A year following the death of Ludwig von Mises, Murray Rothbard wrote the book designed to inspire a new generation to take up the Misesian cause in economic theory and political action. His task was to provide an overview of Mises's writings and place in the social sciences. The essay achieved extraordinary fame. We might even say that "The Essential von Mises," distributed in the form of a mini-book, was more responsible for immortalizing Mises than any other essay ever written.The Mises Institute is thrilled to be able to bring it back again. It has lost none of its power in the intervening years.Here it is coupled with an outstanding biographical piece that Rothbard wrote in the 1990s: "Scholar, Creator, Hero." It goes into greater biographical depth, and incorporates many discoveries made over twenty years. The content really serves as an expansion on the first essay rather than an updated form of the same, so it makes sense to have them placed together.Therefore this book might be called "Rothbard on Mises" but it really serves as the best, short, all-round introduction to Misesian thought to ever appear in print.It is all the essentials of what you must know about this great man and thinker.By the way, the cover is extremely cool, though you might not be able to tell it from the small picture. It is actually made from dozens of tiny pictures of Mises, and really constitutes an artistic and technological marvel.

Zusammenfassung: "Polaris is a thoroughly edited, annotated translation of Die Amerikanische Nordpol-Expedition by Emil Bessels (Leipzig: Verlag von Wilhelm Engelmann, 1879). Bessels recounts the expedition of the ship Polaris, led by Captain Charles Francis Hall, on its failed attempt to reach the North Pole. Bessels, Polaris's chief scientist, provides a thorough account of the voyage, including detailed descriptions of St. John's, Newfoundland, Greenland settlements, Inuit people and culture, and plentiful scientific data on the flora, fauna, geography, oceans they encountered. Recent discoveries concerning a more sinister aspect of the voyage also make this a vital critical edition. While wintering at Thank God Harbour in Northwest Greenland, Hall died suddenly; Bessels proclaimed the cause of death was stroke. In 1968 English professor Chauncy Loomis and pathologist Franklin Paddock exhumed Hall's body from the permafrost, discovering that Hall had in fact been poisoned with arsenic. Bessels had the knowledge and opportunity to poison Hall, but for decades no motive could be found. However, new evidence has emerged of a romantic triangle between Hall, Bessels, and a young American sculptor Vinnie Ream, providing, at last, a motive for murder. Barr's introduction and epilogue outline the unique aspects of Bessels book, placing it in the historical context of arctic exploration. Barr has added 723 endnotes, drawing on 73 bibliographic sources, to explain and to contextualize Bessels writing. Barr's appendices cover Bessel's scientific appendix, Hall's instructions, the Board of Inquiry that followed the expedition's return, and biographies of the seven major players in this tale of exploration and murder."--(Provided by publisher.)

A personal and professional journey into the mysteries of parapsychological research and Kirlian photography describe the controversial, false leads, and startling discoveries concerning body energy

Art and Judaism During the Greco-Roman Period explores the Jewish experience with art during the Greco-Roman period-from the Hellenistic period through the rise of Islam. It starts from with the premise that Jewish art in antiquity was a "minority" or "ethnic" art and surveys ways that Jews fully participated in, transformed, and at times rejected the art of their general environment. Art and Judaism focuses upon the politics of identity during the Greco-Roman period, even as it discusses ways that modern identity issues have sometimes distorted and at other times refined scholarly discussion of ancient Jewish material culture. Art and Judaism, the first historical monograph on ancient Jewish art in forty years, evaluates earlier scholarship even as it sets out in new directions. Placing literary sources in careful dialogue with archaeological discoveries, this "New Jewish Archaeology" is an important contribution to Judaic Studies, Religious Studies, Art History, and Classics. The Revised Edition includes a new introduction, additional images, and color plates.

