What has been missing from the daring tales of fairy tale heroes is quite simply some heft. In Burly Tales, Lambda Literary Award-winning editor Steve Berman has gathered a dozen stories of whimsy and romance that feature gay men with plenty of curves and fur. Run away with us to the woods, where the cubs and bears are not going to eat you (not without informed, enthusiastic consent), where no one will judge if you take up residence in a house with seven bearded men and only one bed, and where if you fall in love with a large, hairy man with a forbidding castle and a well-stocked library, he'll still be that way after you kiss him. These are stories about trolls guarding gay bars, giants atop the clouds, and a prince trapped in a tower who hopes his beard might be long enough to help his lover climb to his rescue. The book also features an introduction by Matthew Bright and an afterword by acclaimed ursine author Jeff Mann.

Tzippy Goldman's mother has been planning her wedding since before she was born. Her four younger sisters want her to marry the fairy tale Jewish prince of their mother's stories. But Tzippy, approaching spinsterhood at the age of twenty-two, has other ideas. She is hungry for experience and longs to escape the suffocating expectations of religious stricture and romantic obligation. But when she falls in love with Bryan Miller she surprises everyone. Bryan comes from a different kind of family. Like Orthodox Jews anywhere in the world, they spend Saturdays in synagogue, and the rest of the week like suburbanites everywhere. But to Bryan, this middle road looks more and more like hypocrisy. He longs for conviction, for the relief of absolutes. To his parents' bewilderment, Bryan decides to embrace a very different kind of lifestyle, swapping his beloved Yankees cap for something else entirely. In the courtship and marriage of Bryan and Tzippy, Tova Mirvis illuminates an insular world, where ancient and modern collide in a warm and hilarious novel about two very different families brought together by the marriage of their children.

This book is an exciting journey taking place in the Land of Imagination and Fantasy. It is a fairy tale in which the Muse, the Spirit of Creativity, appears and talks to the childen, taking them along with her on a miraculous and wonderful adventure. There are stories within the story, poetry abounds, and the book is designed so that different children and play act different roles as everyone reads along. This is the third book in Magda Herzberger's Holocaust Trilogy, the first two are: "Survival" and "The Waltz of the Shadows."

With compassion, wit, humor, and intelligence, these stories explore the gray areas of our lives. Echoes of myth, fairy tale, and fable flavor them, underscoring the eternal nature of both the human condition and storytelling itself.

Simpleton's generosity helps him gain a princess for his bride.

Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.

This is a reproduction of a book published before 1923. This book may have occasional imperfections such as missing or blurred pages, poor pictures, errant marks, etc. that were either part of the original artifact, or were introduced by the scanning process. We believe this work is culturally important, and despite the imperfections, have elected to bring it back into print as part of our continuing commitment to the preservation of printed works worldwide. We appreciate your understanding of the imperfections in the preservation process, and hope you enjoy this valuable book.

Once there was a town called Chelm where there was no luck. If something could go wrong, it did. The roofs of the houses always leaked. The sidewalks were cracked. The gardens grew only weeds. Nothing was ever right. So begins best-selling children's author, Sandy Eisenberg Sasso (nearly 500,000 copies of her books are in print) in this charming, original story inspired by a Jewish folktale.

On Earth, the Wisdom family has always striven to be more normal than normal. But Simon Wisdom, the youngest child, is far from normal: he can see the souls of the dead. And now the ghosts of children are begging him to help them, as they face something worse than death. The only problem is, he doesn't know how. In a far-away land of magic and legends, Matyas has dragged himself up from the gutter and inveigled his way into the Wizards' college. In time, he will become more powerful than all of them - but will his quest blind him to the needs of others? For Matyas can also hear the children crying. But neither can save the children alone, for the child eater is preying on two worlds.

The excessively quiet town of Pupickton and the sleeping lovesick giant upon which it was built are both awakened by the joyful noise of a little girl's songs.

The Newbery Honor Award-winning story of a young warrior's mystical search for his own destiny. A vivid, sensitive rendering.--Booklist. Full color.

