"A brother is as easily forgotten as an umbrella."--James Joyce, Ulysses 1918 Audrey Death--feminist, socialist and munitions worker at Woolwich Arsenal--falls ill with encephalitis lethargica as the epidemic rages across Europe, killing a third of its victims and condemning a further third to living death. 1971 Under the curious eyes of psychiatrist Dr. Zack Busner, assumed mental patient Audrey Death lies supine in bed above a spring grotto that she has made every one of the forty-nine years she has resided in Friern Mental Hospital. 2010 Now retired, Dr. Busner travels waywardly across North London in search of the truth about that tumultuous summer when he awoke the post-encephalitic patients under his care using a new and powerful drug. Weaving together a dense tapestry of consciousness and lived life across an entire century, in his latest and most ambitious novel, Will Self takes up the challenge of Modernism and reveals how it--and it alone--can unravel new and unsettling truths about our world and how it came to be.

When Tom Brodzinksi tries to give up smoking, he inadvertently sets off a chain of events that threaten to upset the tenuous balance of peace in a not-too-distant land. When he flips the butt of his final cigarette off the balcony of his vacation apart-ment, it lands on elderly Reggie Lincoln, lounging on the balcony below. Lincoln suf-fers a burn, and the local authorities charge Tom with assault―in a country with draconian anti-smoking laws, a cigarette is a weapon of offense. For reparation, Tom must leave his family behind and wander through the arid center of the country's deserted territory. Joining Tom on his journey is Brian Prentice, a mysteriously sin-ister presence, who has his own sins to make up for. Inevitably, the two men en-counter violence, forcing them to come together despite their seething mistrust. Refusing facile moral certitudes, The Butt is set in a distorted world, a country that is part Australia, part Iraq, and part the heart of a distinctively modern darkness.