Stephen Haliczer has mined rich documentary sources to produce the most comprehensive and enlightening picture yet of the Inquisition in Spain. The kingdom of Valencia occupies a uniquely important place in the history of the Spanish Inquisition because of its large Muslim and Jewish populations and because it was a Catalan kingdom, more or less "occupied" by the despised Castilians who introduced the Inquisition. Haliczer underscores the intensely regional nature of the Valencian tribunal. He shows how the prosecution of religious deviants, the recruitment and professional activity of Inquisitors and officials, and the relations between the Inquisition and the majority Old Christian population all clearly reflect the place and the society. A great series of pogroms swept over Spain during the summer of 1391. Jewish communities were attacked and the Jews either massacred or forced to convert. More than ninety percent of the victims of the Valencian Inquisition a century later were descendants of those who chose conversion, the conversos. Haliczer argues convincingly against those who see all the conversos as "secret Jews." He finds, on the contrary, that a wide range of religious beliefs and practices existed among them and that some were even able to assimilate into Old Christian society by becoming familiares of the Inquisition itself. Nevertheless, it was controversy over the sincerity of the converted which spawned the first proposals for the establishment of a Spanish national Inquisition. That very same controversy, persisting in the writings of history, may be resolved by Haliczer's stimulating discoveries. Inquisition and Society in the Kingdom of Valencia is a major contribution to the lively field of Inquisition studies, combining institutional history of the tribunal with socioreligious history of the kingdom. The many case histories included in the narrative give both Valencian society and the Inquisition very human faces. This title is part of UC Press's Voices Revived program, which commemorates University of California Press’s mission to seek out and cultivate the brightest minds and give them voice, reach, and impact. Drawing on a backlist dating to 1893, Voices Revived makes high-quality, peer-reviewed scholarship accessible once again using print-on-demand technology. This title was originally published in 1990.

"Coming of age in 1960s Paris, Bernard Appelbaum exists in the hazy shadow of the Holocaust and on the electric cusp of the French New Wave. We find the narrator of Wide awake as he wanders the city streets in search of signs of his father, who was deported by the Nazis in 1942. Bernard's chance encounter with a former acquaintance who has become filmmaker François Truffaut's assistant leads to a spot as an extra on the set of Jules and Jim--setting into motion a series of discoveries and lost memories that crack open a hidden past. On seeing Jules and Jim, Bernard's mother is moved to divulge the secrets of her own past as a Jewish-Polish immigrant to France, which curiously mirrors that of the film's heroine. When revelations about his mother's two loves lead Bernard on a fateful journey through Paris, to Germany, and then to Auschwitz itself, he must plumb haunting depths in order to recover his own identity."--Publisher's description.

Otto Frisch took part in some of the most momentous developments in modern physics, notably the discovery of nuclear fission (a term which he coined). His work on the first atom bomb, which he saw explode in the desert 'like the light of a thousand suns', brought him into contact with figures such as Robert Oppenheimer, Edward Teller, Richard Feynman and the father of electronic computers, John von Neumann. He also encountered the physicists who had made the great discoveries of recent generations: Einstein, Rutherford and Niels Bohr. This characterful book of reminiscences sheds an engagingly personal light on the people and events behind some of the greatest scientific discoveries of this century, illustrated with a series of fascinating photographs and witty sketches by the author himself.

Many consider conscience to be one of the most important--if not the fundamental--quality that makes us human, distinguishing us from animals, on one hand, and machines on the other. But what is conscience, exactly? Is it a product of our biological roots, as Darwin thought, or is it a purely social invention? If the latter, how did it come into the world? In this biography of that most elusive human element, Martin van Creveld explores conscience throughout history, ranging across numerous subjects, from human rights to health to the environment. Along the way he considers the evolution of conscience in its myriad, occasionally strange, and ever-surprising permutations. He examines the Old Testament, which--erroneously, it turns out--is normally seen as the fountainhead from which the Western idea of conscience has sprung. Next, he takes us to meet Antigone, the first person on record to explicitly speak of conscience. We then visit with the philosophers Zeno, Cicero and Seneca; with Christian thinkers such as Paul, Augustine, Aquinas, and, above all, Martin Luther; as well as modern intellectual giants such as Machiavelli, Rousseau, Kant, Hegel, Nietzsche, and Freud. Individual chapters are devoted to Japan, China, and even the Nazis, as well as the most recent discoveries in robotics and neuroscience and how they have contributed to the ways we think about our own morality. Ultimately, van Creveld shows that conscience remains as elusive as ever, a continuously mysterious voice that guides how we think about right and wrong.

