Living in Palestine as the wife of the British Attorney-General, Helen Bentwich was immersed in the politics and society of the early years of the British Mandate. Despite her connections she remained in some ways an outsider - a critical observer, writing candid weekly letters to her mother that give insight into the cauldron of races and traditions, the intolerance and the idealism, that lie behind the history of 20th-century Palestine and the foundation of the state of Israel. The selection of her letters in this book mixes political comment with details of personal life and gossip. The gossip reveals a society that has gone, but the political and religious problems are familiar today. Her family were well aware of the situation in Palestine, and she wanted to amuse rather than alarm them, but the frustrations and worries break through the letters' superficial cheerfulness to provide a picture of the period.

Presents the history of the early modern Jewish experience. Ranging from Krakow and Venice to Amsterdam and Smyrna, this title examines the historical and cultural factors unique to Jewish communities throughout Europe, and how these distinctions played out amidst the rest of society.

The influential author of White Racism: A Psychohistory; The Age of Desire; History and Spirit; Red Hunting in the Promised Land; The Enemy of Natureand the controversial Overcoming Zionism, among others, offers a memoir of his first 80 years, from his early Jewish upbringing in Brooklyn, New York, his Yale and Columbia medical training, his years as a psychiatrist, Reichian psychoanalyst and subsequent academic career, to his embracing of Marxist political economy and commitment to radical ecosocialism. Highlights include his 1998 Green Party candidacy for the US Senate, his campaign in 2000 for the Green nomination for President of the United States, his work with the Nicaraguan Sandinistas, and his recent Christian spiritual conversion.

Pesach Bursrein, an old trouper from the Yiddish theater, recalls dramas both onstage and off in this memoir, which he dictated to his wife, Lillian Lux Burstein. The Story of Burstein's successful stage career is played out against the background of political turmoil in Europe, vignettes of life in small towns and big cities, friendships and rivalries among theater folk, family life, emigration to the United States, and tours through Europe, South America, Israel, and South Africa. Every personal anecdote tells the larger history: theater history and also the history of the Yiddish communities who were his audiences. While Burstein is a legend in Yiddish cheater, he was little known outside that world until he was celebrated in Arnon Goldfinger's acclaimed documentary Der Komedia11t. This memoir provides the first window for English readers into the other side of Yiddish culture—the Yiddish burlesque, the traveling Yiddish theater, and the music hall. It will not only delight readers but also reveal a social and cultural history never before described in such detail. Burstein's life is the story of popular Yiddish theater in the first half of the century.

"Franz Baermann Steiner (1909-52) provided the vital link between the intellectual culture of central Europe and the Oxford Institute of Anthropology in its post-Second World War years. This book demonstrates his quiet influence within anthropology, which has extended from Mary Douglas to David Graeber, and how his remarkable poetry reflected profoundly on the slavery and murder of the Shoah, an event which he escaped from. Steiner's concerns including inter-disciplinarity, genre, refugees and exile, colonialism and violence, and the sources of European anthropology speak to contemporary concerns more directly now than at any time since his early death"--

"A tribute to Abraham Cahan, founder of a prominent Yiddish language newspaper whose discussion of everything from voting rights to baseball offered crucial guidance to Jewish immigrants"--

"A young Jewish boy strolls through Vienna and witnesses acts of anti-Semitism during the Jewish holiday of Hanukkah. At night he dreams of a superhero, Judah Maccabee, who appears to defend Vienna's Jews. When he awakes, he knows there will be no Maccabean rescue and he weeps. Years pass, the boy, now an old man, returns to Vienna and sees the Jewish community and the Temple have been restored. He looks for the eternal light in his Temple and can't find it. Then suddenly it becomes clear to him: The light was there all the time; it was in his own heart"--

Vladimir Horowitz (1903-1989) was the measure of pianistic prowess for most of the twentieth century. Not since Liszt and Paderewski has any pianist created such a legend. When Horowitz condescended to perform, lines formed days in advance. His recordings, the most listened-to discography in history, are unique documents in the art of piano playing. Horowitz, the incomparable colorist, conjured in the mind's ear the spectrum of an orchestra with the expressive beauty of the greatest singing.

