No other radical historian has reached so many hearts and minds as Howard Zinn. His A People's History of the United States has gone into more than 25 printings and sold over 400,000 copies. It is rare that a historian of the Left has managed to retain as much credibility while refusing to let his academic mantle change his beautiful writing style from being anything but direct, forthright, and accessible. Whether his subject is war, race, politics, economic justice, or history itself, each of his works serves as a reminder that to embrace one's subjectivity can mean embracing one's humanity, that heart and mind can speak with one voice. The Zinn Reader represents the first time Zinn has attempted to present the depth, and breadth, of his concerns in one volume. The result is a big book, and a monumental book, one that will remain, alongside A People's History of the United States, as an essential and necessary Zinn text.

Selected testimonies to living history—speeches, letters, poems, songs—offered by the people who make history happen, but are often left out of history books: women, workers, nonwhites. Featuring introductions to the original texts by Howard Zinn. New voices featured in this 10th Anniversary Edition include Chelsea Manning, speaking after her 35-year prison sentence); Naomi Klein, speaking from the Occupy Wall Street encampment in Liberty Square; a member of Dream Defenders, a youth organization that confronts systemic racial inequality; members of the Undocumented Youth movement, who occupied, marched, and demonstrated in support of the DREAM Act; a member of the Day Laborers movement; Chicago Teachers Union strikers; and several critics of the Obama administration, including Glenn Greenwald, on governmental secrecy.

“Zinn writes with an enthusiasm rarely encountered in the leaden prose of academic history. . .” – New York Times Book Review A Power Governments Cannot Suppress is Howard Zinn’s major new collection of essays on American history, class, immigration, justice, and ordinary citizens who have made a difference. Howard Zinn unlocks America’s current political/ ethical crisis and challenges us to confront power for the common good. Bringing a profoundly human perspective to the diverse subjects he writes about – the Founding Fathers, government dishonesty, winning the war on terrorism, respecting the holocaust, defending the rights of immigrants – Zinn approaches history from an active, engaged point of view. He writes, “America’s future is linked to how we understand our past. For this reason, writing about history, for me, is never a neutral act.” Zinn opens the book with an essay titled “If History is to be Creative,” a reflection on the role and responsibility of the engaged historian. “To think that history-writing must aim simply to recapitulate the failures that dominate the past,” writes Zinn, “is to make historians collaborators in an endless cycle of defeat.” “If history is to be creative, to anticipate a possible future without denying the past, it should, I believe, emphasize new possibilities by disclosing those hidden episodes of the past when, even if in brief flashes, people showed their ability to resist, to join together, and occasionally win. I am supposing, or perhaps only hoping, that our future may be found in the past’s fugitive moments of compassion rather than in its solid centuries of warfare.” Buzzing with ideas, stories, and anecdotes spanning from the Revolutionary War and the War with Mexico through to World War II, Vietnam, 9/11, and the U.S. occupation of Iraq, Zinn’s view of American history is not a praise of famous leaders, but those who rebelled against them in the name of social justice. While writing extensively on current events and the consequences of U.S. policy in Afghanistan and Iraq, Zinn also dedicates entire chapters to troublemakers like Henry David Thoreau, Eugene Debs, Philip Berrigan, Italian immigrants Sacco & Vanzetti, and heralds not the soldiers who fought for George Washington, but those who deserted the Revolutionary Army because of intolerable mistreatment from elitist commanding officers. For Zinn, the voices and stories of ordinary working Americans, immigrants, working people, and soldiers comprise the real storyline of our history. Featuring essays penned over an eight-year period, A Power Governments Cannot Suppress is Howard Zinn’s first writerly work in several years, an invaluable post-9/11-era addition to the themes that run through his bestselling classic, A People’s History Of the United States. "Thank you, Howard Zinn. Thank you for telling us what none of our leaders are willing to: The truth. And you tell it with such brilliance, such humanity. It is a personal honor to be able to say I am a better citizen because of you." —Michael Moore “This brilliant new book – like Howard Zinn’s presence, and his whole life, is the best possible antidote to political despair. Read it, and rejoin the struggle for a human world and a foreign policy that’s good for children.” – Daniel Ellsberg

"From the bestselling author of A People's History of the United States comes this selection of passionate, honest, and piercing essays looking at American political ideology." " Howard Zinn brings to Passionate Declarations the same astringent style and provocative point of view that led more than a million people to buy his book A People's History of the United States. He directs his critique here to what he calls "American orthodoxies" -- that set of beliefs guardians of our culture consider sacrosanct: justifications for war, cynicism about human nature and violence, pride in our economic system, certainty of our freedom of speech, romanticization of representative government, confidence in our system of justice. Those orthodoxies, he believes, have a chilling effect on our capacity to think independently and to become active citizens in the long struggle for peace and justice." -- Book Jacket.

