I Thought My Father was God [paperback] Paul Auster [Jan 01, 2001]

Sweeping in scope, as revealing of an era as it is of a company, Stagecoach is the epic story of Wells Fargo and the American West, by award-winning writer Philip L. Fradkin. The trail of Wells Fargo runs through nearly every imaginable landscape and icon of frontier folklore: the California Gold Rush, the Pony Express, the transcontinental railroad, the Civil and Indian Wars. From the Great Plains to the Rockies to the Pacific Ocean, the company's operations embraced almost all social, cultural, and economic activities west of the Mississippi, following one of the greatest migrations in American history. Fortune seekers arriving in California after the discovery of gold in 1849 couldn't bring the necessities of home with them. So Wells Fargo express offices began providing basic services such as the exchange of gold dust for coin, short-term deposits and loans, and reliable delivery and receipt of letters, money, and goods to and from distant places. As its reputation for speed and dependability grew, the sight of a red-and-yellow Wells Fargo stagecoach racing across the prairie came to symbolize not only safe passage but faith in a nation's progress. In fact, for a time Wells Fargo was the most powerful and widespread institution in the American West, even surpassing the presence of the federal government. Stagecoach is a fascinating and rare combination of Western and business history. Along with its colorful association with the frontier -- Wyatt Earp, Black Bart, Buffalo Bill -- readers will discover that swiftness, security, and connectivity have been constants in Wells Fargo's history, and that these themes remain just as important today, 150 years later.

The book of Genesis tells us that God made a covenant with Abraham, promising him a glorious posterity on the condition that he and all his male descendents must be circumcised. For thousands of years thereafter, the distinctive practice of circumcision served to set the Jews apart from their neighbors. The apostle Paul rejected it as a worthless practice, emblematic of Judaism's fixation on physical matters. Christian theologians followed his lead, arguing that whereas Christians sought spiritual fulfillment, Jews remained mired in such pointless concerns as diet and circumcision. As time went on, Europeans developed folklore about malicious Jews who performed sacrificial murders of Christian children and delighted in genital mutilation. But Jews held unwaveringly to the belief that being a Jewish male meant being physically circumcised and to this day even most non-observant Jews continue to follow this practice. In this book, Leonard B. Glick offers a history of Jewish and Christian beliefs about circumcision from its ancient origins to the current controversy. By the turn of the century, more and more physicians in America and England--but not, interestingly, in continental Europe--were performing the procedure routinely. Glick shows that Jewish American physicians were and continue to be especially vocal and influential champions of the practice which, he notes, serves to erase the visible difference between Jewish and gentile males. Informed medical opinion is now unanimous that circumcision confers no benefit and the practice has declined. In Jewish circles it is virtually taboo to question circumcision, but Glick does not flinch from asking whether this procedure should continue to be the defining feature of modern Jewish identity.

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An Eater Best Food Book of 2023 A Smithsonian Best Food Book of 2023 From the New York Times- bestselling author of Cod and Salt , a delectable look at the cultural, historical, and gastronomical layers of one of the world's most beloved culinary staples - featuring original illustrations and recipes from around the world -now in paperback. As Julia Child once said, “It is hard to imagine a civilization without onions.” Historically, she's been right-and not just in the kitchen. Flourishing in just about every climate and culture around the world, onions have provided the essential basis not only for sautés, stews, and sauces, but for medicines, metaphors, and folklore. Now they're Kurlansky's most flavorful infatuation yet as he sets out to explore how and why the crop reigns from Italy to India and everywhere in between. Featuring historical images and his own pen-and-ink drawings, Kurlansky begins with the science and history of the only sulfuric acid–spewing plant, then digs through its twenty varieties and the cultures built around them. Entering the kitchen, Kurlansky celebrates the raw, roasted, creamed, marinated, and pickled. Including a recipe section featuring more than one hundred dishes from around the world, The Core of an Onion shares the secrets to celebrated Parisian chef Alain Senderens's onion soup eaten to cure late-night drunkenness; Hemingway's raw onion and peanut butter sandwich; and the Gibson, a debonair gin martini garnished with a pickled onion. Just as the scent of sautéed onions will lure anyone to the kitchen, The Core of an Onion is sure to draw readers into their savory stories at first taste.