Jacob Rader Marcus (1896-1995), scholar, professor, and rabbi, was called the Dean of American Jewish historians by students and colleagues alike. A seminal force in the evolution of the academic study of American Jewish history, Marcus was the first to apply modern critical methodology to this field. In the course of his long life, he published more than 300 books and articles on the history of American Jews. In 1947 he founded the American Jewish Archives, which he directed for almost fifty years. A beloved teacher and mentor for several generations of Hebrew Union College (HUC) students, Dr. Marcus remains a very significant figure in the history of American Jewry during the twentieth century. Marcus, raised in West Virginia, was the child of East European immigrants. At the age of 15, he moved to Cincinnati to matriculate at HUC, America's oldest rabbinical seminary. After serving in the U.S. Army during World War I, Marcus became a member of the HUC faculty upon his rabbinical ordination in 1920. He subsequently moved to Europe to pursue doctoral studies and, upon returning to Cincinnati, Marcus taught courses in Jewish history. During the late 1930s and early 1940s, Marcus realized that the i American Jewry was fast becoming the most influential Jewish community in the world. In the aftermath of the brutal destruction of European Jewry during World War II, Marcus's keen interest in the history of American Jewry burgeoned. Marcus left the pulpit for a career of scholarship and teaching, he nevertheless maintained a close connection to his students and, through them, to the American rabbinate. A mentor to generations of HUC students and graduates, Marcus was an active participant in the Central Conference of American Rabbis (the organizational arm of the American Reform rabbinate), serving as its president from 1949-1951. In this volume, Gary Philip Zola brings together a unique assortment of Marcus's most important unpublished essays, written for a more popular audience between 1916 and 1989. Read collectively, these essays bring the key themes of Marcus's work into bold relief. In the early "America: The Spiritual Center of Jewry" (1916), as in the much later "Three Hundred Years in America" (1955), Marcus calls upon American Jewry to study its heritage, arguing that this knowledge will kindle a renaissance in American Jewish life. In "Lost: Judaism in the American Expeditionary Forces, the Urgent Need for Welfare Work" (1919), he insists that the Jewish experience in America consists of a symbiotic relationship between individual Jews and the larger Jewish community. A focus on the individual in relation to the whole guided many of Marcus's essays, as did his emphasis on Jews studying their own past, strong echoes of both can be found in "New Literary Responsibilities (1941-1942) as well as works for specific occasions, such as "The Program of the American Jewish Archives" (1947) and Genesis: College Beginnings (1989). Another leitmotif linking these diverse topics is Marcus's view that American Judaism will thrive and distinguish itself as long as Jewish education and Jewish cultural life become a high priority on the Jewish communal agenda. This collection enhances our understanding of how the ideas of one of American Jewry's pioneering historians evolved, while preserving historical documents that trace the development of American Jewish life over the course of the twentieth century.

The only country in the world with a line in its national anthem as desperate as “this people has already suffered for its past and its future,” Hungary is a nation defined by poverty, despair, and conflict. Its history, of course, took an even darker and more tragic turn during the Holocaust. But the story of the Jews in Hungary is also one of survival, heroism, and even humor—and that is the one acclaimed author Adam Biro sets out to recover in One Must Also Be Hungarian , an inspiring and altogether poignant look back at the lives of his family members over the past two hundred years. A Hungarian refugee and celebrated novelist working in Paris, Biro recognizes the enormous sacrifices that his ancestors made to pave the way for his successes and the envious position he occupies as a writer in postwar Europe. Inspired, therefore, to share the story of his family members with his grandson, Biro draws some moving pictures of them here: witty and whimsical vignettes that convey not only their courageous sides, but also their inner fears, angers, jealousies, and weaknesses—traits that lend an indelible humanity to their portraiture. Spanning the turn of the nineteenth century, two destructive world wars, the dramatic rise of communism, and its equally astonishing fall, the stories here convey a particularly Jewish sense of humor and irony throughout—one that made possible their survival amid such enormous adversity possible. Already published to much acclaim in France, One Must Also Be Hungarian is a wry and compulsively readable book that rescues from oblivion the stories of a long-suffering but likewise remarkable and deservedly proud people.

Book by Porter, Jack Nusan

"Tearing down stereotypes about Jews, Richard Marceau tells us about himself, using his own story to convey Jewish history and culture. He draws an original portrait of the State of Israel, the role it plays in today's Jewish identity, and helps us discover Quebec's Jewish community. Denouncing prejudices and intellectual dishonesty, identifying himself as a pro-Palestinian Zionist, Richard Marceau calls for a respectful dialogue, promoting both the legitimacy of the Jewish State of Israel and the creation of an independent Palestinian state."--Pub. desc.

The Blackwell Dictionary of Judaica contains more than 7,000 concise entries and nearly half a million words on every aspect of Jewish history, civilization and religion. It will prove invaluable not only for students and teachers, but also for everyone who is interested in the fascinating richness of the Jewish tradition. In a single volume, the wealth of the Jewish heritage is uncovered in direct and simple words. This is a vital reference work for everyone who wishes to know about the development of Judaism from ancient times to the present day, and it deserves a place in every library and every Jewish home.

"In Catbird: The Ballad of Barbi Prim, the world meets an insightful, opinionated eight-year-old who's already taken a few steps toward becoming a pioneer--but also a shadow of her quirky self. Although she's corroded--sometimes literally--by a toxic but familiar social atmosphere, her love of singing propels her to become the first ordained woman cantor in 3,000 years of Jewish history. A family crisis exposes old and enduring wounds, but she begins to rescue herself--by diligently going to therapy--and embarks on an imperfect but perpetual metamorphosis, becoming the well-coiffed heroine of her own story. Barbara Ostfeld shows us that we are all brave pioneers--at becoming our true selves." -- Amazon.com.

