Nora Ephron returns with her first book since the astounding success of I Feel Bad About My Neck, taking a cool, hard, hilarious look at the past, the present, and the future, bemoaning the vicissitudes of modern life, and recalling with her signature clarity and wisdom everything she hasn’t (yet) forgotten. Ephron writes about falling hard for a way of life (“Journalism: A Love Story”) and about breaking up even harder with the men in her life (“The D Word”); lists “Twenty-five Things People Have a Shocking Capacity to Be Surprised by Over and Over Again” (“There is no explaining the stock market but people try”; “You can never know the truth of anyone’s marriage, including your own”; “Cary Grant was Jewish”; “Men cheat”); reveals the alarming evolution, a decade after she wrote and directed You’ve Got Mail, of her relationship with her in-box (“The Six Stages of E-Mail”); and asks the age-old question, which came first, the chicken soup or the cold? All the while, she gives candid, edgy voice to everything women who have reached a certain age have been thinking . . . but rarely acknowledging. Filled with insights and observations that instantly ring true—and could have come only from Nora Ephron— I Remember Nothing is pure joy. From the Hardcover edition.

#1 New York Times Bestseller "Amy Schumer's book will make you love her even more. For a comedian of unbridled (and generally hilarious) causticity, Schumer has written a probing, confessional, unguarded, and, yes, majorly humanizing non-memoir, a book that trades less on sarcasm, and more on emotional resonance." — Vogue " The Girl with the Lower Back Tattoo is an alternatingly meditative, sexually explicit, side-splittingly hilarious, heart-wrenching, disturbing, passionately political, and always staggeringly authentic ride through the highs and lows of the comedic powerhouse's life to date." — Harper's Bazaar "This is your happy hour with Amy Schumer...It's Bossypants meets Trainwreck meets your long weekend." —TheSkimm “Amy’s got your back. She’s in your corner. She’s an honesty bomb. And she’s coming for you. ” —Actress Tilda Swinton and Trainwreck co-star The Emmy Award-winning comedian, actress, writer, and star of Inside Amy Schumer, Hulu's Life & Beth, and the acclaimed film Trainwreck has taken the entertainment world by storm with her winning blend of smart, satirical humor. Now, Amy Schumer has written a refreshingly candid and uproariously funny collection of ( extremely ) personal and observational essays. In The Girl with the Lower Back Tattoo , Amy mines her past for stories about her teenage years, her family, relationships, and sex and shares the experiences that have shaped who she is—a woman with the courage to bare her soul to stand up for what she believes in, all while making us laugh. Ranging from the raucous to the romantic, the heartfelt to the harrowing, this highly entertaining and universally appealing collection is the literary equivalent of a night out with your best friend—an unforgettable and fun adventure that you wish could last forever. Whether she’s experiencing lust-at-first-sight while in the airport security line, sharing her own views on love and marriage, admitting to being an introvert, or discovering her cross-fit instructor’s secret bad habit, Amy Schumer proves to be a bighearted, brave, and thoughtful storyteller that will leave you nodding your head in recognition, laughing out loud, and sobbing uncontrollably—but only because it’s over.

Step into Jenny Slate's wild imagination in this "magical" (Mindy Kaling), "delicious" (Amy Sedaris), and "poignant" (John Mulaney) New York Times bestseller about love, heartbreak, and being alive -- "this book is something new and wonderful" (George Saunders). You may "know" Jenny Slate from her Netflix special, Stage Fright , as the creator of Marcel the Shell, or as the star of "Obvious Child." But you don't really know Jenny Slate until you get bonked on the head by her absolutely singular writing style. To see the world through Jenny's eyes is to see it as though for the first time, shimmering with strangeness and possibility. As she will remind you, we live on an ancient ball that rotates around a bigger ball made up of lights and gasses that are science gasses, not farts (don't be immature). Heartbreak, confusion, and misogyny stalk this blue-green sphere, yes, but it is also a place of wild delight and unconstrained vitality, a place where we can start living as soon as we are born, and we can be born at any time. In her dazzling, impossible-to-categorize debut, Jenny channels the pain and beauty of life in writing so fresh, so new, and so burstingly alive, we catch her vision like a fever and bring it back out into the bright day with us, where everything has changed. One of Vanity Fair' s Great Quarantine Reads.