Conflicting Identities and Multiple Masculinities takes as its focus the construction of masculinity in Western Europe from the early Middle Ages until the fifteenth century, crossing from pre-Christian Scandinavia across western Christendom. The essays consult a broad and representative cross section of sources including the work of theological, scholastic, and monastic writers, sagas, hagiography and memoirs, material culture, chronicles, exampla and vernacular literature, sumptuary legislation, and the records of ecclesiastical courts. The studies address questions of what constituted male identity, and male sexuality. How was masculinity constructed in different social groups? How did the secular and ecclesiastical ideals of masculinity reinforce each other or diverge? These essays address the topic of medieval men and, through a variety of theoretical, methodological, and disciplinary approaches, significantly extend our understanding of how, in the Middle Ages, masculinity and identity were conflicted and multifarious.

Marjorie Perloff writes: “Among the great modernist poets, Mina Loy was surely the greatest wit, the most sophisti- cated commentator on the vagaries of love, the one whose brittle and sardonic laughter continues . . . to pursue us.” Stories and Essays of Mina Loy is the first book-length volume of Mina Loy’s narrative writings and critical work ever published. This volume brings together her short fiction, as well as hybrid works that include modernized fairy tales, a Socratic dialogue, and a ballet. Loy’s narratives address issues such as abortion and poverty, and what she called “the sex war” is an abiding theme throughout. Stories and Essays of Mina Loy also contains dramatic works that parody the bravado and misogyny of Futurism and demonstrate Loy’s early, effective use of absurdist technique. Essays and commentaries on aesthetics, historical events, and religion complete this beguiling collection, cementing Mina Loy’s place as one of the great writers of the twentieth century.

Modern Japanese Short Stories is a remarkable collection of Japanese stories from the pioneers of contemporary Japanese literature. This volume's twenty-five stories by as many authors display a wide range of style and subject matter--offering a revealing picture of modern Japanese culture and society. The stories in this anthology include: "Tattoo" by Junichiro Tanizaki--a large spider tattooed on the back of a young woman results in unexpected changes "Autumn Mountain" by Ryunosuke Akutagawa--vivid memories of a beautiful painting leads a man to wonder if the it ever actually existed "The Priest and His Love" by Yukio Mishima--a Buddhist priest finds his path to enlightenment challenged after falling in love "The Moon on the Water" by Nobel Prize winner Yasunari Kawabata--a young woman who cared for her ailing first husband through most of their marriage regrets remarrying after his death Featuring a new foreword by Japanese literary scholar Seiji Lippit and striking woodcut illustrations by Masakazu Kuwata, the stories are translated by the editor, Ivan Morris, and Edward Seidensticker, George Saito, and Geoffery Sargent. This collection of short stories shows why Japanese literature is so highly valued today--it teaches not only about Japan, but about the human condition and the possibilities of art.

Elisa - orphaned as a child, raised by a 'fallen woman', fed by fairy tales - has lived in an outlandish imaginary world for years. When her guardian dies, she feels compelled to confront her family's tortured and dramatic past, weaving the tale of her mother and grandmother through a history of intrigue, treachery, deception and desire. But as her saga of three generations of Sicilian women proceeds, it becomes something else entirely, taking in a whole legacy of oppression and injustice. By turns flamboyant and intense, raging and funny, Lies and Sorcery is a celebration of the female imagination, and the power of storytelling itself. First published in 1948, Elsa Morante's debut novel won the Viareggio Prize and earned her the lasting admiration of generations of writers from Italo Calvino and Natalia Ginzburg to Elena Ferrante. Translated by Jenny McPhee