PROMISE AND FULFILMENT Palestine TO ABRAM AND JASHA WEINSHALL CITIZENS OF ISRAEL AS A TOKEN OF A QUARTER-CENTURY OF FRIENDSHIP ACKNOWLEDGMENTS MY sincere thanks are due to R. H. S. Grossman, M. P., and Messrs. Hamish Hamilton, for permission to use the long extract pp. 102-7 from Grossmans Palestine Mission to a member of the Israeli Foreign Office, who wishes to remain anonymous, for per mission to print his Report from Jerusalem pp. 234-8 to Mr. George Pape, Librarian of the Public Information Office in Tel Aviv, and Dr. G. Pollack of the Israeli Ministry of Finance, for valuable research work and to Miss Daphne Wood ward, for helping with the proofs. A. K. PREFACE THIS book consists of three parts, Background, Close-up and Perspective . The first part is a survey of the develop ments which led to the foundation of the State of Israel. It lays no claim to historical completeness, and is written from a specific angle which stresses the part played by irrational forces and emotive bias in history. I am not sure whether this emphasis has not occasionally resulted in over-emphasis as is almost in evitable when one tries to redress a balance by spot-lighting aspects which are currently neglected. But it was certainly not my intention, by underlining the psychological factor, to deny or minimize the importance of the politico-economic forces. My aim was rather to present, if I may borrow a current medical term, a psycho-somatic view of one of the most curious episodes in modern history. The second part, Close-up, is meant to give the reader a close and coloured, but not I hope technicoloured, view of the Jewish war and of everyday life in the new State. It opens and ends with extracts fromthe diary of my last sojourn as a war correspondent in Israel. The emphasis here is on life in the towns, with only occasional glimpses of the collective settlements, since I have given a detailed description of these in an earlier book. The third part, Perspective, is an attempt to present to the reader a comprehensive survey of the social and political structure, the cultural trends and future prospects of the Jewish State. I have tried to show elsewhere that the creative processes of the artist and the scientist follow the same mental pattern, and that the sciences may legitimately be called neutral arts, separated from the emotive arts not by any distinct barrier but merely by the quality of our emotive reactions. In this sense vii Viii PROMISE AND FULFILMENT history, too, is a neutral art with mythology and bardic folklore as connecting links to the emotive arts of drama and fiction. But the emotive neutrality which should characterize the chronicler is not the same thing as indifference, and his object ivity can only be the result of a subjective passion for the pursuit of truth. It is a poor sort of impartiality which stands outside the parties, untouched by their emotions the good judge, like the playwright and historian, absorbs the subjective truth con tained in each of the conflicting pleas, and his verdict is a syn thesis of their part-truths, not their denial. In other words, r objectivity is a state of balanced emotions, not an emotive vacuum. This book, then, should be regarded as a subjective pursuit of the objective truth. I lived in Palestine from my twentieth to my twenty-third year, as a farmer, tramp, and on various odd jobs finally as a foreign correspondent. Ihave since revisited the country at fairly regular intervals, and each of these visits provided an occasion not only to study developments in the country, but also my personal attitude to it. The last phase of this pilgrims progress through a thicket of emotive and ideo logical entanglements is summed up in the Epilogue. It may also be read as a prologue, and serve as an indication of the point of view from which certain controversial problems are treated in this book...

This book undoes 50 years of mythmaking about Stravinsky's life in music. During his spectacular career, Igor Stravinsky underplayed his Russian past in favor of a European cosmopolitanism. Richard Taruskin has refused to take the composer at his word. In this long-awaited study, he defines Stravinsky's relationship to the musical and artistic traditions of his native land and gives us a dramatically new picture of one of the major figures in the history of music. Taruskin draws directly on newly accessible archives and on a wealth of Russian documents. In Volume One, he sets the historical scene: the St. Petersburg musical press, the arts journals, and the writings of anthropologists, folklorists, philosophers, and poets. Volume Two addresses the masterpieces of Stravinsky's early maturityÑ Petrushka, The Rite of Spring, and Les Noces . Taruskin investigates the composer's collaborations with Diaghilev to illuminate the relationship between folklore and modernity. He elucidates the Silver Age ideal of "neonationalism"Ñthe professional appropriation of motifs and style characteristics from folk artÑand how Stravinsky realized this ideal in his music. Taruskin demonstrates how Stravinsky achieved his modernist technique by combining what was most characteristically Russian in his musical training with stylistic elements abstracted from Russian folklore. The stylistic synthesis thus achieved formed Stravinsky as a composer for life, whatever the aesthetic allegiances he later professed. Written with Taruskin's characteristic mixture of in-depth research and stylistic verve, this book will be mandatory reading for all those seriously interested in the life and work of Stravinsky.

Tales tell of how Charles II, fearful of ancient legends that "Britain will fall" if the ravens at the Tower of London ever leave their abode, ordered that the wings of the six ravens be clipped.But the truth is that the ravens only arrived at the Tower in 1883, when they were brought in as props in tales of Gothic horror that were told to tourists. The legend itself originated from the summer of 1944, when ravens in London were used as unofficial spotters for enemy bombs and planes.

