"A funny space adventure that spoofs Star Wars while providing an easy-to-read story." — Booklist Commander Toad and his crew on the Star Warts come across a black hole while leapfrogging across the galaxy. Something long, pink, and sticky grabs their spaceship and it isn't space gum--it's the tongue of an E. T. T - an Extra Terrestrial Toad! When all else fails, Commander Toad has to resort to a secret weapon from his past to save the ship from toad-al destruction. Fans of DK Readers: LEGO Star Wars, Tom Angleberger's Origami Yoda, and silliness will toad-ally love Commander Toad!

In this contemporary poetic retelling of the iconic myth, a teenage girl fleeing an abusive home takes refuge in the woods with a fairy-tale witch.

Having been presumed dead, Jakkin and Akki finally return to Austar IV with newfound skills, and the knowledge that what they have learned could either transform their planet or destroy it.

Falsely accused of sabotage, Jakkin and Akki are left to certain death in the wilderness of the planet Austar IV but, with the aid of five baby dragons, manage not only to survive but also to gain unusual powers and insights. Reissue.

When a plea arrives from his beloved Akki, Jakkin becomes a spy and risks his dragon Heart's Blood, her five hatchlings, and his freedom to go to the rescue.

James, an earl's son and bothersome child, may hold the key to saving Cranford Abbey, a dilapidated school where he is sent to be educated, that newly-appointed Abbot Aelian thinks can be saved if he can make cider from the golden apples now being eaten by ravenous unicorns.

"Fantasy icon Jane Yolen (The Devil's Arithmetic, Briar Rose, Sister Emily's Lightship) is adored by generations of readers of all ages. Now she triumphantly returns with this inspired gathering of fractured fairy tales and legends. Yolen breaks open the classics to reveal their crystalline secrets: a philosophical bridge that misses its troll, a spinner of straw as a falsely accused moneylender, the villainous wolf adjusting poorly to retirement. Each of these offerings features a new author note and original poem, illuminating tales that are old, new, and brilliantly refined."--

We must equip our children with story in order to keep them linked with the past and ready for the future. "Our children are growing up without their birthright: the myths, fairy tales, fantasies and folklore that are their proper legacy." The essays in Touch Magic, Jane Yolen's classic call-to-arms advocating the use of fantasy and folklore in children's literature, echo that statement. Yolen argues persuasively that fantasy, folklore, and the realm of story provide children with the necessary tools for facing the world, understanding its ways and capriciousness, indeed, becoming truly human. “I believe that culture begins in the cradle,” she writes. “To do without tales and stories and books is to lose humanity's past, is to have no star map for our future.” August House now offers a richly expanded version of this seminal volume. With six new essays that tender fresh perspectives on the morality of fairy tales, time travel, the definition of story, and, of course, why such themes are essential to the development of today's children, Touch Magic heralds a new millennium of fantasy, myth, and storytelling. “Story is our wall against the dark,” Yolen contends, and as adults, we must equip our children with story in order to keep them linked with the past and ready for the future. Touch magic, and pass it on.

Before they were heroes... 'Rescue? Is that what you call it? Throw a rock and then run? And I bet that's as far ahead as you'd planned.' Penelope made a face. 'Boys! Always thinking about heroics and never about what needs to happen day to day.' Odysseus, Prince of Ithaca, has always been safe, sheltered, protected - and bored! The Age of Heroes is past. The wars are over. The monsters have all been slain. Or so he believes. Are there any adventures left for a thirteen-year-old boy who wants, more than anything, to be a hero? His time comes when Odysseus, his best friend Mentor, a spoiled princess named Helen and her outspoken cousin Penelope are kidnapped by pirates. It is the start of an adventure-filled journey that leads them to the ancient island of Crete. There, Odysseus must face the deadly secret in the Labyrinth, where the Minotaur once devoured all who were unfortunate enough to enter. Now another, more deadly monster roams the maze. There the boy destined to fight in the Trojan War and survive the perilous voyage of the Odyssey discovers the hardest part of being a hero: living long enough to tell the tale.

"Aspen (the hostage prince) and Snail (the midwife's apprentice) must gather an army to face the Unseelie forces that want to destroy Aspen's home country"--

Mermen? Yes. Long before mermaids emerged to people our inner seas, long before they established their restless, inviting niche in human fantasy, there was the merman. Born of the human need to dominate the great fruitful oceans, to control the vast destructive seas, to regulate the healing rains, to understand the tides, the merman emerged. The merman was water personified. The imposing water gods could be wheedled, cozened, implored, but―in the end―they were never fooled. How often were Poseidon or Neptune, Lir, Njord and the rest pictured riding the waves along inhospitable shores, shaking their magical tridents or spears or fists at the weak, imploring humans on land? The sea gods called up storms or quieted waves. They flooded the lands. They drowned the unwary. Yet despite the importance of early fish-tailed gods such as Ea-Enki and Dagon; despite the preponderance of mermen in the mythologies of Babylon, Greece, the British Isles, the Scandinavian peninsula, Germany; despite the mermen ranging along Slavic shores and inland seas; despite the mermen found in Chinese and Japanese lakes, along Polynesian island coasts, and in the lore and literature of the Middle East, the merman has become Legend’s Forgotten Man. With its 27 stories from around the world, this volume reconstructs the unnatural history of the Merman.

Internationally renowned author Jane Yolen has composed a sequence of tough, angry, and moving love poems that express grief and gratitude for her late husband David, as witness to his treatment for and passing from cancer, and the ongoing loss that is felt years after his death. In one poem, Yolen--a prize-winning poet, speaks of his "shallow bird breath/beating beneath the cage of his chest bones." In another: "Do not help me to forget./Help me to remember." And in a third: You have gone before me into winter, Into spring, into summer, somehow A consummate time traveler I can never catch up to, Always a season ahead. Jane Yolen , often called "the Hans Christian Andersen of America," is the author of over three hundred books, including Owl Moon , The Devil's Arithmetic , and How Do Dinosaurs Say Goodnight . The books range from rhymed picture books and baby board books through middle grade fiction, poetry collections, nonfiction, novels, and story collections for young adults and adults, and two books of adult poetry. Her books and stories have won two Nebula Awards, a World Fantasy Award, a Caldecott Medal, the Golden Kite Award, three Mythopoeic awards, two Christopher Medals, a nomination for the National Book Award, and the Jewish Book Award. She is also the winner (for body of work) of the Kerlan Award, the World Fantasy Association Lifetime Achievement Award, and the Catholic Library's Regina Medal.