The ultimate meditation book, not to be grandiose... Take a hilarious, healing journey with Stuart Smalley as he careens down the road to Recovery. For one entire year Stuart recorded an affirmation a day...except when he had taken to his bed (but that's Okay)...and the result is the most entertaining and indispensable meditation book ever. From program wisdom (Denial Ain't Just a River in Egypt! December 1) to survival tips (When I Go Home to Visit My Family I Will Stay in a Motel! September 26) to some good sound practical advice (I am entitled to file for an Extension on my Income Taxes! April 15th), Stuart's affirmations will empower you! Work, Friendship, Love, Spirituality, Codependency, Self-Esteem, Acceptance...Stuart deals with it all. And as you share his ups and downs, his triumphs and shame spirals, you will come to see the ultimate truth of Stuart's March 21st affirmation: Today I Will Laugh--At Least Once!

The multitalented writers, directors, producers, and actors (as seen on The League, Transparent, and The Mindy Project ) share the secrets of their lifelong partnership in this unique memoir. “A book that anyone will love . . . You can enjoy it even if you have no idea who the Duplass brothers are.”—Janet Maslin, The New York Times Whether producing, writing, directing, or acting, the Duplass Brothers have made their mark in the world of independent film and television on the strength of their quirky and empathetic approach to storytelling. Now, for the first time, Mark and Jay take readers on a tour of their lifelong partnership in this unique memoir told in essays that share the secrets of their success, the joys and frustrations of intimate collaboration, and the lessons they’ve learned the hard way. From a childhood spent wielding an oversized home video camera in the suburbs of New Orleans to their shared years at the University of Texas in early-nineties Austin, and from the breakthrough short they made on a three-dollar budget to the night their feature film Baghead became the center of a Sundance bidding war, Mark and Jay tell the story of a bond that’s resilient, affectionate, mutually empowering, and only mildly dysfunctional. They are brutally honest about how their closeness sabotaged their youthful romantic relationships, about the jealousy each felt when the other stole the spotlight as an actor (Mark in The League, Jay in Transparent ), and about the challenges they faced on the set of their HBO series Togetherness —namely, too much togetherness. But Like Brothers is also a surprisingly practical road map to a rewarding creative partnership. Rather than split all their responsibilities fifty-fifty, the brothers learned to capitalize on each other’s strengths. They’re not afraid to call each other out, because they’re also not afraid to compromise. Most relationships aren’t—and frankly shouldn’t be—as intense as Mark and Jay’s, but their brand of trust, validation, and healthy disagreement has taken them far. Part coming-of-age memoir, part underdog story, and part insider account of succeeding in Hollywood on their own terms, Like Brothers is as openhearted and lovably offbeat as Mark and Jay themselves. “Wright. Ringling. Jonas. I’m sure you could name a bunch of famous brother teams. They’re all garbage compared to Mark and Jay. I can’t wait for you to read this book.”—from the foreword by Mindy Kaling

Bestselling author Delia Ephron shares a deeply personal collection of stories and essays, anchored by a loving remembrance of her sister Nora. In Sister Mother Husband Dog, Delia Ephron brings her trademark wit and effervescent prose to a series of autobiographical essays about life, love, sisterhood, movies, and family. In “Losing Nora,” she deftly captures the rivalry, mutual respect, and intimacy that made up her relationship with her older sister and frequent writing companion. Other essays run the gamut from a humorous piece about love and the movies—how one romantic comedy completely destroyed her twenties—to the joy of girl friends and best friendship, the magical madness and miracle of dogs, keen-eyed observations about urban survival, and a serious and affecting memoir of life with her mother and growing up the child of alcoholics. Ephron’s eloquent style and voice illuminate every page of this superb and singular work.

A guide to understanding the Shatnerverse and the world at large—the perfect gift for Star Trek fans and William Shatner lovers. You love William Shatner. You admire his many and varied talents. You appreciate his creativity and willingness to take risks. You want to learn his master negotiation techniques. You wish you could hang out with him. Admit it. You want to BE William Shatner. And now...you can (almost). To be Shatner, you must follow the rules included in this lively, entertaining, and thought-provoking volume. This collection of rules and fun factners, illustrated with stories from Bill’s illustrious life and career, will show you how Bill became WILLIAM SHATNER, larger than life and bigger than any role he ever played. Shatner Rules is your guide to becoming William Shatner. Or more accurately, beautifully Shatneresque. Because let's face it...Shatner does rule, doesn't he?