A funny and affecting portrait of Britain's love hate relationship with the railway with a new chapter for this paperback editionBritain gave railways to the world, yet its own network is the dearest (definitely) and the worst (probably) in Western Europe. Trains are deeply embedded in the national psyche and folklore - yet it is considered uncool to care about them. For Matthew Engel the railway system is the ultimate expression of Britishness. It represents all the nation's ingenuity, incompetence, nostalgia, corruption, humour, capacity for suffering and even sexual repression. To uncover its mysteries, Engel has travelled the system from Penzance to Thurso, exploring its history and talking to people from politicians to platform staff. Along the way Engel ('half-John Betjeman, half-Victor Meldrew') finds the most charmingly bizarre train in Britain, the most beautiful branch line, the rudest railwayman, and - after a quest lasting decades - an Individual Pot of Strawberry Jam. Eleven Minutes Late is both a polemic and a paean, and it is also very funny.

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Analyzes the myth of Judas Iscariot in the Gospels, its development in Christian tradition and folklore, and its antisemitic significance from the ancient period up to modern times. The image of Judas Iscariot as the evil betrayer of Jesus has been an important source of antisemitism among Christians, even those who do not accept the fundamental beliefs of the Christian religion. Argues that the myth of Judas as the betrayer is not supported by the New Testament. Suggests that Judas was identical with Jude the Apostle; he has been saddled with a degrading myth that is an insult to his loyalty and integrity.

From the author of The Last Testament comes the true love of Bonnie Prince Charlie, her adventures in America and her lasting legacy. In the page-turning popular genre trail-blazed by Antonia Fraser and Phillippa Gregory, The Pretender’s Lady , Alan Gold’s meticulously researched novel, accurately opens history’s pages on a peerless woman who helped change the course of history and whose legend lives on in Scotland today—Flora MacDonald. She was the most famous Scotswoman of her day, single handedly saving Bonnie Prince Charlie. This is her fictionalized life story—her relations with the Prince, her flight to America, Ben Franklin’s influence, and her return to Britain to lobby for peace But what’s hidden from history, revealed now for the first time in Gold’s dazzling new work of fiction, is the result of Flora’s and Charlie’s love: a beautiful and talented boy raised on an American farm. But only she knows his true heritage and his claim to the world’s greatest throne. And only the genius of Ben Franklin understands how to use this naïve boy to change the history of America. Skyhorse Publishing, as well as our Arcade, Yucca, and Good Books imprints, are proud to publish a broad range of books for readers interested in fiction—novels, novellas, political and medical thrillers, comedy, satire, historical fiction, romance, erotic and love stories, mystery, classic literature, folklore and mythology, literary classics including Shakespeare, Dumas, Wilde, Cather, and much more. While not every title we publish becomes a New York Times bestseller or a national bestseller, we are committed to books on subjects that are sometimes overlooked and to authors whose work might not otherwise find a home.

Reimagining the Bible collects a dozen essays by Howard Schwartz. Together the essays present a coherent theory of the way in which each successive phase of Jewish literature has drawn upon and reimagined the previous ones. The book is organized into four sections: The Ancient Models; The Folk Tradition; Mythic Echoes; Modern Jewish Literature and the Ancient Models. Within these divisions, each of the essays focuses on a specific genre, ranging from Torah and Aggadah to Kabbalah, fairy tales, and the modern Yiddish stories of S.Y. Agnon and Isaac Bashevis Singer. Arguing the important thesis that there is a continuity in Jewish literature which extends from the Biblical era to our own times, over a period of more than 3,000 years, this collection also serves as a guide to the history of that literature, and to the genres it comprises.

Alan Dundes, in this casebook of an anti-Semitic legend, demonstrates the power of folklore to influence thought and history. According to the blood libel legend, Jews murdered Christian infants to obtain blood to make matzah. Dundes has gathered here the work of leading scholars who examine the varied sources and elaborations of the legend. Collectively, their essays constitute a forceful statement against this false accusation. The legend is traced from the murder of William of Norwich in 1144, one of the first reported cases of ritualized murder attributed to Jews, through nineteenth-century Egyptian reports, Spanish examples, Catholic periodicals, modern English instances, and twentieth-century American cases. The essays deal not only with historical cases and surveys of blood libel in different locales, but also with literary renditions of the legend, including the ballad “Sir Hugh, or, the Jew’s Daughter” and Chaucer’s “The Prioress’s Tale.” These case studies provide a comprehensive view of the complex nature of the blood libel legend. The concluding section of the volume includes an analysis of the legend that focuses on Christian misunderstanding of the Jewish feast of Purim and the child abuse component of the legend and that attempts to bring psychoanalytic theory to bear on the content of the blood libel legend. The final essay by Alan Dundes takes a distinctly folkloristic approach, examining the legend as part of the belief system that Christians developed about Jews. This study of the blood libel legend will interest folklorists, scholars of Catholicism and Judaism, and many general readers, for it is both the literature and the history of anti-Semitism.

