"A compelling record of one year in the life of a writer, including observations about movies, art, music, friendship, travel, and family. The essay is the most pluckily pedestrian and blithely transgressive of literary genres, the one that is most at large and in need, picking through the accumulated disjecta of daily life and personal and social history to take what it needs and remake it as it sees fit. It is, at its lively best, quite indifferent to the claims of style, fashion, theory, and respectability, provoking and inspiring through the pleasure of surprise. In 2016, Philip Lopate, who has been writing essays and thinking about the essay for decades now, turned his attention to one of the essay's offshoots, the blog, a form by that time already thick, as he knew, with virtual dust. Lopate committed to writing a weekly blog about, really, whatever over the course of a year, a quicker pace of delivery than he'd ever undertaken and one that carried the risk of all too regularly falling short. What emerged was A Year and a Day, a collection of forty-seven essays best characterized as a single essay a year in the making, a virtuosic (if never showy) demonstration of the essay's range and reach, meandering, looping back, pressing reset, forging on. Lopate's topics along the way include family, James Baldwin, a trip to China, Agnes Martin, Abbas Kiarastomi, the resistable rise of Donald Trump, death, desire, and the tribulations, small and large, of daily life. What results is at once a self-portrait, a picture of the times, and a splendid new elaboration of what the essay can be"--

"Continuing the story that began in his widely praised Boston Boy, Nat Hentoff in Speaking Freely guides us through more than forty years of his life in journalism, a career as various as his passions, and follows our social history from the civil rights and antiwar movements to the most incendiary battles (such as abortion) of the present day. Hentoff first evokes New York in the fifties, when he wrote for the jazz magazine Down Beat and came to know some of the most talented jazzmen of all time--Duke Ellington, Thelonious Monk, Charles Mingus, and Dizzy Gillespie, to name only a few. He looks back to his apprenticeship under George Seldes and I. F. Stone, two unyieldingly independent journalists whom he credits with charting his direction in the field. And he recounts his associations with a wide array of Americans, from Malcolm X, who was a friend, to Louis Farrakhan, who has labeled Hentoff "the Antichrist" ; from Adlai Stevenson to John Cardinal O'Connor; and from the "utterly singular" editor of The New Yorker, William Shawn, to uncelebrated heroes far afield from Manhattan and Washington. As a staff writer for the Village Voice and a syndicated columnist for the Washington Post, Hentoff has gained a reputation as one of the nation's most respected, uncompromising, and controversial writers on civil liberties and on the difficult issues and wide-ranging forms of injustice manifest in our age." -- Provided by Publisher.

A unique memoir that interweaves poetry, narrative, meditation, and social history, A Spiritual Life explores the complex facets of a Jewish woman's spiritual coming-of-age, capturing the emotional and spiritual reality of contemporary Jews as well as religious seekers of all types. From the experiences of early childhood, to the spiritual awakening of a secular adolescent encountering Jewish tradition, to the alternately funny and searing tales of new-found independence, early married life, young motherhood, and midlife, Feld comments with remarkable honesty and clarity on the many stages of spiritual and artistic exploration and growth. Overarching all these accounts is the picture of how the cycle of the Jewish calendar year comes to provide an ever-renewing source of sustenance for the author's deepening spiritual expression.

