From the bestselling author of How Fascism Works , a global call to action that tells us “why the past is a frontline in the struggle for a future free of fascism” (Jeff Sharlet, New York Times bestselling author) as it reveals the far right’s efforts to rewrite history and undo a century of progress on race, gender, sexuality, and class. In the United States, democracy is under attack by an authoritarian movement that has found fertile ground among the country’s conservative politicians and voters, but similar movements have found homes in the hearts and minds of people around the globe. To understand the shape, form, and stakes of this assault, we must go back to extract lessons from our past. In authoritarian countries, critical examination of those nations’ history and traditions is discouraged if not an outright danger to those who do it. And it is no accident that local and global institutions of education have become a battleground, where learning and efforts to upend a hierarchal status quo can be put to end by coercion and threats of violence. Democracies entrust schools and universities to preserve a common memory of positive change, generated by protests, social movements, and rebellions. The authoritarian right must erase this history, and, along with it, the very practice of critical inquiry that has so often been the engine of future progress. In Erasing History , Yale professor of philosophy Jason Stanley exposes the true danger of the authoritarian right’s attacks on education, identifies their key tactics and funders, and traces their intellectual roots. He illustrates how fears of a fascist future have metastasized, from hypothetical threat to present reality. And with his “urgent, piercing, and altogether brilliant” (Johnathan M. Metzl, author of What We’ve Become ) insight, he illustrates that hearts and minds are won in our schools and universities—places that democratic societies across the world are now ill-prepared to defend against the fascist assault currently underway.

From one of our most distinguished historians, a new examination of the vitally important years of Emancipation and Reconstruction during and immediately following the Civil War–a necessary reconsideration that emphasizes the era's political and cultural meaning for today's America. In Forever Free, Eric Foner overturns numerous assumptions growing out of the traditional understanding of the period, which is based almost exclusively on white sources and shaped by (often unconscious) racism. He presents the period as a time of determination, especially on the part of recently emancipated black Americans, to put into effect the principles of equal rights and citizenship for all. Drawing on a wide range of long-neglected documents, he places a new emphasis on the centrality of the black experience to an understanding of the era. We see African Americans as active agents in overthrowing slavery, in helping win the Civil War, and–even more actively–in shaping Reconstruction and creating a legacy long obscured and misunderstood. Foner makes clear how, by war's end, freed slaves in the South built on networks of church and family in order to exercise their right of suffrage as well as gain access to education, land, and employment. He shows us that the birth of the Ku Klux Klan and renewed acts of racial violence were retaliation for the progress made by blacks soon after the war. He refutes lingering misconceptions about Reconstruction, including the attribution of its ills to corrupt African American politicians and “carpetbaggers,” and connects it to the movements for civil rights and racial justice. Joshua Brown's illustrated commentary on the era's graphic art and photographs complements the narrative. He offers a unique portrait of how Americans envisioned their world and time. Forever Free is an essential contribution to our understanding of the events that fundamentally reshaped American life after the Civil War–a persuasive reading of history that transforms our sense of the era from a time of failure and despair to a threshold of hope and achievement.

2012 NAACP Image Award Nominee for Outstanding Literary Work--Biography/Autobiography "A powerful and poignant memoir."--Cornel West, from the foreword "John Carlos is an American hero. And finally he has written a memoir to tell us his story--and a powerful story it is. I couldn't put this book down."--Michael Moore Seen around the world, John Carlos and Tommie Smith's Black Power salute on the 1968 Olympic podium sparked controversy and career fallout. Yet their show of defiance remains one of the most iconic images of Olympic history and the Black Power movement. Here is the remarkable story of one of the men behind the salute, lifelong activist John Carlos. John Carlos is a former track and field athlete and professional football player, and a founding member of the Olympic Project for Human Rights. He won the bronze medal in the 200-meter race at the 1968 Olympics, where his Black Power salute on the podium with Tommie Smith caused much political controversy. Dave Zirin is the author of four books, including Bad Sports: How Owners are Ruining the Games We Love , A Peoples' History of Sports in the United States , and What's My Name, Fool?

