From the pulitzer prize-winning American novelist, Edna Ferber. Who was heralded as the greatest female author of the 1920s and 1930s and among the best-read authors of her nation.

"An extravaganza . . . fertile invention and forceful style . . . Mr. Kersh's many admirers will undoubtedly devour this highly flavoured hotch-potch with avidity." - Julian Maclaren-Ross, Sunday Times "[F]irst-rate Kersh, richly peopled with the odd bit roles he sketches so well and written with style and individuality." - Anthony Boucher, New York Herald Tribune "Sometimes funny, sometimes nightmarish, always first-class entertainment." - Basil Davenport, New York Times Journalist George Oaks and his friend Albert Kemp, a mystery novelist, are on their way to meet their friend, the celebrated philosopher Dr. Monacelli. But when a clerical mix-up leads to their meeting the American gangster Monty Cello instead, Oaks and Kemp quickly find themselves caught up in a bizarre and dangerous plot involving a murdered reporter, a missing scientist, and a group of powerful madmen with a plan to destroy the world as we know it. It's a race against time as Oaks and Kemp must infiltrate the villains' stronghold and save humanity before it's too late! Equal parts hard-boiled crime novel and apocalyptic science fiction tale, The Great Wash (1953) is one of the most exciting novels by Gerald Kersh (1911-1968), who is best known for his classics Night and the City (1938) and Fowlers End (1957). Fowlers End and four volumes of Kersh's strange and brilliant short fiction are also available from Valancourt.

"How easy Mr. Kersh makes it all seem! How admirably he sets the scene, the atmosphere . . . very neatly done." - The Observer "Three short, rough novels, hard-hitting, battering the emotions without compunction . . . Kersh tells a story, as such, rather better than anybody else." - Pamela Hansford Johnson, Daily Telegraph Best known for his gritty novels of London life and his weird and often horrific short fiction, in Clock Without Hands (1949) Gerald Kersh delivers three novellas, each very different but all showcasing the virtuosity of his storytelling. Clock Without Hands relates the unexpected and macabre impact of a sordid murder on the mild-mannered neighbour who witnesses the crime. In Flight to the World's End , a desperate boy flees his cruel life at an orphanage, only to discover a harsh truth about the world outside. And in Fairy Gold , a clerk plays a malicious practical joke on his impoverished co-worker, with unpredictable and startling consequences. Gerald Kersh (1911-1968) published more than thirty books, including the noir classic Night and the City (1938) and Fowlers End (1957), which Anthony Burgess called "one of the great comic novels of the century," as well as hundreds of short stories which were once ubiquitous in British and American magazines. But though he has been championed by Angela Carter, Harlan Ellison, Ian Fleming, Michael Moorcock and others, Kersh has undeservedly fallen into neglect since his death. This edition of one of his lesser-known books is the first-ever reprint and includes a new introduction by Thomas Pluck.

Dieses Werk ist Teil der Buchreihe TREDITION CLASSICS. Der Verlag tredition aus Hamburg veroffentlicht in der Buchreihe TREDITION CLASSICS Werke aus mehr als zwei Jahrtausenden. Diese waren zu einem Grossteil vergriffen oder nur noch antiquarisch erhaltlich. Mit der Buchreihe TREDITION CLASSICS verfolgt tredition das Ziel, tausende Klassiker der Weltliteratur verschiedener Sprachen wieder als gedruckte Bucher zu verlegen - und das weltweit! Die Buchreihe dient zur Bewahrung der Literatur und Forderung der Kultur. Sie tragt so dazu bei, dass viele tausend Werke nicht in Vergessenheit geraten

Dreamers of the Ghetto (1892) is a collection of stories by Israel Zangwill. Raised in London by parents from Latvia and Poland, Zangwill understood the plight of the city's Jewish community firsthand. Having risen through poverty to become an educator and author, he dedicated his career to the voiceless, the oppressed, and the needy, advocating for their rights and bearing witness to their suffering in some of the most powerful novels and stories of the Victorian era. "This is a Chronicle of Dreamers, who have arisen in the Ghetto from its establishment in the sixteenth century to its slow breaking-up in our own day. Some have become historic in Jewry, others have penetrated to the ken of the greater world and afforded models to illustrious artists in letters..." As a Jewish immigrant who grew up in poverty in London, Israel Zangwill knows that the condition of life in the ghetto changes not just lives, but mentalities. In the third installment of his Ghetto series, Zangwill imagines the lives of such historical Jewish figures as Dutch philosopher Baruch Spinoza, German poet Heinrich Heine, and Prussian lawyer and political activist Ferdinand Lasalle. The tales of Jewish life in Dreamers of the Ghetto earned Zangwill comparisons to Dickens upon publication, and helped to establish him as an author with a gift for intensive character study and a passion for political themes. This edition of Israel Zangwill's Dreamers of the Ghetto is a classic of British literature reimagined for modern readers. Since our inception in 2020, Mint Editions has kept sustainability and innovation at the forefront of our mission. Each and every Mint Edition title gets a fresh, professionally typeset manuscript and a dazzling new cover, all while maintaining the integrity of the original book. With thousands of titles in our collection, we aim to spotlight diverse public domain works to help them find modern audiences. Mint Editions celebrates a breadth of literary works, curated from both canonical and overlooked classics from writers around the globe.