Product Description Despite a historical record that shows sustained involvement of American Jewish women with early Zionism and Palestine, this topic has received scant scholarly attention. A major contribution to Zionist history, women’s history, and American history, American Jewish Women and Zionism offers a much needed clarification to the historical record. Divided thematically, American Jewish Women deals with representative figures, events, and themes of the pre-state era. The essays in the book have three different foci: Several are concerned with significant personalities, such as Golda Meir, Marie Syrkin, Emma Lazarus, and Henrietta Szold, while others are concerned with the pivotal role played by American Zionist women’s organizations including Hadassah, the Pioneer Women’s Organization (later Naamat), the Mizrachi Women’s Organization (later Amit Women), and others. The remaining essays address broad themes and reveal the multidimensionality of the relationship of American Jewish women and Zionism, which includes agricultural and vocational training, religion, ideology, geography, and feminism and femininity. American Jewish Women and Zionism also includes several eyewitness documents and personal testimonies. No less significant than the corpus of memoirs and literature produced by male Zionist leaders, such data throws light on hitherto neglected facets of American Jewish and Zionist history, including the variety of roles played by Zionist women and their self-awareness as participants in one of the most dramatic and consequential episodes in the history of Jewish civilization. The volume includes a glossary of terms, a map of the principal locations referred to in the text, illustrations, and a timeline of American Jewish women and their relationship to Zionism. Each section opens with a prefactory note that places the essays in historical context. It concludes with a bibliographic note and suggestions for further readings. Review "Anyone interested in the significant role of women and Zionism should definitely find this book a must read."--The National Jewish Post & Opinion "Shulamit Reinharz and Mark Raider's magnificent study... challenges us to understand how faith in Zionism and in the American dream nourished and changed both projects. This is a story not of ideologies or, for the most part, of ideologues, but rather of the creators of a new tradition. The essays in this collection bring some of the leaders of Hadassah, Pioneer Women, and of Mizrahi beautifully to life and show how a dedication to the Zionist cause deepened a commitment to American values, and enlarged the Zionist perspective, to preserve a set of liberal principles reaching across the ethnic and national divide in Palestine...In this book Reinharz and Raider assemble essays that chart the rich profusion of movements, institutions, and activities - including aliyah - that Zionism inspired in Jewish women living in the United States."--Israel Studies "The organizations that women created as an expression of their goal are deftly analyzed. There is valuable and intriguing material here which calls for the attention of scholars in the fields of American history, women's history, feminism, and Zionism."--Jewish Book World From the Publisher 6 x 9 trim. 12 illus, 1 map, 3 tables About the Author Mark A. Raider is professor of modern Jewish history in the Department of History and director of the Center for Studies in Jewish Education and Culture at the University of Cincinnati. He is the author, most recently, of The Essential Hayim Greenberg: Essays and Addresses on Jewish Culture, Socialism, and Zionism.

Set amidst the political upheaval of the McCarthy trials, the Vietnam War, and the rise of the women's movement, Intimate Politics is a courageous and uncompromising account of one woman's personal and political transformation, and a fascinating portrayal of a key chapter in our nation's history. At eight years old, Bettina Aptheker watched her family's politics play out in countless living rooms across the country when her father, historian and U.S. Communist Party leader Herbert Aptheker, testified on television in front of the House on Un-American Activities Committee in 1953. Born into one of the most influential U.S. Communist families whose friends included W. E. B. Du Bois, Paul Robeson, and Elizabeth Gurley Flynn, Bettina lived her parents' politics witnessing first-hand one of the most dramatic upheavals in American history. She also lived with a terrible secret: incest at the hands of her famous father and a frightening and lonely life lived inside a home wrought with family tensions. A gripping and beautifully rendered memoir, Intimate Politics is at its core the story of one woman's struggle to still the demons of her personal world while becoming a controversial public figure herself. This is the story of childhood sexual abuse, abortion, sexual violence, activism, and the triumph over one's past. It's about FBI harassment and persecution, Jewish heritage, and lesbian identity. It is, finally, about the courage to speak one's truth despite the consequences and to break the sacred silence of family secrets.

An eye-opening account of time served in the great battles of our century - for workers' rights, against Fascism, Communism, and racism - Jumping the Line is the life story of an American original. William Herrick relates his adventures and misadventures on the front lines of the Spanish Civil War, in (and very much out of) the Communist Party, driving a tractor on a communal farm in Michigan, jumping the line as a hobo, organizing African American sharecroppers in Georgia, at work with Orson Welles, and immersed in his own writing. When Paul Berman interviewed Herrick in the Village Voice in 1986, for the fiftieth anniversary of the Spanish Civil War, Herrick's remarks so incensed other veterans of the Abraham Lincoln battalion that they picketed the paper. What William Herrick has to say doesn't always go down easily. But for those who like the truth, with a dash of wit and a healthy dose of history, it can be exhilarating.