In 1985, a black veteran of the civil rights movement offered a bleak vision of a long and troubled struggle. For more than a century, black southerners learned to live with betrayed expectations, diminishing prospects, and devastated aspirations. Their odyssey includes some of the most appalling examples of terrorism, violence, and dehumanization in the history of this nation. But, as Leon Litwack graphically demonstrates, it is at the same time an odyssey of resilience and resistance defined by day-to-day acts of protest: the fight for justice poignantly recorded in the stories, songs, images, and movements of a people trying to be heard. For black men and women, the question is: how free is free? Despite two major efforts to reconstruct race relations, injustices remain. From the height of Jim Crow to the early twenty-first century, struggles over racism persist despite court decisions and legislation. Few indignities were more pronounced than the World War II denial of basic rights and privileges to those responding to the call to make the world safe for democratic values—values that they themselves did not enjoy. And even the civil rights movement promise to redeem America was frustrated by change that was often more symbolic than real. Although a painful history to confront, Litwack’s book inspires as it probes the enduring story of racial inequality and the ongoing fight for freedom in black America with power and grace.

In Hands on the Freedom Plow, fifty-two women--northern and southern, young and old, urban and rural, black, white, and Latina--share their courageous personal stories of working for the Student Nonviolent Coordinating Committee (SNCC) on the front lines of the Civil Rights Movement. The testimonies gathered here present a sweeping personal history of SNCC: early sit-ins, voter registration campaigns, and freedom rides; the 1963 March on Washington, the Mississippi Freedom Summer, and the movements in Alabama and Maryland; and Black Power and antiwar activism. Since the women spent time in the Deep South, many also describe risking their lives through beatings and arrests and witnessing unspeakable violence. These intense stories depict women, many very young, dealing with extreme fear and finding the remarkable strength to survive. The women in SNCC acquired new skills, experienced personal growth, sustained one another, and even had fun in the midst of serious struggle. Readers are privy to their analyses of the Movement, its tactics, strategies, and underlying philosophies. The contributors revisit central debates of the struggle including the role of nonviolence and self-defense, the role of white people in a black-led movement, and the role of women within the Movement and the society at large. Each story reveals how the struggle for social change was formed, supported, and maintained by the women who kept their "hands on the freedom plow." As the editors write in the introduction, "Though the voices are different, they all tell the same story--of women bursting out of constraints, leaving school, leaving their hometowns, meeting new people, talking into the night, laughing, going to jail, being afraid, teaching in Freedom Schools, working in the field, dancing at the Elks Hall, working the WATS line to relay horror story after horror story, telling the press, telling the story, telling the word. And making a difference in this world."

"At thirty-six, Sarah Hurwitz was a typical lapsed Jew. On a whim, she attended an introduction to Judaism class and was astonished by what she discovered: thousands of years of wisdom from her ancestors about what it means to be human. That class sparked a journey of discovery that transformed her life. Years later, as Hurwitz wrestled with what it means to be Jewish at a time of rising antisemitism, she wondered: Where had the Judaism she discovered as an adult been all her life? Why hadn't she seen the beauty and depth of her tradition in those dull synagogue services and Hebrew school classes she'd endured as a kid? And why had her Jewish identity consisted of a series of caveats and apologies: I'm Jewish, but not that Jewish . . . I'm just a cultural Jew . . . I'm just like everyone else but with a fun ethnic twist-a dash of neurosis, a touch of gallows humor-a little different, but not in a way that would make anyone uncomfortable. Seeking answers, she went back through time to discover how hateful myths about Jewish power, depravity, and conspiracy have worn a neural groove deep into the world's psyche, shaping not just how others think about Jews, but how Jews think about themselves. She soon realized that the Jewish identity she'd thought was freely chosen was actually the result of thousands of years of antisemitism and two centuries of Jews erasing parts of themselves and their tradition in the hope of being accepted and safe. In As a Jew, Hurwitz documents her quest to take back her Jewish identity, how she stripped away the layers of antisemitic lies that made her recoil from her own birthright and unearthed the treasures of Jewish tradition. With antisemitism raging worldwide, Hurwitz's defiant account of reclaiming the Jewish story and learning to live as a Jew, without apology, has never been timelier or more necessary"-- Provided by publisher.