Revenge: A Tale of Old Jamaica (1919) is a novel by H. G. de Lisser. Born and raised in Jamaica, H. G. de Lisser was one of the leading Caribbean writers of the early twentieth century. Concerned with issues of race, urban life, and modernization, de Lisser dedicated his career to representing the lives and concerns of poor and middle-class Jamaicans. In Revenge: A Tale of Old Jamaica , de Lisser portrays the deadly Morant Bay Rebellion of 1865, a protest by poor black laborers unsatisfied with the economic and political establishment and the widespread lack of opportunity for freedmen in Jamaica. In response to a period of scarcity brought on by drought and disease, as well as to acts of police brutality against peaceful protestors, a group of several hundred Jamaicans led by Paul Bogle took to the streets in an effort to fight for their rights. In de Lisser's fictionalized version of events, he explores the experiences of white and black Jamaicans in the days leading up to the violence. As signs of unrest grow impossible to ignore, those in power prove more than willing to reject the pleas of the oppressed, writing their anger off as nothing more than a passing phase. Seated on their veranda overlooking the mountains of the Jamaican countryside, the Carlton family observes a series of fires growing in the nearby hills. While the women see them as a sign of violence to come, the men seem entirely unphased by the threat of an uprising. In response to his mother's fears, Dick Carlton attempts to calm her: "'Our people are just now passing through one of their periodical fits of depression, and you will probably hear them expressing fears of negro uprisings and all that sort of thing [...] and you may be frightened. Don't allow yourself to be. The danger is purely imaginary.'" As night falls with no end to the fires, however, and as the songs and cries of the oppressed grow closer, his sense of security will prove a foolish thing indeed. This edition of H. G. de Lisser's Revenge: A Tale of Old Jamaica is a classic of Jamaican literature reimagined for modern readers. Since our inception in 2020, Mint Editions has kept sustainability and innovation at the forefront of our mission. Each and every Mint Edition title gets a fresh, professionally typeset manuscript and a dazzling new cover, all while maintaining the integrity of the original book. With thousands of titles in our collection, we aim to spotlight diverse public domain works to help them find modern audiences. Mint Editions celebrates a breadth of literary works, curated from both canonical and overlooked classics from writers around the globe.

'Brilliant study of neo-Nazi anti-Semitism ... Gillian Freeman is among the finest contemporary novelists.' - Brigid Brophy, New Statesman 'Undoubtedly the best of her novels ... an exact and finely observed account of the lunatic right-wing fringe in Britain. I recommend this very strongly.' - Oxford Mail 'Gillian Freeman's perception of psychological and sociological drives is combined with an ability to communicate them in suspenseful entertainments.... The implications grip the imagination.' - Kirkus Reviews 'Horrifying reconstruction of how a new Hitler might arise.' - Times Literary Supplement Vincent Wright is a failure. Now in his mid-thirties, he's stuck in a dead-end job as a bank clerk and still lives with his mother. But he knows who is to blame for the shortcomings in his life: blacks, Jews, and immigrants, who are responsible for most of what's wrong with Britain today. After meeting a retired army officer who shares his passion for collecting Nazi paraphernalia, Vincent has a brilliant idea: the nation needs a new leader to rescue it from its decline - why not him? As he travels the country, giving speeches and using his charisma and oratorical gifts to recruit like-minded followers to his new Britain First party, we watch in horror while Vincent begins his terrifying and seemingly inexorable rise to power.... With the recent surge in popularity of far-right political parties across Europe, Gillian Freeman's sixth novel, The Leader (1965), remains as chillingly relevant today as when first published. This edition, the first in more than 40 years, includes a new introduction by Alwyn W. Turner. Freeman's classics The Liberty Man (1955) and The Leather Boys (1961) are also available from Valancourt Books.

Purchase one of 1st World Library's Classic Books and help support our free internet library of downloadable eBooks. Visit us online at www.1stWorldLibrary.ORG - - The girl who was dying lay in an invalid chair piled up with cushions in a sheltered corner of the lawn. The woman who had come to visit her had deliberately turned away her head with a murmured word about the sunshine and the field of buttercups. Behind them was the little sanitarium, a gray stone villa built in the style of a château, overgrown with creepers, and with terraced lawns stretching down to the sunny corner to which the girl had been carried earlier in the day. There were flowers everywhere - beds of hyacinths, and borders of purple and yellow crocuses. A lilac tree was bursting into blossom, the breeze was soft and full of life. Below, beyond the yellow-starred field of which the woman had spoken, flowed the Seine, and in the distance one could see the outskirts of Paris. "The doctor says I am better," the girl whispered plaintively. "This morning he was quite cheerful. I suppose he knows, but it is strange that I should feel so weak - weaker even day by day. And my cough - it tears me to pieces all the time."