Written in the aftermath of World War II, Love Goes to Press opened in London in 1946 and on Broadway in 1947. At the time a relief for the survivors of Blitzkrieg and ration cards, today it is a devilishly entertaining portrayal of the Battle of the Sexes. In this romantic farce, set in a press camp on the Italian front in 1944, two women war correspondents—smart, sexy, and famous for scooping their male competitors—struggle to balance their professional lives with their love lives. The American literary tradition is replete with stories of “men without women,” but in Love Goes to Press Martha Gellhorn and Virginia Cowles have created a world of “women without men.” Complications ensue when one of our heroines unexpectedly encounters her ex-husband, a famous writer whom she had divorced on the grounds of plagiarism. This Bison Books edition features a preface and an updated afterword by Sandra Spanier discussing her recent archival discoveries, her experience of working with Gellhorn to publish the play for the first time, and the strong resemblance of the leading man to Gellhorn’s ex-husband, Ernest Hemingway.

"For years Heather Roberson, a passionate peace activist, has argued that war can always be avoided. But she has repeatedly faced counter-arguments that fighting is an inescapable consequence of world conflicts. Indeed, Heather finds proving her point to be a little tricky without examples to bolster her case. So she does something a little crazy: She sets out for far-off Macedonia, a landlocked country north of Greece and west of Bulgaria, to explore a region that has edged--repeatedly--dangerously close to the brink of violence, only to refrain. In the process--and as vividly portrayed by the talented duo of Harvey Pekar and Ed Piskor--Heather is tangled in red tape, ripped off by cabdrivers and hotel clerks, hit on by creepy guys, secretly photographed, and mistaken for a spy. She also creates unlikely friendships, learns that getting lost means something new, and makes some startling discoveries. War is hell and peace is difficult--but conflict is always necessary." -- Publisher's description

In this collection of interviews from 1978 to 1995 Paley elaborates on the many forces that have influenced her and her writing. In these conversations she reveals not only her triple lives as writer, mother, and political activist but also her perspectives which over the years have become precise and solid. With authority, distinctness, and relentless honesty she speaks out on contemporary issues. She discusses American conditions at large, particularly those that are being neglected or denied. With firm authority Paley discusses topics of wide range, many of which she describes as personal discoveries. She includes politics and environmentalism, the family and human relationships, the impact of background and education, the moral importance of community, feminism and women's liberation, the sexual self and role enforcement, America's need for communality and women's creative response to it, the art of teaching, and the importance of friendship. Paley's conversations, like her writings, are refreshingly candid and radically different from the contemporary American mainstream.

Characters make discoveries about themselves and their relationships, in seven stories that comment on topics ranging from surburbia to Central American politics

Unlike any other history or reference book, The People's Almanac Present's the 20th Century captures the century's most intriguing people, events and discoveries -- and makes them come alive, giving you a wonderfully engaging panorama of the past one hundred years. With more than seven hundred lively entries, covering everything from war and assassinations to popular songs and movie trivia, the is the book praised by the Washington Post Book World as, the latest grab-bag filled by a notorious fact monger. Believe-it-or-not stories, unusual facts, dubious achievements and amazing people abound, making this book the most offbeat -- and most definitive -- look at our century ever published.

Literary Nonfiction. Poet David Biespiel cracks open the creative process and invites readers to take a fresh look at the mysterious pathways of the imagination. "Failure is the engine of creativity," writes Biespiel, as he candidly tracks his own developent as a writer and challenges traditional assumptions about writing that can stifle creativity. The liberating message: Working past the brink of failure--being free to try and discard and try again--is what allows the creative process to playfully flourish, keeping the spirit open to unexpected discoveries. Both beginning and experienced writers--as well as artists, musicians, dancers, and anyone else on a creative path, will benefit from this elegant, surprising, and fresh perspective based on methods developed exclusively at the Attic, the unique literary studio Biespiel founded in Portland, Oregon in 1999. EVERY WRITER HAS A THOUSAND FACES will revolutionize the way readers look at their own creative process. It is a rich and rewarding book, a captivating glimpse into the inner life of some gifted writers and painters--and above all, a guide to a lifetime of discovery.