"Commentators, coaches, and fans alike have long touted the diverse rosters of leagues like the NFL and MLB as sterling examples of a post-racial America. Yet decades after Tommie Smith and John Carlos raised their fists in a display of Black power and pride, and years after Colin Kaepernick shocked the world by kneeling for the national anthem, the role Black athletes and coaches are expected to perform--both on and off the field--still can be determined as much by stereotype and old-fashion ideology as ability and performance. Whether it's the pre-game moments of resistance, the lack of diversity among coaching and managerial staff, or the consistent undervaluation of Black quarterbacks, racial politics impact every aspect of every sport being played--yet the gigantic salaries and glitzy lifestyles of pro athletes often disguise the ugly truths of how minority players are treated and discarded by their White bosses. John Feinstein crisscrossed the country to secure personal interviews with quarterbacks, coaches, and more, revealing the stories none of us have heard (but all of us should know). Seventy-five years after Jackie Robinson broke baseball's color line, race is still a central and defining factor of America's professional sports leagues. With an encyclopedic knowledge of professional sports, and shrewd cultural criticism, bestselling and award-winning author John Feinstein uncovers not just why, but how, pro sports continue to perpetuate racial inequality."--

"Although early Zionist thinkers, perhaps naively, believed that with sovereignty, anti-Jewish persecution would end, anti-Zionism has become one form of the "new" antisemitism following World War II. Because antisemitism has not been effectively addressed, anti-Jewish rhetoric, activism, and deadly violence have flourished around the world. In Anti-Judaism, Antisemitism, and Delegitimizing Israel, editor Robert S. Wistrich and an array of notable academics, journalists, and political scientists analyze multiple aspects of the current surge in anti-Jewish and anti-Israel rhetoric and violence. Contributors including Ben Cohen, R. Amy Elman, Lesley Klaff, Matthias Kuntzel, Nelly Las, Alvin H. Rosenfeld, and Efraim Sicher, among others, examine antisemitism from the perspectives of history, academia, gender, identity, and religion. Offering a variety of viewpoints and insights into disturbing trends worldwide, the contributors provide a basis for further discussion and increased efforts to counter the increasingly vocal and violent hatred of Jews and Israel"--

History lies heavily on South Africa, and Adam Hochschild brings to bear a lifetime's familiarity with the country in an eye-opening work that blends history and reportage. Hochschild looks at the tensions of modern South Africa through a dramatic prism: the pivotal nineteenth-century Battle of Blood River -- which determined whether the Boers or the Zulus would control that part of the world -- and its contentious commemoration by rival groups 150 years later. This incisive book offers an unusual window onto a society that remains divided. In his epilogue, Hochschild extends his view to the astonishing political changes that have occurred in the country in recent years -- and the changes yet to be made.

For more than twenty years David Brion Davis has been recognized as a leading authority on the moral and ideological responses to slavery in the Western world. From Homicide to Slavery, Davis's first book of collected essays, brings together selections reflecting his wide-ranging interests in colonial history, Afro-American history, the social sciences, and American literature. The essays are interconnected by Davis's central concern with violence, irrationality, and the definition of moral limits during a period when Americans believed they were breaking free from historical constraints and acquiring new powers of self-perfection. Topics range from a socially revealing murder trial in 1843 to debates over capital punishment, movements of counter-subverison, the iconography of race, the cowboy as an American hero, the portrayal of violence in American literature, the historiography of slavery, and the British and American antislavery movements.