Max Lerner taught generations of Americans about their government: who rules, why, and how. For almost half a century, the office of the presidency preoccupied his prodigious energies and unparalleled expertise. Lerner not only wrote about the men who inhabited the Oval Office during that time, he knew them personally, from Franklin D. Roosevelt to Bill Clinton - and he knew what made them tick. Here, collected for the first time, are Lerner's complete writings on the presidency and American presidents. Wounded Titans contains Lerner's classic essays on the presidency and its development. Here, too, are his most famous presidential portraits of Jefferson and Lincoln - the presidents he believed most significantly shaped both the office and our perception of it - as well as of the men who inherited the modern-day office created by Roosevelt. Each portrait combines a rigorous and unblinking analysis of its subject's place in history with a sympathetic appreciation of his humanity. Everything about the office of the presidency fascinated Lerner, including how someone ran for it. This volume also contains the best of Lerner's campaign journalism, written for his widely syndicated column, which appeared in the New York Post for over four decades.

In this new collection of essays, contemporary historians examine the ways earlier historians have framed, written, and "made" the Jewish past. Probing the ideology and methodology of their professional predecessors, American and Israeli historians offer new perspectives on some of the central figures of twentieth-century Jewish historiography, including Gershom Scholem, S. D. Goitein, Yitzhak Baer, Elias Bickerman, and Cecil Roth, as well as the Israeli "New Historians." Through their critical examinations of the construction of the Jewish past, the contributors to this volume develop important insights into current attitudes toward the dominant canons and ideals of historical scholarship and the future of historiography. They shine new light on the formation of a historical worldview and the "making" of history.

“I have read all of Daniel Aaron’s books, and admired them, but in The Americanist I believe he has composed an intellectual and social memoir for which he will be remembered. His self-portrait is marked by personal tact and admirable restraint: he is and is not its subject. The Americanist is a vision of otherness: literary and academic friends and acquaintances, here and abroad. Eloquently phrased and free of nostalgia, it catches a lost world that yet engendered much of our own.” —Harold Bloom “ The Americanist is the absorbing intellectual autobiography of Daniel Aaron, who is the leading proponent and practitioner of American Studies. Written with grace and wit, it skillfully blends Daniel Aaron’s personal story with the history of the field he has done so much to create. This is a first-rate book by a first-rate scholar.” —David Herbert Donald, Professor Emeritus, Harvard University The Americanist is author and critic Daniel Aaron’s anthem to nearly a century of public and private life in America and abroad. Aaron, who is widely regarded as one of the founders of American Studies, graduated from the University of Michigan, received his Ph.D. from Harvard, and taught for over three decades each at Smith College and Harvard. Aaron writes with unsentimental nostalgia about his childhood in Los Angeles and Chicago and his later academic career, which took him around the globe, often in the role of America’s accidental yet impartial critic. When Walt Whitman, whom Aaron frequently cites as a touchstone, wrote, “I am large, I contain multitudes,” he could have been describing Daniel Aaron—the consummate erudite and Renaissance individual whose allegiance to the truth always outweighs mere partisan loyalty. Not only should Aaron’s book stand as a resplendent and summative work from one of the finest thinkers of the last hundred years, it also succeeds on its own as a first-rate piece of literature, on a par with the writings of any of its subjects. The Americanist is a veritable Who’s Who of twentieth-century writers Aaron interviewed, interacted with, or otherwise encountered throughout his life: Ralph Ellison, Robert Frost, Lillian Hellman, Richard Hofstadter, Alfred Kazin, Sinclair Lewis, Malcolm Muggeridge, John Crowe Ransom, Upton Sinclair, Edmund Wilson, Leonard Woolf, and W. B. Yeats, to name only a few. Aaron’s frank and personal observations of these literary lights make for lively reading. As well, scattered throughout The Americanist are illuminating portraits of American presidents living and passed—miniature masterworks of astute political observation that offer dazzlingly fresh approaches to well-trod subjects.