" For Solo Violin is a gracefully written, elegiac memoir of childhood."— The Los Angeles Times "An eloquent tribute to [and] a moving account of those who, despite the cruelty of so many around them, found ways to rejoice and trust in the kindness of a few. One is instantly reminded of Life Is Beautiful ."—André Aciman, author of Out of Egypt In an extraordinary literary debut, Aldo Zargani reconstructs the lost world of his Jewish childhood during the perilous years 1938–45 when he and his family fled from Fascists and Nazis in northern Italy. His haunting memoir acquires a cinematic intensity as he crosscuts from the blood-red stone spires of Basel, where his father failed to find refuge for his family in 1939, to fiery scenes of the Allied bombing of Turin in 1942, to the freezing winter of 1943–44, which Zargani and his brother spent hidden in a Catholic boarding school deep in the countryside. For Solo Violin is filled with colorful portraits of Italian aristocrats and peasants, priests and soldiers, teachers and students, informers and partisans. At its heart is Zargani's vivid depiction of his father, a concert violinist forced to give up his career when the Fascists came to power. In this time of persecution, the Zargani family survived through their own resourcefulness and through the efforts of the many Italians who came to their aid, from the young doctor who helped them escape from Turin to the shepherd who supplied them with milk during the last year of the war, when they lived among the partisans in a remote Piedmont valley. Looking back over a distance of fifty years, Zargani rediscovers the enchantment of childhood shining in "fable-like constellations" even amidst the inferno of war. Lullabies and school games, fairy tales and family jokes are interwoven with the events of terror and oppression. Lyrical, humorous, tender, and wise, For Solo Violin is a testament to resilience and hope during the darkest period in human history. "A broad panorama of Italian-Jewish history in [the last] century. Elegant in its style and, however tragic, also rich with understatement, irony, and wit, For Solo Violin counts among the great, enduring works of art."— Focus Magazine , Germany "A tragic, deeply engaging, delicious book—yes delicious, too. (Reading it makes you smile.) It's a miracle…It makes one think of the wit of Kafka!"— L'Espresso , Italy "Zargani depicts a wealth of sad, despairing, but often also incredibly funny episodes…But vibrating along with the humor is always the sense of threat, and behind it opens the abyss of terror."— Neue Zürcher Zeitung , Switzerland

The author of "The Comic Book Killer" offers up twelve tales of mystery, magic, and grouchiness - served with a liberal dash of sarcasm and cynicism. A woman's birthday celebration becomes a prelude to murder; an absinthe-minded author seeks inspiration from a bottle; a rare volume could destroy the love/hate relationship of two book dealers; an interplanetary romance is threatened by the untimely intervention of the Scorpion Men of Venus; and that's just the beginning! These stories leap from planet to planet, down dark avenues of hatred, and curl up in cozy nostalgic places.Stories include: "Happy Birthday, Birthday Girl!"; "The Green Fairy"; "Sisoh Promatem"; "Uncle Elmer"; "Greetings from Comrade Kim"; "Night Lands Dream"; "The Salamanca Encounter"; "Scorpion Men of Venus"; "Dead of Winter"; and from Rigel science fiction magazine, three "Tales of the Tin Can Worlds": "Lux Was Dead Right"; "Transtemporal Creatures Unlimited"; and "Joe Nieman's Knees.

"In this capstone book, fairy tale expert Jack Zipes has assembled what he describes as his last theoretical and critical study of fairy tales. His purpose is to create a coherent collection that pays tribute to a group of writers that he views as "survivors with a mission" whose tales inspire readers to this day. The book begins with a substantial introduction in which Zipes discusses the history of his interest in fairy tales and the motivation for his scholarship in the field. In a world filled with conflict, he writes, "fairy tales can be used for enlightenment by all of us or abused by small groups of powerful people who seek domination." The main text includes thirteen essays on notable authors of fairy tales-Édouard Laboulaye, Kurt Schwitters, Béla Bálazs, Christian Bärmann, Charles Godfrey Leland, Mariette Lydis, Ernst Bloch, Paul Vaillant-Couturier, Hermynia zur Mühlen, Lisa Teztner, Felix Salten, Emery Kelen, and Gianni Rodari-many of whom lived through revolutions and world wars or were otherwise compelled to confront political oppression during their lives. Zipes considers their cultural significance and their contributions to fairy tale literature, arguing that each deserves greater attention and appreciation. Some of the chapters have been adapted from previously published introductions Zipes wrote for the Oddly Modern Fairy Tales series, which he edits, and others are adapted from scholarly volumes that Zipes has published over his long career as a self-identified "scholarly scavenger" of largely forgotten tales. Together, they create a portrait of the political stakes that have animated Zipes's lifelong fascination with the fairy tale, and explain why readers and writers alike continue to return to this narrative form"--