts the transformation of an unassuming boy named Cornelius Jones into John Woman, an unconventional history professor--while the legacy of a hideous crime lurks in the shadows. At twelve years old, Cornelius, the son of an Italian-American woman and an older black man from Mississippi named Herman, secretly takes over his father's job at a silent film theater in New York's East Village. Five years later, as Herman lives out his last days, he shares his wisdom with his son, explaining that the person who controls the narrative of history controls their own fate. After his father dies and his mother disappears, Cornelius sets about reinventing himself--as Professor John Woman, a man who will spread Herman's teachings into the classrooms of his unorthodox southwestern university and beyond. But there are other individuals who are attempting to influence the narrative of John Woman, and who might know something about the facts of his hidden past. Engaging with some of the most provocative ideas of recent intellectual history, John Woman is a compulsively readable, deliciously unexpected novel about the way we tell stories, and whether the stories we tell have the power to change the world.