"Truth Has a Power of Its Own is an engrossing collection of never-before-published conversations with Howard Zinn, conducted by the distinguished broadcast journalist Ray Suarez in 2007, that covers the course of American history from Columbus to the War on Terror from the perspective of ordinary people--including slaves, workers, immigrants, women, and Native Americans. Viewed through the lens of Zinn's own life as a soldier, historian, and activist and using his paradigm-shifting People's History of the United States as a point of departure, these conversations explore the American Revolution, the Civil War, the labor battles of the nineteenth and twentieth centuries, U.S. imperialism from the Indian Wars to the War on Terrorism, World Wars I and II, the Cold War, and the fight for equality and immigrant rights, all from an unapologetically radical standpoint. Longtime admirers and a new generation of readers alike will be fascinated to learn about Zinn's thought processes, rationale, motivations, and approach to his now-iconic historical work."--Amazon.com.

"Political power," says Howard Zinn, "is controlled by the corporate elite, and the arts are the locale for a kind of guerilla warfare in the sense that guerillas look for apertures and opportunities where they can have an effect." In Artists in Times of War, Zinn looks at the possibilities to create such apertures through art, film, activism, publishing and through our everyday lives. In this collection of four essays, the author of A People's History of the United States writes about why "To criticize the government is the highest act of patriotism." Filled with quotes and examples from the likes of Bob Dylan, Mark Twain, e. e. cummings, Thomas Paine, Joseph Heller, and Emma Goldman, Zinn's essays discuss America's rich cultural counternarratives to war, so needed in these days of unchallenged U.S. militarism.

The premise of this witty and insightful "play on history" is that Karl Marx has agitated with the authorities of the afterlife for a chance to clear his name. Through a bureaucratic error, though, Marx is sent to Soho in New York, rather than his old stomping ground in London, to make his case.

Howard Zinn, author of the best-selling A People's History of the United States and respected veteran of the civil rights and anti-war movements, brings the ideas of Karl Marx to life in this witty and brilliant "play on history". Combining his vast knowledge of political philosophy and history with a vibrant sense of humor and irony, Zinn vividly explores the relevance of Marx's ideas for contemporary society. Through Marx's own voice, Zinn brings this larger-than-life personality down to earth, imaginatively recounting the important influences on his thinking, crafting a moving portrait of his family life in London, and providing a provocative and practical exposition of his ideas, still urgently vital today. Marx in Soho deserves to be widely read, both for its ideas and for the sheer pleasure of its style. Truly a match made in political heaven, Zinn's creative collaboration with Marx's thought will thoroughly engage its readers' minds and passions. The book includes an afterword by Zinn and an annotated bibliography for those interested in finding out more about Marx's life, ideas, and influence.

The South has long been surrounded in mystique. In this powerful volume, drawing on Zinn’s own experiences teaching in the South and working within the Southern civil rights movement, Zinn challenges the stereotypes surrounding the South, race relations, and how change happens in history. With a new introduction from the author.

This paperback bestseller presents a series of case studies and thought-provoking essays arguing for a radical approach to history and providing a revisionist interpretation of the historian's role. In a new introduction written for this edition, Howard Zinn responds to critics of the 1970 edition and comments further on the radicalization of history.

"Historian, activist, and bestselling author Howard Zinn has been interviewed by David Barsamian for public radio numerous times over the past decade. Original Zinn is a collection of their conversations, showcasing the acclaimed author at his most engaging and provocative." "Touching on such diverse topics as the American war machine, civil disobedience, the importance of memory and remembering history, and the role of artists - from Langston Hughes to Dalton Trumbo to Bob Dylan - in relation to social change, Original Zinn is Zinn at his irrepressible best, the acute perception of a scholar whose knowledge and intellect make history immediate and relevant for us all."--