'Bill Freund, the late social historian and leading analyst of African history, passed away in 2020 soon after finishing his autobiography. Often described as the academy's 'outsider insider', he was an eminent South African historian who published prodigiously in the areas of labour, capital and economic history. What influenced this American-educated academic to become such an astute and trusted observer of the political economy in Africa? We follow Bill's intellectual journey from a modest Jewish home in Chicago in the 1950s to the Universities of Chicago, Yale, Ahmadu Bello University in Nigeria and Dar-es-Salaam, Tanzania, and finally to a permanent teaching position at the University of KwaZulu-Natal in Durban, South Africa. Peppered in between the commentaries on academic life are stories of his travels, poems he wrote for loved ones, and endearing anecdotes of friendships that shaped his life. As an 'outsider', both in the United States and abroad, he is able to offer rich insights into the world of Africanists and their scholarship on different continents. His thoughtful and balanced observations on late- and post-apartheid South Africa are especially interesting and refreshing. This posthumously published autobiography will give deeper insight into this unusual man and the world that shaped him - and which he in turn influenced through a deep commitment to rigorous scholarship. It includes a select bibliography of Bill Freund's many publications as well as a foreword by Robert Morrell on the making of this autobiography."--Amazon description.

Adolf Loos--A Private Portrait is an unusual, literary biography featuring lively, often humorous, "snapshots" of Viennese-Czechoslovak architect Adolf Loos. "A valuable fine-grained portrait... The English translation of her book is fluent and accurate, conveying well the tone of Claire Loos' original (which, in turn, to some extent mimics Loos' own writing style). Richly informative." --Christopher Long, West 86th: A Journal of Decorative Arts, Design History, and Material Culture "Claire Beck Loos, a gifted photographer and writer, ... reveals much about her ex-husband's mercurial persona in a series of conversationally-toned vignettes .... Claire died tragically at 38, at the Riga concentration camp; her memoir thus becomes a haunting tribute not only to Loos's talents, but to her own.." --Judy Pollan, Modernism Magazine An intimate collection of vignettes reveals Loos' personality, temperament and philosophy during the last years of his life (1929-1933) and the ways in which he helped shape Modern architecture. This translation, by Constance C. Pontasch and Nicholas Saunders, is the first English edition, the book having enjoyed several reprints in German. The author, Claire Beck Loos, was a photographer and Adolf Loos' last wife. She was born in 1904 in Czechoslovakia; her family were Jewish industrialists and important early clients of Loos, commissioning several apartments in Pilsen and works by the architect's friend Oskar Kokoschka. In addition to being a biography of her husband, Adolf Loos--A Private Portrait also serves as a self-portrait of Claire, a vibrant young artist who died a tragic and untimely death at Riga, a Nazi concentration camp, in 1942. The book includes supplemental texts by Claire's niece Janet Beck Wilson, biographical materials and previously unpublished artistic photographs by the author.

The first few decades of the eighteenth century witnessed an important moment in Jewish-Christian relations, as influential Christian scholars increasingly looked to Jewish texts to reveal the truths of their own faith. To what extent could postbiblical writings help them better understand the New Testament? And who would best be able to explicate these connections?Connecting the Covenants focuses on two separate but entwined stories, the first centering around the colorful character of Moses Marcus. The English-born son of wealthy parents and the grandson of the famous autobiographical author Glikl of Hameln, Marcus was a prominent Jew educated in the Ashkenazic yeshivah at Hamburg. On New Year's Day, 1723, Marcus was baptized as a Christian, later publishing a justification of his conversion and a vindication of his newly discovered faith in a small book in London. A trophy convert, he was promoted by figures at the highest levels of the Anglican Church as a cultural mediator between Judaism and Christianity. His modest successes in the world of the elite clerical establishment were followed, however, by conspicuous failures, both intellectual and material.The second story that David Ruderman tells emerges against the background of Marcus's professional decline. In the end, the prize convert proved to be a theologian of limited ability, far outstripped in sophistication and openness to rabbinic learning by a circle of Enlightenment Protestant scholars. It was not the Jew who had abjured Judaism who was willing or able to apply the Mishnah and Talmud to Christian exegesis, but figures such as William Whiston, Anthony Collins, William Wotton, and the Dutch scholar William Surenhusius who seized upon the ways to connect the covenants.

This sweeping, eighty-year memoir is the last work of veteran journalist Israel Epstein (1915-2005), one of the very few Western writers to experience the Chinese Communist Revolution firsthand. Born in Poland and raised in China, Epstein served as a war correspondent from the front lines of the Chinese War of Resistance against Japan, as well as during the Communist-Nationalist struggle. Inspired by the immense social revolution taking place, Epstein took Chinese citizenship, only to be imprisoned during the Cultural Revolution. During this dark period, Epstein found his ideals challenged in ways he never imagined, yet his lifelong struggle for social equality has never wavered. This powerful memoir resonates with some of the twentieth century's most turbulent years and is a fascinating read for anyone interested in Chinese history.