In 1955, shortly after Emmett Till was murdered by white supremacists in Mississippi, his grieving mother distributed to the press a gruesome photograph of his mutilated corpse. Asked why she would do this, she explained that by witnessing with their own eyes the brutality of segregation and racism, Americans would be more likely to support the cause of racial justice. "Let the world see what I've seen," was her reply. The publication of the photograph inspired a generation of activists to join the civil rights movement. Despite this extraordinary episode, the story of visual culture's role in the modern civil rights movement is rarely included in its history. This is the first comprehensive examination of the ways images mattered in the struggle, and it investigates a broad range of media including photography, television, film, magazines, newspapers, and advertising. These images were ever present and diverse: the startling footage of southern white aggression and black suffering that appeared night after night on television news programs; the photographs of black achievers and martyrs in Negro periodicals; the humble snapshot, no less powerful in its ability to edify and motivate. In each case, the war against racism was waged through pictures, millions of points of light, millions of potent weapons that forever changed a nation. This book allows us to see and understand the crucial role that visual culture played in forever changing a nation.

From before the days of Moses up through the 1960s, slavery was a fact of life in the Middle East. Pagans, Jews, Christians, and Muslims bought and sold at the slave markets for millennia, trading the human plunder of wars and slave raids that reached from the Russian steppes to the African jungles. But if the Middle East was one of the last regions to renounce slavery, how do we account for its--and especially Islam's--image of racial harmony? How did these long years of slavery affect racial relations? In Race and Slavery in the Middle East, Bernard Lewis explores these questions and others, examining the history of slavery in law, social thought, and practice over the last two millennia. With 24 rare and intriguing full-color illustrations, this fascinating study describes the Middle East's culture of slavery and the evolution of racial prejudice. Lewis demonstrates how nineteenth century Europeans mythologized the region as a racial utopia in debating American slavery. Islam, in fact, clearly teaches non-discrimination, but Lewis shows that prejudice often won out over pious sentiments, as he examines how Africans were treated, depicted, and thought of from antiquity to the twentieth century. "If my color were pink, women would love me/But the Lord has marred me with blackness," lamented a black slave poet in Arabia over a millennium ago--and Lewis deftly draws from these lines and others the nuances of racial relations over time. Islam, he finds, restricted enslavement and greatly improved the lot of slaves--who included, until the early twentieth century, some whites--while blacks occasionally rose to power and renown. But abuses ring throughout the written and visual record, from the horrors of capture to the castration and high mortality which, along with other causes, have left few blacks in many Middle Eastern lands, despite centuries of importing African slaves. Race and Slavery in the Middle East illuminates the legacy of slavery in the region where it lasted longest, from the days of warrior slaves and palace eunuchs and concubines to the final drive for abolition. Illustrated with outstanding reproductions of striking artwork, it casts a new light on this critical part of the world, and on the nature and interrelation of slavery and racial prejudice.

In this gripping social history of South Africa, award-winning journalist Mark Gevisser follows the family of former South African President Thabo Mbeki to make sense of his legacy and understand the future of the country under new President Jacob Zuma. With unparalleled access to Mbeki and Zuma, as well as other key players in the ANC, Gevisser presents an intimate yet accessible account of South Africa's past, present and future. With his stunning account of the Mbeki family's history as a backdrop, Gevisser fleshes out a monumental period in world history that will continue to shape African politics for years to come.

The first collection to emphasize the complex interaction between gender and postcoloniality. Most people in the world, from Africa to Asia and beyond, live in the aftermath of colonialism. Their day-to-day lives are defined by their past history as colonized peoples, often in ways that are subtle or hard to define. In Dangerous Liaisons, eminent contributors address the issues raised by the postcolonial condition, considering nationhood, history, gender, and identity from an inter-disciplinary perspective. Among the questions they address are: What are the boundaries of race and ethnicity in a diasporic world? How have women been so effectively excluded from national power? What have been the historical aftermaths of different forms of colonialism? What are the cultural and political consequences of colonial partitions of the nation-state? Representing an essential intervention, Dangerous Liaisons is a crucial guidebook for those concerned with understanding postcoloniality at the moment when it is becoming more and more widely discussed.