Howard Zinn on History brings together Zinn's shorter writings on activism, electoral politics, the Holocaust, Marxism, the Iraq War, and the role of the historian, as well as portraits of Eugene Debs, John Reed, and Jack London, effectively showing how Zinn's approach to history evolved over nearly half a century, and at the same time sharing his fundamental thinking that social movements—people getting together for peace and social justice—can change the course of history. That core belief never changed. Chosen by Zinn himself as the shorter writings on history he believed to have enduring value—originally appearing in newspapers like the Boston Globe or the New York Times; in magazines like Z, the New Left, the Progressive, or the Nation; or in his book Failure to Quit—these essays appear here as examples of the kind of passionate engagement he believed all historians, and indeed all citizens of whatever profession, need to have, standing in sharp contrast to the notion of "objective" or "neutral" history espoused by some. "It is time that we scholars begin to earn our keep in this world," he writes in "The Uses of Scholarship." And in "Freedom Schools," about his experiences teaching in Mississippi during the remarkable "Freedom Summer" of 1964, he adds: "Education can, and should, be dangerous."

With his wit and unique ability to illuminate history from below, Zinn reveals the life of this remarkable woman. As Zinn writes in his Introduction, Emma Goldman "seemed to be tireless as she traveled the country, lecturing to large audiences everywhere.

Interviews focusing on the last century take a look at history from the standpoint of the ordinary people of the country.

As an active WWII bombardier returning from the end of the war in Europe and preparing for combat in Japan, Howard Zinn read the headline "Atomic Bomb Dropped on Japan" and was glad—the war would be over. "Like other Americans," writes Zinn, "I had no idea what was going on at the higher levels, and had no idea what that 'atomic bomb' had done to men, women, children in Hiroshima, any more than I ever really understood what the bombs I dropped on European cities were doing to human flesh and blood." During the war, Zinn had taken part in the aerial bombing of Royan, France, and in 1966, he went to Hiroshima, where he was invited to a "house of rest" where survivors of the bombing gathered. In this short and powerful book, the backstory of the making and use of the bomb, Zinn offers his deep personal reflections and political analysis of these events, and the profound influence they had in transforming him from an order-taking combat soldier to one of our greatest anti-authoritarian, anti-war historians. Simultaneous publication this August in the U.S. and Japan commemorates the 65th anniversary of the USA's two atomic bombings of Japan by calling for the abolition of all nuclear weapons and an end to war as an acceptable solution to human conflict. "It's my favorite. . . . He wrote the book to remind himself and to remind us that anybody can throw the wrench in the machinery, and we often should." -- Bill Moyers "Part history, part memoir, part sermon, The Bomb is meant to wake up citizens, to rouse them to reject 'the abstractions of duty and obedience' and to refuse to heed the call of war." —Jonah Raskin, The Rag Blog

Perhaps no other historian has had a more profound and revolutionary impact on American education than Howard Zinn. This is the first book devoted to his views on education and its role in a democratic society. Howard Zinn on Democratic Education describes what is missing from school textbooks and in classrooms-and how we move beyond these deficiencies to improve student education. Critical skills of citizenship are insufficiently developed in schools, according to Zinn. Textbooks and curricula must be changed to transcend the recitation of received wisdom too common today in schools. In these respects, recent Bush Administration and educational policies of most previous US presidents have been on the wrong track in meeting educational needs. This book seeks to redefine national goals at a time when public debates over education have never been more polarised--nor higher in public visibility and contentious debate. Zinn's essays on education-many never before published--are framed in this book by a dialogue between Zinn and Donaldo Macedo, a distinguished critic of literacy and schooling, whose books with Paulo Freire, Noam Chomsky and other authors have received international acclaim.

Howard Zinn on War is Zinn’s choice of the writing that represents his thinking on a subject that concerned and fascinated him throughout his career. He reflects on the wars against Iraq, the war in Kosovo, the Vietnam War, World War II, and on the meaning of war generally in a world of nations that can't seem to stop destroying each other. These readings appeared first in magazines and newspapers including the Progressive and the Boston Globe, as well as in Zinn's books, Failure to Quit, Vietnam: The Logic of Withdrawal, The Politics of History, and Declarations of Independence. Here we see Zinn’s perspective as a World War II veteran and peace activist who lived through the most devastating wars of the twentieth century and questioned every one of them with his combination of integrity and historical acumen. In his essay, "Just and Unjust War," Zinn challenges us to fight for justice "with struggle, but without war." He writes in "After the War" (2006) that while governments bring us into war, "their power is dependent on the obedience of the citizenry. When that is withdrawn, governments are helpless." In Howard Zinn on War, his message is clear: "The abolition of war has become not only desirable but absolutely necessary if the planet is to be saved. It is an idea whose time has come."

Howard Zinn weaves rich historical narratives that inspire and captivate.

Book by Zinn, Howard