A delightfully unexpected, lovingly curated ode to the unique collective nouns that adorn our language, from “a leap of leopards ” to “a murder of crows ” and beyond, from the inimitable voice behind Inside the Actors Studio “I am madly in love with collective nouns! They make language so colorful and ticklish. . . . [ An Exaltation of Larks ] possess[es] an embarrassment of riches (wink wink!).” —Lupita Nyong’o, The New York Times For those who have wondered if the familiar “pride of lions” and “gaggle of geese” were merely the tip of a linguistic iceberg, James Lipton has provided a definitive answer: here are hundreds of equally pithy, often poetic terms he has unearthed and collected into one exhaustive volume. Over years of painstaking research, he embarked on an odyssey that has given us a “slouch of models,” a “shrivel of critics,” an “unction of undertakers,” a “blur of Impressionists,” a “score of bachelors,” a “pocket of quarterbacks,” and many more. Witty, beautiful, and remarkably apt, An Exaltation of Larks is a brilliant compendium of more than 1,100 resurrected or newly minted contributions to that ever-evolving species, the English language.

Traditionally, women share their secrets with their hairdressers. But what about their manicurists, masseurs, chi gong teachers, and tattoo artists? In Damage Control , women wax poetic about the experts and gurus who help them love themselves, sharing stories of everything from friendships born in the make-up chair to the utter dismay of a truly horrible haircut. Minnie Driver finally meets a Frenchman who understands her hair . . . and tries to teach her not to hate it. Marian Keyes remembers the blow-dry that pushed her over the edge. Francesca Lia Block tells the ugly story of the plastic surgeon who promised to make her beautiful. Rose McGowan explains why it's harder to be depressed when you're glamorous . . . and shows how it takes a village to transform from mere mortal to movie star. Witty and wise, Damage Control is an intimate, sometimes dark, look at our experiences with the professionals who pluck, prod, and pamper every inch of our bodies—and a reminder why we surrender ourselves to their (hopefully) very capable hands.

Comedy is full of famously funny Jews, from Groucho Marx to Larry David to Sarah Silverman. This smart and funny book includes tales from many of these much-loved comics, and will appeal to their broad audience, while revealing the history, context, and wider culture of Jewish joking.The Jewish joke is as old as Abraham, and like the Jews themselves it has wandered over the world, learned countless new languages, worked with a range of different materials, been performed in front of some pretty hostile crowds, and yet still retained its own distinctive identity. So what is it that animates the Jewish joke? Why are Jews so often thought of as "funny"? And how old can a joke get?With jokes from Lena Dunham to Woody Allen, as well as Freud and Marx (Groucho, mostly), Baum balances serious research with light-hearted humor and provides fascinating insight into this wellknown and much loved cultural phenomenon.

In the tradition of the #1 best-seller SeinLanguage, Bantam Books proudly presents the first book by Paul Reiser, television's sharpest, funniest observer of love, marriage and other mysteries of life. A veteran comic performer, Reiser is best-known as the co-creator and star of the highly-rated NBC comedy, "Mad About You", which Time Magazine called "The season's best new sitcom" in its 1992 debut. Every Thursday night more than twenty million viewers watch as Paul Reiser reveals the most intimate and hilarious scenes of a marriage. Now for the first time, Reiser brings his trademark wit to the page in a book that will delight his eagerly-awaiting audience, and anyone else who has ever fallen in love -- or tried not to. In Couplehood, a New York Times bestseller for more than 40 weeks, Reiser reflects on what it means to be half of a couple -- everything from the science of hand holding, to the technique of tag-team storytelling, to the politics of food and why it always seems to come down to chicken or fish.