"Jews experienced antisemitism the moment they landed on what would become the United States. When they first arrived in New Amsterdam in 1654, Peter Stuyvesant tried but failed to deport them. As historian Pamela S. Nadell tells in Antisemitism, an American Tradition, this was only antisemitism's beginning on our shores, as negative European stereotypes about Jews rooted into American soil. Compared with the Old World, with its expulsions, Inquisitions, ghettos, and Holocaust, America's Jews have a different history -- but one where antisemitism, even if it has had fewer dramatic eruptions, is deeply embedded. Jews in America faced restrictions on holding office and getting financial credit. Universities set quotas to limit the number of Jews attending and businesses refused to hire them. Jews endured verbal and physical attacks, and their synagogues and cemeteries, continuing to this day, were vandalized and desecrated. Antisemitism, an American Tradition investigates the depths of this fraught history and its recent manifestations: white nationalists chanting "Jews will not replace us" in Charlottesville, Virginia, and a gunman murdering eleven worshipers of Pittsburgh's Tree of Life synagogue building. Nadell also shows Jews responding to prejudice and hate. America's Jews created advocacy organizations. They turned to the courts to safeguard their constitutional rights. They made common cause with allies to confront all types of hate. They even used their fists when needed. At a time when prejudice, discrimination, and hate against Jews is flaring across the country, Antisemitism, an American Tradition argues that we must understand the past. This momentous work reveals how antisemitism -- and resistance to that hatred -- endures, representing not a rupture from America's history, but a centuries-old legacy." -- Book jacket.

Slave and Citizen is a classic in the field of comparative slave history and race relations. "A significant historiographic milestone in the study of American slave systems. It has been a point of departure for most studies done on slavery and race relations since World War II."--Franklin W. Knight.

Autobiography of an Ex-White Man is an intensely personal meditation on the nature of America by a White Philosopher who joined a Black Studies Department and found his understanding of the world transformed by the experience. The book begins with an autobiographical narrative of the events leading up to Wolff's transfer from a Philosophy Department to the W. E. B. Du Bois Department of Afro-American Studies at the University of Massachusetts, and his experiences in the Department with his new colleagues, all of whom had come to Academia from the Civil Rights Movement of the 1960s. Wolff discovered that the apparently simple act of moving across campus to a new Department in a new building worked a startling change in the way he saw himself, his university, and his country. Reading as widely as possible to bring himself up to speed in his new field of academic responsibility, Wolff realized after a bit that his picture of American history and culture was undergoing an irreversible metamorphosis. America, he realized, has from its inception been a land both of Freedom and of Bondage: Freedom for the few, and then for those who are White; Bondage at first for the many, and then for those who are not White. Slavery is thus not an aberration, an accident, a Peculiar Institution -- it is the essence and core of the American experience. Wolff's optimistic outlook leads him to express the hope that our acknowledging the realities of America's racial history and present will begin to tear down the formidable barrier to change. He sees this refashioning of the American story as a first step toward the crafting of a truly liberatory project. Robert Paul Wolff is Professor of Afro-American Studies at the University of Massachusetts-Amherst and the author of numerous books, including Introductory Philosophy and In Defense of Anarchism.

Emerge: Putting Southern California on the art world map -- Claim: assemblage and self-possession -- Organize: Building an exhibitionary complex -- In motion: the performative impulse -- Conclusion. Noshun: Black Los Angeles and the global imagination

According to the 1990 census, New York, for the first time in a century, had more foreign-born inhabitants than native-born residents. A city of continual immigration, New York's people have been documented by major artists and photographers from the earliest European settlers to the present. In this majestic illustrated history, with over 500 prints, paintings, and photographs, many never before published, we see the arrival of the first wave of Dutch and Anglo-Saxon settlers in the seventeenth century. We progress through Irish and German immigrations in the mid-nineteenth century, the immigration in the late nineteenth and early twentieth centuries of vast numbers of Italians and Eastern European Jews as well as Greeks and Slavs, followed by African Americans moving from the South after World War I. Finally, as the twentieth century comes to a close, Caribbeans, Latinos, Africans, and Asians have become the dominant new New Yorkers. As he did with Harlem on My Mind, The Lower East Side, American Jewish Album, and The Italian Americans, Allon Schoener has brought together wonderful images as well as documentary accounts from diaries, letters, news articles, and other sources, giving us the rich history and texture of this great city.