A distinguished historian, Harvard professor, and White House adviser looks back on his own life and on the tumultuous twentieth century. Sixteen-year-old Richard Pipes escaped from Nazi-occupied Warsaw with his family in October 1939. Their flight took them to the United States by way of Italy, and Pipes went on to earn a college degree, join the U.S. Air Corps, serve as professor of Russian history at Harvard for nearly forty years, and become adviser to President Reagan on Soviet and Eastern European affairs. In this engrossing book, the eminent historian remembers the events of his own remarkable life as well as the unfolding of some of the twentieth century’s most extraordinary political events.From his youthful memories of bombs falling on Warsaw to his recollections of the conflicts inside the Reagan administration over American policies toward the USSR, Pipes offers penetrating observations as well as fascinating portraits of such cultural and political figures as Isaiah Berlin, Ronald Reagan, and Alexander Haig. Perhaps most interesting of all, Pipes depicts his evolution as a historian and his understanding of how history is witnessed and how it is recorded.

"Al Jolson, born Asa Yoelson, immigrated from his shtetl in Lithuania to the United States in 1894 after his father secured a job as a rabbi in Washington, D.C. A poor, Yiddish-speaking newcomer navigating a racially segregated and antisemitic America, young Jolson dreamed of becoming a star, and he did. Thanks to his immense talent and his knack for assimilating into new environments, by the time he reached his twenties he was the most famous and highly paid entertainer in America, making almost $5,000 a week at a time when the average American made $800 a year. Jolson's public adoration and widespread acceptance as a star marked the beginning of an enriching cultural transformation, a moment when the American mind opened up to ethnic and racial differences, widening the gap of acceptability. And yet Jolson himself, despite being ferociously ambitious and gigantically talented, was crippled by insecurity, often nervous to the point of collapse, prisoner to his many vices. Through Jolson, Bernstein simultaneously breaks open the history and legacy of the cultural sensation The Jazz Singer. Not only was The Jazz Singer the first feature length film with synchronized music and dialogue, but it was also taboo smashing in its content: The Jazz Singer is all about Jews, Orthodox and otherwise. Bernstein expounds on the making of The Jazz Singer, what the film meant then and now, introducing the many individuals involved in its production, including Samson Raphaelson, a young Jewish writer whose short story was the basis for the movie; the four Warner brothers who made a fortune off it; and George Jessel, Jolson's rival and the star of Raphaelson's stage adaptation of his short story. In the background emerges a picture of old Hollywood in the Roaring Twenties: cutthroat and greedy yet visionary and progressive. And while The Jazz Singer represented the future in many ways, it also dredged up the worst of the past, including Jolson's use of blackface, common at the time. At once a tale of the Judaizing of American culture and an acknowledgment of the challenges to come, Only in America is a glistening examination of a man at the center of a watershed moment in the arts"--

Irena Koprowska's autobiography illuminates the struggles of a young immigrant woman to combine family responsibilities and a demanding medical career. Irena Koprowska's autobiography chronicles the life and struggles of an immigrant woman who successfully pursued a career while raising a family. In the process, she became an award-winning physician, professor, and research pioneer at a time in history when it was believed a woman's place was in the home. Born in Warsaw in 1917, Irena Koprowska was married, pregnant, and a physician by the age of twenty-two. Forced to flee the Nazis, first in Poland and then in France, she fled to Brazil in 1940. Four years later she immigrated to the United States. Unable to speak English, she started her academic career as a volunteer at the Department of Pathology at Cornell University Medical College. During the years of her subsequent Research Fellowships at Cornell University Medical College, she worked with George N. Papanicolaou, inventor of the Pap smear. The two co-authored a case report of the earliest diagnosis of lung cancer by a sputum smear. Eight years later, she was appointed Assistant Professor of Pathology at State University of New York Downstate Medical College and went on to become the first woman physician to become a full professor at Hahnemann Medical College and Hospital (now known as Hahnemann University) in Philadelphia. Later she joined the faculty of Temple University Medical School where, upon her retirement in 1987, she became Professor Emerita. She was recognized as "Woman Physician of the Year" by a Gold Medicus award of the Polish American Society in 1977 and received the Papanicolaou Award of the AmericanSociety of Cytology in 1985.