This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

He lived beside a river that emptied into a great ocean. The narrow strip of land that lay between him and the estuary was covered at high tide by a shining film of water at low tide with the cast-up offerings of sea and shore. (Excerpt)

As the master of the Indian Spring school emerged from the pine woods into the little clearing before the schoolhouse, he stopped whistling, put his hat less jauntily on his head, threw away some wild flowers he had gathered on his way, and otherwise assumed the severe demeanor of his profession and his mature age which was at least twenty. Not that he usually felt this an assumption; it was a firm conviction of his serious nature that he impressed others, as he did himself, with the blended austerity and ennui of deep and exhausted experience

Stefan Zweig's The Invisible Collection still manages to strike the reader with its ability to masterfully sketch the contours of collecting obsession. Illustrated by paintings Daumier dedicated to collectors, this second book in the Dédale series is opened by Pedro Corrêa do Lago's preface, which is followed by Guillaume Glorieux's introduction. First published in 1925, Austrian writer Stefan Zweig's short story The Invisible Collection still manages to strike the reader with its ability to masterfully sketch the contours of collecting obsession. Deeply fascinated by the innovations that enriched European thought in the 1920s, first and foremost psychoanalysis, which also echoes among these pages, Zweig constructs a story that, despite being deeply anchored in time and space, is still relevant and full of humanity. In addition to the engravings by Dürer and Rembrandt mentioned in the story, this second book in the Dédale series is illustrated by the paintings that the French painter Honoré Daumier. It is opened by a preface by Brazilian writer Pedro Corrêa do Lago, who shares with Zweig a collecting passion for letters and autograph manuscripts by well-known authors, which is followed by an introduction by Guillaume Glorieux, who focuses on the relationship between collection and wealth, as well as the importance of collecting and the joy of sharing.

Step into the halcyon world of pre-war England through the eyes of George Sherston, the fictionalized alter ego of poet and war hero Siegfried Sassoon. In "Memoirs of a Fox-hunting Man", Sassoon masterfully captures the innocence of youth, the thrill of the hunt, and the deep, abiding connection to a countryside untouched by the horrors of the Great War. Through Sherston’s adventures—on horseback and off—readers are immersed in the gentle rhythms of country life, the camaraderie of the hunting field, and the quiet introspections of a young man coming of age. Yet beneath the light-hearted tales and sporting escapades lies an undercurrent of change, as the encroaching reality of war looms over this idyllic existence. Sassoon’s prose is at once nostalgic and sharply observant, offering a portrait of an era and a generation on the cusp of irrevocable transformation. Whether you are a lover of classic literature, historical fiction, or poignant coming-of-age stories, this evocative narrative offers both a window into a vanished world and a powerful commentary on the innocence lost to war.

Reproduction of the original: My Double Life by Sarah Bernhardt

One of Sherlock Holmes's greatest rivals, a female detective who solves cases using her abilities in lip-reading and ju-jitsu, returns to print in this first-ever annotated, illustrated edition The incredible popularity of Sir Arthur Conan Doyle's Sherlock Holmes stories led to an explosion in tales featuring fictional detectives, but few of them were as original or interesting as Richard Marsh's Judith Lee, whose stories appeared alongside Doyle's in Strand Magazine from 1911-1916. "My name is Judith Lee. I am a teacher of the deaf and dumb. I teach them by what is called the oral system​ - that is, the lip--reading system. I suppose I must have a special sort of knack in that direction, because I do not remember a time when, by merely watching people speaking at a distance, I did not know what they were saying. This knack of mine, in a way, is almost equivalent to another sense. It has led me into the most singular situations, and it has been the cause of many really extraordinary adventures." Thus opens the first of Marsh's charming stories featuring Judith Lee, who thwarts murderers, robbers, burglars, con-men, and spies using her remarkable ability to read lips in multiple languages, along with her quick wits, innate intelligence, and skills in disguise and martial arts. Best known today for his horror fiction, including The Beetle (1897), a Gothic thriller that initially outsold Bram Stoker's Dracula , Richard Marsh (1857-1915) is receiving increased attention in recent years for his other works, including the twenty-two Judith Lee stories, reprinted in full in this volume, along with the original illustrations from Strand Magazine and a new scholarly introduction and annotations by Minna Vuohelainen.

Dead Man's Planet Runaway Divinity The Hunters

Henry Kuttner (April 7, 1915-February 4, 1958) was a science fiction author born in Los Angeles, California. As a young man he worked for a literaryagency before selling his first story, "The Graveyard Rats", to Weird Tales in 1936. Kuttner was known for his literary prose and worked in close collaboration with his wife, C. L. Moore. They met through their association with the "Lovecraft Circle", a group of writers and fans who corresponded with H. P. Lovecraft. Their work together spanned the 1940s and 1950s andmost of the work was credited to pseudonyms, mainly Lewis Padgett and Lawrence O'Donnell.