“From her head down to her gnarly (no longer!) toes, Kathie Lee is pure dame. And she’s served up a cocktail of wit and wisdom with a decidedly salty rim!”—Meredith Vieira Just When I Thought I’d Dropped My Last Egg is Kathie Lee Gifford’s triumphant laugh-out-loud celebration of forging ahead with gusto, even long after we’re old enough to know better. Age, after all, isn’t a number, it’s a state of mind, and being fertile isn’t just about having babies, it’s about being passionate and creative. Writing with the candor of a friend who knows where the bodies are buried, Kathie Lee reveals the truth every woman of a certain age knows but won’t admit: that we love our kids every second of every day but are counting the minutes till they’re ready to go off to college, that even though gravity is a constant force, not all parts of our bodies droop at the same rate, and that life and show business share one simple rule: “Don’t sit by the phone and wait for a man or a job.” Full of warmth, humor, and down-to-earth wisdom, this wonderful book is a delectable read for grown-ups of all ages. Praise for J ust When I Thought I’d Dropped My Last Egg “I’ve been through a couple of calamities with Kathie Lee and nobody handles them better. You could blow her up, cook her and hang her out to dry and she will still survive and have some laughs doing it.” —Regis Philbin “Kathie Lee has always entertained me with her humor, wry wit, and penchant for pinpointing all of our very human foibles with great accuracy and hilarity. Now she does it again. This charming memoir filled with amusing anecdotes about herself and her family, friends, and colleagues brought a smile to my face but also touched me. Her insight is as remarkable as she is.” —Barbara Taylor Bradford “Gifford dishes about everything.” —The Tampa Tribune “Fans will be delighted . . . by the book’s mix of earnest life lessons and self-conscious kookiness.” —Publishers Weekly “Outrageously funny . . . [Gifford’s] quirky sense of humor shines through.” —Wichita Falls Times Record News

Judith Viorst is known and loved by readers of all ages, for children’s books such as Alexander and the Terrible, Horrible, No Good, Very Bad Day ; nonfiction titles, including the bestseller Necessary Losses ; and her collections of humorous poetry, which make perfect gifts for birthdays, Mother’s Day, graduation, Christmas, Chanukah, or at any time of year. When Did I Stop Being Twenty and Other Injustices brings together the best of Judith Viorst's witty, insightful poetry, including many favorites from out-of-print collections. Whether she's finding herself or finding a sitter, or contemplating her sex life as she rubs the hormone night cream on her face, Viorst explores the true and funny ironies all women encounter growing up in the modern world. Here is a young single girl from Irvington, NJ, leaving her parents' home for life in the big city ("No I do not believe in free love/And yes I will be home for Sunday dinners," she promises). Here is the aspiring bohemian with an expensive liberal arts education, getting coffee and taking dictation, "Hoping that someday someone will be impressed/With all I know." Here is that married woman, coping with motherhood ("The tricycles are cluttering my foyer/The Pop Tart crumbs are sprinkled on my soul") and fantasy affairs ("I could imagine cryptic conversations, clandestine martinis...and me explaining that long kisses clog my sinuses") and all-too-real family reunions ("Four aunts in pain taking pills/One cousin in analysis taking notes"). And here she is at mid-life, wondering whether a woman who used to wear a "Ban the Bomb" button can find happiness being a person with a set of fondue forks, a fish poacher, and a wok. Every step of the way, Viorst transforms the familiar events of daily life into poems that make you laugh with recognition. When Did I Stop Being Twenty and Other Injustices demonstrates once and for all that no one understands American women coming of age like Judith Viorst.

Get ready for the read of your life. Never before has a single book combined awesome vans, unicorns, Billy Joel, and erotic fiction in such a potent combination. A writing tour de force? Perhaps. A reading experience that will sear itself into your consciousness like a red-hot branding iron? Without question. Comedian and basic cable superstar Michael Ian Black unleashes the full fury of his astonishing intellect in this collection of short comic essays. My Custom Van is a no-holds-barred assault to the funny bone that will literally beat you into submission with hilarity*. How did he do it? How did he create such a fine anthology? Answer: With love. Michael opened his heart and used the magical power of love to write more than fifty thought-provoking essays like, "Why I Used a Day-Glo Magic Marker to Color My Dick Yellow," and "An Open Letter to the Hair Stylist Who Somehow Convinced Me to Get a Perm When I Was in Sixth Grade." Maybe you think love is not a substitute for "good writing skills" and "spell check." Bull pucky! When it comes to writing books, love is the most powerful word processor of all. Sounds pretty great, right? And yet...something is still holding you back from paying the full purchase price of this book. What is it? Perhaps you secretly believe you do not deserve a book this good. Nonsense -- you deserve this book and so much more. In fact, if Michael could have written you all the stars in the sky, that's what he would have done. But he couldn't do that, due to his lack of knowledge in the area of astronomy. So he wrote this book instead. And this flap copy. Enjoy. * Michael Ian Black is not responsible for any actual injuries caused by reading this book.