This volume captures reflections of twelve years of visiting and thinking about Japan by a scholar from Canada who describes himself as fascinated latecomer and bricoleur. Japan gives the western writer the indispensable distance for see himself. But this is a book about Japan looked at from both the outside and the inside. The experience produces discoveries about both the west and the east. Published in cooperation with the Inter-University Centre for Discourse Analysis and Sociocriticism of Texts, Montreal, Canada.

The study of transcendental numbers has now developed into a fertile and extensive theory, enriching widespread branches of mathematics; and the time has seemed opportune to prepare a systematic treatise. My aim has been to provide a comprehensive account of the recent major discoveries in the field. Classical aspects of the subject are discussed in the course of the narrative; in particular, to facilitate the acquisition of a true historical perspective, a survey of the theory as it existed at about the turn of the century is given at the beginning. Notwithstanding its long history, it will be apparent that the theory of transcendental numbers bears a youthful countenance. If this book should play some small role in promoting future progress, the author will be well satisfied. The text has arisen from numerous lectures delivered in Cambridge, America and elsewhere, and it has also formed the substance of an Adams Prize essay.

Revealing 100 recent discoveries, this invaluable paperback is the first book to clear up every confusion that men and women have about sex. A must for anyone seeking a new understanding of organs, babies, pleasure, dating, and the opposite sex. Expands the limits of sexology. -- People.

Beginning in the late nineteenth century, the pueblos of the Southwest frequently inspired Anglo-American visitors to express their sense of wonder and enchantment in biblical references. Frank Hamilton Cushing's first account of Zuni pueblo described a setting that looked like "The Pools of Palestine." Drawn to the Southwest, Mabel Dodge imagined "a garden of Eden, inhabited by an unfallen tribe of men and women." There she was attracted to Tony Luhan, a Taos Indian who looked "like a Biblical figure." When historian Jerold Auerbach first saw Edward S. Curtis's early twentieth-century photograph Taos Water Girls , he realized that "here, indeed, was the biblical Rebecca, relocated to New Mexico from ancient Haran, where Abraham's faithful servant had journeyed to find a suitable wife for Isaac. Rebecca with her water pitcher is as familiar a biblical icon as Noah and his ark or Moses with the stone tablets. Curtis had recast her as the archetypal Pueblo maiden." Explorers in Eden uncovers an intriguing array of diaries, letters, memoirs, photographs, paintings, postcards, advertisements, anthropological field studies, and scholarly monographs. They reveal how Anglo-Americans disenchanted with modern urban industrial society developed a deep and rich fascination with pueblo culture through their biblical associations.

"Pines uses a set of bamboo manuscripts from the Warring States period (453-221 BCE) to reappraise early Chinese historiography. He begins with a survey of the field prior to the paleographic revolution, and then explains how these discoveries shed new light on the questions related to the production, circulation, and audience of historical texts in early China, their different political, ritual, and ideological usages, and their roles in the cultural and intellectual dynamics of China's extraordinarily vibrant pre-imperial age. The second half of the book consists of a translation of Xinian (String of Years) from the state of Chu, the most notable of the new texts"--

Embark on a thrilling journey through the heart of Tibet with "Trans-Himalaya, Vol. 2 (of 2): Discoveries and Adventurers in Tibet" by renowned explorer Sven Hedin. This meticulously prepared republication offers a rare glimpse into early 20th-century exploration of the Trans-Himalaya region and its surrounding landscapes. Delve into Hedin's detailed accounts of his travels in Tibet and China, encountering remote cultures and navigating challenging terrains. Experience the adventure firsthand as Hedin documents his discoveries, providing invaluable insights into the geography, history, and culture of this fascinating region. "Trans-Himalaya" is a testament to the enduring allure of exploration and the spirit of adventure. Perfect for readers interested in the history of travel, the geography of Asia, and the captivating life of Sven Hedin, this volume offers a unique and timeless perspective on a world that continues to inspire awe and wonder. A classic work of travel literature, this book offers an unparalleled window into a bygone era of discovery. This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.