"Sepher Yosippon was written in Hebrew by a medieval historian noted by modern scholars for its eloquent style. This is the first known chronicle of Jewish history and legend from Adam to the destruction of the Second Temple, this is the first known text since the canonical histories written by Flavius Josephus in Greek and later translated by Christian scholars into Latin. Sepher Yosippon has been cited and referred to by scholars, poets, and authors as the authentic source for ancient Israel for over a millennium, until overshadowed by the twentieth-century Hebrew translations of Josephus. It is based on Pseudo Hegesippus’s fourth-century anti-Jewish summary of Josephus’s Jewish War. However, the anonymous author [a.k.a. Joseph ben Gurion Hacohen] also consulted with the Latin versions of Josephus’s works available to him. At the same time, he included a wealth of Second Temple literature as well as Roman and Christian sources. This book contains Steven Bowman’s translation of the complete text of David Flusser’s standard Hebrew edition of Sepher Yosippon, which includes the later medieval interpolations referring to Jesus. The present English edition also contains the translator’s introduction as well as a preface by the fifteenth-century publisher of the book. The anonymous author of this text remains unique for his approach to history, his use of sources, and his almost secular attitude, which challenges the modern picture of medieval Jews living in a religious age. In his influential novel, A Guest for the Night, the Nobel Laureate author Shmuel Yosef Agnon emphasized the importance of Sepher Yosippon as a valuable reading to understand human nature. Bowman’s translation of Flusser’s notes, as well as his own scholarship, offers a well-wrought story for scholars and students interested in Jewish legend and history in the medieval period, Jewish studies, medieval literature, and folklore studies." -- From publisher's website.

This volume explores the dynamics of cultural memory in a variety of contexts. How do we remember persons, objects, events? Memory seems so personal, but, at the same time, it is shaped by collective experience and public representations. Newspapers, television, and even celebrations and festivities mark for us not only who we are, but also who we were and how we lived. Cultural Memory and the Construction of Identity brings together scholars of folklore, literature, history, and communication to explore the dynamics of cultural memory in a variety of contexts. The authors show how memory is shaped and how it operates in uniting society and creating images that attain the value of truth even if they deviate from fact. They point to the relationship between this memory and our notion of "culture." They also discuss this cultural memory on the level of everyday life. Building on research in the field, their contributions clearly show that cultural memory has become the creative invention of the past in service of both the present and an imagined future.

A language carries a people's memories, whether they are recounted as individual reminiscences, as communal history, or as humorous tales. This collection of stories from Anishinaabe elders offers a history of a people at the same time that it seeks to preserve the language of that people.> As fluent speakers of Ojibwe grow older, the community questions whether younger speakers know the language well enough to pass it on to the next generation. Young and old alike are making widespread efforts to preserve the Ojibwe language, and, as part of this campaign, Anton Treuer has collected stories from Anishinaabe elders living at Leech Lake, White Earth, Mille Lacs, Red Lake, and St. Croix reservations. Based on interviews Treuer conducted with ten elders—Archie Mosay, Jim Clark, Melvin Eagle, Joe Auginaush, Collins Oakgrove, Emma Fisher, Scott Headbird, Susan Jackson, Hartley White, and Porky White—this anthology presents the elders' stories transcribed in Ojibwe with English translation on facing pages. These stories contain a wealth of information, including oral histories of the Anishinaabe people and personal reminiscences, educational tales, and humorous anecdotes. Treuer's translations of these stories preserve the speakers' personalities, allowing their voices to emerge from the page. This dual-language text will prove instructive for those interested in Ojibwe language and culture, while the stories themselves offer the gift of a living language and the history of a people.

"Hasidism is a textbook that introduces sources to the study of the Hasidic movement. Hasidism, an Orthodox Jewish sect that originated in Poland in the 18th century, today counts over 400,000 adherents, primarily in the US, Israel, and the UK. Scholarly interest in this history of Hasidic Judaism and Hasidic Jews is growing, but there is no textbook dedicated to research methods in the field. Hasidism, edited by an internationally recognized historian of Hasidism, aims to remedy this gap in the literature. The work's twelve chapters each of draws upon a set of different source material (such as folklore, music, or material culture) to answer questions in the history of Hasidism. This intervention is necessary because traditionally, historians have limited their research to printed word sources, typically written by rebbes, the leaders in the community. But by doing so, historians have inadvertently erased the ordinary members of the Hasidic community while centralizing its leaders. The contributors to this volume are keenly aware of this limitation, and instead use previously untapped sources to shed new light on the subject. Ultimately, this textbook will present research methods that can decentralize the role community leaders play in the current literature and reclaim the everyday lives of Eastern Europe's Hasidic Jews. As collected whole, Hasidism "will assemble...knowledge of existing sources for studying the history and culture of Hasidism" into a comprehensive and unique reference work."--