First published in 1941, No Bed for Bacon is a comic classic. Out of print since 1985, but much-discussed in the press following the release of the Oscar-showered film Shakespeare in Love, the novel fizzes with wit, warmth and the occasional custard pie. It is a festive celebration of 'The Great Bard' par excellence. Five o'clock and all's well in Merrie England. But not for long. Good Queen Bess is stirring in her four-poster and is feeling neither happy nor glorious. Down at the Globe, Will Shakespeare is chewing the end of his quill: something's amiss with Love's Labours Wunne. And Walter Raleigh, boiling his new potato in the depths of the regal kitchens, is getting very hot under the collar of his latest cloak - will his spud achieve the perfect fluffiness for The Royal Tasting? Heads are sure to roll before the day is out.

In this brilliant new cartoon collection, Bruce Eric Kaplan examines the lives and loves of anxious housewives, mournful insects, crabby senior citizens, self-righteous toddlers, bitter sheep, and befuddled businessmen, among others. If you are one of the above, or know anyone who is, or ever hope to be one yourself, this book is for you.

"A laugh on every page, Christina Oxenberg is one of the most lethal wits of the western world." - Robert F. Kennedy Jr.Humorous, short stories by Christina Oxenberg, an author known for her sharp imagery and dark sense of humor.This collection of short stories cover topics like Oxenberg's love of dancing in the clubs of Key West, Florida all night long and forays North to supper with the social set, and at all times with a questioning eye, taking note.

The pieces in Pot Stories for the Soul are funny, whimsical, bizarre, poignant, informational, shocking, and, yeah, soulful. They are about love, hate, escape, reality, the paranormal, Allen Ginsberg, Ken Kesey, Michelle Phillips, Hunter Thompson, Abbie Hoffman, Wavy Gravy and peanut butter. Ultimately, these stories reveal the wide, weird, and wonderful subculture of stoners, where the reefers are mad, the joints are fat, and the buzz lasts for six-and-a-half days. Mainstream America has had an uneasy relationship with marijuana. Once a legal substance, the 1930s saw a massive campaign against the "Devil's Harvest" that led to pot being rendered illegal. In the 1960s, marijuana became one of the defining elements of the counterculture before once again being shunted to the sidelines. Over the last decade, however, marijuana has gone mainstream and has been the topic of seminars, expos, concerts, comedy routines, movies, TV shows, and college courses across the country. Originally published by High Times in 1999, Pot Stories for the Soul won the Firecracker Alternative Book Award and also became a Quality Paperback Book Club selection. This brand-new edition includes several new essays by Paul Krassner, plus his foreword, his afterword, and the evolution of cannabis sanity in between.