When Zionists first advocated a national home for the Jewish people, they also propounded a revolution in the values that Jews should live by, a whole new way of thinking about Jewish life and Jewish history. Has this revolution in fact occurred? And what the consequences been for Jews and their neighbors? Especially given the extraordinary circumstances that link the United States and Israel, Americans may find the answers to such questions vexing - but the remarkable work of Avishai Margalit goes far to clarify the issues and enlighten the debate. Over the past two decades, Margalit has written major essays for American readers about the political leaders, cultural crises, and historical background of the contemporary Israeli scene. In Views in Review these essays are brought together with new commentary and observations, and their publication in one volume clearly shows that the whole is much more that the sum of its parts. From Ben Gurion to Netanyahu, from "Israeli kitsch" to the meaning of the Holocaust for "the seventh million," Margalit's work traverses the terrain of Israeli life and history and brings a tragically conflicted country into sharp and memorable focus.

He proudly calls himself "the most frequently picketed producer in movie history"--A distinction he richly earned by taking on some of the most controversial subjects of our time. In the process, he directed or produced such classics of the American cinema as Guess Who's Coming to Dinner, High Noon, On the Beach, Judgment at Nuremberg, The Defiant Ones, Champion, Inherit the Wind, Ship of Fools, Death of a Salesman, and The Caine Mutiny.

"A biography of Samuel Gompers, leader of the American Federation of Labor."--

"Julia Howe (1819-1910) was a beautiful, studious New York heiress and aspiring poet when she married Bostonian Dr. Samuel Gridley Howe, a hero of the Greek war of independence against the Turks and an internationally acclaimed pioneer in the education of the blind. Their marriage united two exceptional people. Together the Howes knew many of the key figures of their era, from Charles Dickens and Florence Nightingale in England, to Margaret Fuller, Henry Wadsworth Longfellow, Horace Mann, Charles Sumner, and John Brown. But despite his philanthropic and abolitionist ideals, Dr. Howe did not support married women's work outside the home. He isolated Julia, opposed her literary ambitions, and wasted her inheritance. She defied him by continuing to publish poems and plays while raising their six children. She also secretly wrote a bold novel about a hermaphrodite, undiscovered until long after her death. And during the Civil War, she wrote the words to the most powerful and enduring anthem in the nation's history. Authorship of the 'Battle Hymn of the Republic' made her famous and revered. But she fought her own civil war at home, battling with her husband over her rights to equality, intellectual freedom, and a public voice. As soon as the war ended, she became a pacifist and suffragist leader. In the second half of her life, she came into her own as a tireless campaigner for women's rights and social reform. In this biography, Elaine Showalter tells the story of Howe's determined self-creation and vividly restores her to the pantheon of feminist intellectuals who changed the world"--Jacket

Streaming Video on Love In Black & White now available at Expandedbooks.com Most Americans regard the World War II period as belonging to the "greatest generation," but it was also a time when religious intolerance and racial violence flourished. Shamefully, it was commonplace to see signs that read "Whites Only" or "Jews Not Allowed." It is within this world that this compelling memoir is set. William Cohen, born in Bangor, Maine, was the eldest son of a Jewish father and a Protestant Irish mother. Janet Langhart, an African-American, was raised in Indianapolis, Indiana by her single parent mother, a Southern Baptist. The book draws fascinating parallels between the histories of two people from different regions, races, and religions, as both are witnesses to and targets of the social tensions of the day. Throughout Love in Black and White, readers accompany Bill and Janet in their struggle to overcome to the barriers of ethnic and racial bigotry and hatred. The stories are rich and profound. At times they are amusing. Other times, harrowing. Against impossible odds, Bill would be elected to serve his country as a U.S. Congressman and Senator, and Janet would become a prominent television personality, activist, and highly respected businesswoman and author. Opposites in so many ways―in color, faith and culture―seemingly a bundle of contradictions, they meet in 1974, become friends, and eventually fall in love. They decide to marry on Valentine's Day 1996 in the very place that once harbored some of the nation's most prominent racists-the U.S. Capitol. They receive the surprise of a lifetime when Bill is asked by President Bill Clinton to serve as the nation's 20th Secretary of Defense. It is a calling that proves to be life transforming for both him and Janet, as they lead, inspire and bring comfort to the men and women who defend our nation. It is at the Pentagon where they witness just how powerful our nation ca