The graduating seniors of a Seven Sisters college, trying to decide whether to pattern themselves after Katharine Hepburn or Emily Dickinson. Two young women besieged by the demands of mothers, lovers, and careers--not to mention a highly persistent telephone answering machine--as they struggle to have it all. A brilliant feminist art historian trying to keep her bearings and her sense of humor on the elevator ride from the radical sixties to the heartless eighties. Wendy Wasserstein's characters are so funny, so many-sided, and so "real" that we seem to know them from their Scene One entrances, though the places they go are invariably surprising. And these three plays--"Uncommon Women and Others," "Isn't It Romantic," and the Pulitzer Prize-winning "The Heidi" "Chronicles"--Manage to engage us heart, mind, and soul on such a deep and lasting level that they are already recognized as classics of the modern theater.

Celebrated playwright and magnetic wit Wendy Wasserstein has been firmly rooted in New York’s cultural life since her childhood of Broadway matinees, but her appeal is universal. Shiksa Goddess collects thirty-five of her urbane, inspiring, and deeply empathic essays–all written when she was in her forties, and all infused with her trademark irreverent humor. The full range of Wasserstein’s mid-life obsessions are covered in this eclectic collection: everything from Chekhov, politics, and celebrity, to family, fashion, and real estate. Whether fretting over her figure, discovering her gentile roots, proclaiming her love for ordered-in breakfasts, lobbying for affordable theater, or writing tenderly about her very Jewish mother and her own daughter, born when she was forty-eight and single, Wasserstein reveals the full, dizzying life of a shiksa goddess with unabashed candor and inimitable style.

A dinner party in an ornate mansion on the fashionable Upper East Side of Manhattan provides the scene for this witty and incisive play. Set in two eras--the early 1900s and our own Gilded Age--the characters move effortlessly from one period to the other. The host, a contemporary master of high-risk arbitrage, steps in and out of character as a robber baron of an earlier time. His guests of today include a Hollywood director, a not-so-cutting-edge sculptor, an online lingerie designer, an aggressive publicist, and an aging historian. Their counterparts from the past are the great man's rebellious son, a grand dame of New York society, the architect who built the mansion originally, and the maids and servants who maintain it. In this dance of rich storytelling and social commentary, it becomes strikingly clear that while old money has become new, little else has changed over the years. Children still rebel against their controlling parents, women still hope for love, and greed, snobbery, and angst persist.

In plays such as Isn't It Romantic, Uncommon Women and Others, and the Pulitzer Prize-winning The Heidi Chronicles, Wendy Wasserstein put her finger on the pulse of her past-modern, post-feminist sisters and delivered her diagnosis with shrewd good humor and an unerring sense of the absurd. That same engaging sensibility bubbles through the twenty-nine essays in Bachelor Girls, in which Wasserstein presents her observations on: -- Boyfriends -- "The worse the boyfriend, the more stunning your American Express bill." -- Role Models -- "In the forties emulating an ideal woman meant bobbing your hair like Betty Grable's. In the eighties, because of Jessica Lange, women have to get a Pulitzer Prize-winning actor-playwright to fall in love with them, have a child by one of the world's great dancers, be nominated for two Academy Awards, and enjoy doing the laundry alone on a farm." -- Success -- "I knew my friend Patti was a big-time Hollywood agent the first time I saw her dial a telephone with a pencil." Ranging from the dietary secrets of lemon mousse to the politics of the second marriage, with stopovers at a bar mitzvah in Westchester, a chess tournament in Rumania, and a Tokyo production of Isn't It Romantic, Bachelor Girls is pure Wasserstein, which is to say, pure joy. From the Trade Paperback edition.