Whether you're a savvy mom of teens or a new mom trying to get baby to sleep, this book is for you. A must read for every mom who ever said: "Stop rocking on the chair!" Not your average poetry book, Ode to Chores is a clever and entertaining view of parenting, motherhood, children, pets, and the life and times of moms on call 24/7. ------------------ The Inspiration For This Book The whole thing started because I was lonely. I spent hours every day with my little kids, which I really loved for a while, but my husband was gone A LOT, and when he came home, he was all talked out. He just wanted to spend a little time with his two boys roughhousing and eating Oreo Thins. Plans with friends were few and far between because we were all busy shuffling kids to school and activities when we weren't working jobs, or doing house projects, or stumping for our chosen elected officials, or reconnecting with our significant others. In the meantime, exhausted at the end of every day, I still wanted to be an artist, a writer, and a musician. I'd been on stage for 25 years and suddenly the only singing I was doing was lullabies at 3 AM in a rocking chair trying to get my little muffin to sleep. . . just for a little while. . . sleep muffin, sleep. Somewhere along the way, I put down my pen and found myself deep in the stuff of kids. Then, one evening after an especially frustrating dinner with the boys, I sent everyone off to their rooms, flipped over an envelope lying in the mess on the dining room table, and wrote the poem Stop Rocking on the Chair. I was surprised at how satisfying it was to say it on the page. From there I started writing these "mom poems" all the time. As I did, I felt less and less alone. I was not only writing about my experience but a thread of experience that connected to moms all over the world and through time. The common language of motherhood reconnected me to my creativity and other people at the same time. I first thought I wrote this book for myself, but it turns out I wrote this book for you. I hope it brings you joy and even makes you cry. I hope it brings mothers together and inspires you to make some art and put it out into the world, so we can all have a moment of connection together. Call me. We'll have coffee. ------------------ About the Author Brenda Kahn is a poet, memoirist and an international recording artist who has shared the stage with Bob Dylan, David Byrne, and Jeff Buckley. She has expertise in changing both guitar strings and diapers. She is a writer of songs, poetry, memoir, and excuse notes for sick kids. She can paint and spackle like nobody's business and will also perform a cover of Bessie Smith's Ain't Nobody's Business if you request it at a live show. She lives in South Salem, NY with her husband and two boys, her golden retriever (Barley Patches), her two cats (Fluffy and Colby) and Ekko the crested gecko. Learn more about Bren at www.brendakahn.com Stay connected and support her work at www.BrendaKahn.com/Patreon

Kurt Tucholsky was a brilliant satirist, poet, storyteller, lyricist, pacifist, and Democrat; a fighter, lady's man, reporter, and early warner against the Nazis who hated and loathed him and drove him out of Germany after his books were burned in 1933. His contemporary Erich Kaestner called him a "small, fat Berliner," who "wanted to stop a catastrophe with his typewriter." The New York Times hailed him as "one of the most brilliant writers of republican Germany. He was a poet as well as a critic and was so versatile that he used five or six pen names. As Peter Panter he was an outstanding essayist who at one time wrote topical sketches in the Vossische Zeitung, which ceased to appear under the Nazi regime; as Theobald Tiger he wrote satirical poems that were frequently interpreted by popular actors in vaudeville and cabartes, and as Ignatz Wrobel he contributed regularly to the Weltbühne, an independent weekly that was one of the first publications prohibited by the Hitler government." Tucholsky, who occupied the center stage in the tumultuous political and cultural world of 1920s Berlin, still emerges as an astonishingly contemporary figure. As an angry truth-teller, he pierced the hypocrisy and corruption around him with acute honesty. Imagine a writer with the acid voice of Christopher Hitchens and the satirical whimsy of Jon Stewart, combined with the iconoclasm of Bill Maher. That's Tucholsky in a nutshell. Like Hitchens, Tucholsky wrote a mixture of literary essays, social observations, and political commentary. His irony made the line between his "serious writing" and his "entertainments" almost invisible. The fashionable outsider watched the political "center" disappear, and, in the end, he found himself catapulted out of society altogether. His career was sandwiched between the two most deadly events of his century: the bloodbath of World War I and the scourge of Nazism. Just as the first war launched Hemingway's lifelong career as a wounded tough guy with a soft spot for guns and broads, Tucholsky discovered the reflexes of an escape artist. He was equally elusive as a writer. In today's world, a journalist isn't supposed to write plays, and a playwright isn't welcomed as a novelist. But in 1920s Berlin, Tucholsky was dealing with postwar realities that required shouting from the rooftops, and any rooftop would do. Kurt Tucholsky is one of Weimar Germany's most celebrated literary figures, loved by his many readers and hated by the Nazis. The poet, journalist, and satirist who was at the center of the tumultuous political and cultural world of 1920s Berlin still emerges as an astonishingly contemporary figure. But he was more than just an angry truth-teller; he was also one of the funniest satirical writers of his era, depicting everyday lives during the rise of modernity.The iconic translation of Harry Zohn, a literary figure from Vienna himself, presented Tucholsky to an American audience for the first time. Long out of print, Zohn's book is now being republished in a new edition.