"Messianism, Secrecy and Mysticism tells the history of Early American Jews, focusing on the objects of everyday life used and created by Jews, such as ritual baths, food, gravestones, portraits, furniture, as well as the synagogue. By uncovering these objects and exposing the common culture of the Jewish Atlantic world, the book provides a fresh understanding of a crucial era in Jewish and American history. It offers new insights about the origins of Jewish American messianism, helping readers better understand messianism in contemporary American society. It charts the shared culture of these Jews who lived in the port towns in the Caribbean and on both sides of the Atlantic, and author Laura Arnold Leibman argues that thinking about Judaism as an embodied religion is key to understanding their culture. Messianism, Secrecy and Mysticism makes early Jewish American history entertaining, accessible, and interesting to general readers, as well as to academic audiences." -- Publisher's website.

A short history of the Jews in America from 1654 and their first permanent community of twenty-three persons in New Amsterdam to the present, stressing the difficulties they have continually faced as an ethnic minority.

In The Art of the Jewish Family, Laura Arnold Leibman examines five objects owned by a diverse group of Jewish women who all lived in New York in the years between 1750 and 1850: a letter from impoverished Hannah Louzada seeking assistance; a set of silver cups owned by Reyna Levy Moses; an ivory miniature owned by Sarah Brandon Moses, who was born enslaved and became one of the wealthiest Jewish women in New York; a book created by Sarah Ann Hays Mordecai; and a family silhouette owned by Rebbetzin Jane Symons Isaacs. These objects offer intimate and tangible views into the lives of Jewish American women from a range of statuses, beliefs, and lifestyles--both rich and poor, Sephardi and Ashkenazi, slaves and slaveowners. Each chapter creates a biography of a single woman through an object, offering a new methodology that looks past texts alone to material culture in order to further understand early Jewish American women's lives and restore their agency as creators of Jewish identity. While much of the available history was written by men, the objects that Leibman studies were made for and by Jewish women. Speaking to American Jewish life, women's studies, and American history, The Art of the Jewish Family sheds new light on the lives and values of these women, while also revealing the social and religious structures that led to Jewish women being erased from historical archives.

A history of the Jewish people from biblical times to the present documents the significant events, ideas, heritage, lifestyle, traditions, religion, and notable Jewish men and women.

"Karl Marx (1818-1883)--philosopher, historian, sociologist, economist, current affairs journalist, and editor--was one of the most influential and revolutionary thinkers of modern history, but he is rarely thought of as a Jewish thinker, and his Jewish background is either overlooked or misrepresented. Here, distinguished scholar Shlomo Avineri argues that Marx's Jewish origins did leave a significant impression on his work. Marx was born in Trier, then part of Prussia, and his family had enjoyed equal rights and emancipation under earlier French control of the area. But then its annexation to Prussia deprived the Jewish population of its equal rights. These developments led to the reluctant conversion of Marx's father, and similar tribulations radicalized many young intellectuals of that time who came from a Jewish background. Avineri puts Marx's Jewish background in its proper and balanced perspective, and traces Marx's intellectual development in light of the historical, intellectual, and political contexts in which he lived."--Publisher's description.

""Theodor Herzl: Excerpts From His Diaries"" is a collection of personal writings by the founder of modern political Zionism, Theodor Herzl. The book offers an intimate look into Herzl's thoughts, experiences, and struggles as he worked tirelessly to establish a Jewish homeland in Palestine. The diary entries span from 1895 to 1904, covering the period leading up to and following the publication of Herzl's seminal work, ""The Jewish State."" Readers will gain insight into Herzl's personal relationships, his political maneuvering, and his unwavering commitment to the Zionist cause. The book also includes an introduction by the editor, providing historical context and background information on Herzl's life and work. Overall, ""Theodor Herzl: Excerpts From His Diaries"" offers a unique and valuable perspective on one of the most important figures in modern Jewish history.This scarce antiquarian book is a facsimile reprint of the old original and may contain some imperfections such as library marks and notations. Because we believe this work is culturally important, we have made it available as part of our commitment for protecting, preserving, and promoting the world's literature in affordable, high quality, modern editions, that are true to their original work.

This companion discusses Jewish American literature in relation to ethnicity, religion, politics, race, gender, ideology, history, and ethics, and places it in the contexts of both Jewish and American writing. With its chronology and guides to further reading, this volume will prove valuable to scholars and students alike. --

The shtetl was a unique micro-society with its own customs, beliefs and rituals, its own social distinctions, organisation and civic structures. It was also a long and fascinating experiment in multiculturalism, cut short by the Holocaust. Before World War II, Bransk, in eastern Poland, was a shtetl whose population was equally divided between Poles and Jews. Today there are no Jews left in Bransk. In SHTETL, Eva Hoffman explores the culture and institutions of Polish Jews, and by probing the deep ambivalence that coloured relations between Poles and Jews on the eve of World War II, SHTETL throws new light on motives which influenced Christian villagers' descisions to rescue or betray their Jewish neighbours when the Nazis invaded. Hoffman brings a penetrating intelligence and compassionate eye to a history that is fraught with intensely private emotions and profound implications for humanity.

A century ago, the Russian Empire contained the largest Jewish community in the world, numbering about five million people. Today, the Jewish population of the former Soviet Union has dwindled to half a million, but remains probably the third-largest Jewish community in the world. In the intervening century, the Jews of that area have been at the center of some of the most dramatic events of modern history - two world wars, revolutions, pogroms, political liberation, repression, and the collapse of the USSR. In startling photographs from the archives of the YIVO Institute for Jewish Research and with a lively and lucid narrative, 'A Century of Ambivalence' traces the historical experience of Jews in Russia from a period of creativity and repression in the second half of the nineteenth century through the paradoxes posed by the post-Soviet era.

When Marek Halter was five years old, he and his family fled the Warsaw Ghetto in the hope of fighting for the freedom of Poland. When his family was caught with hundreds of others at Malkinia and told to separate into Poles and Jews, Marek was saved by a Pole who pulled him under a wagon; he and his family escaped by running through open fields amidst the shots of German guns. A split second decision by a Catholic Pole saved Marek's life and the family continued on to Moscow. In 1994, Marek Halter began his search for the men and women who risked their own lives to save the live of Jews during World War II. He begins his journey in his childhood home of Warsaw, from which he has been away for over 40 years. By interviewing Jewish survivors of the holocaust, Halter developed a list of what he calls the "Good and Just" - the people who, according to the Talmud, must exist in each generation in order to save the world from destruction. Our protagonists range from simple peasants on the Polish border to Willy Brandt, the ex-Chancellor of Germany, to a Japanese Consul who disobeyed his government. Eventually, his journey leads him through the Netherlands, Sweden, Bulgaria, Lithuania, Japan, Tunisia - 14 countries in all. Halter was looking for personal stories with happy endings and the people who made those endings possible. Written as a series of conversations with the heroes and those they rescued, interspersed with the author's own memories, "Stories of Deliverance" offers glimpses of the hope and strength we find even in the darkest of times of our history. Halter uses this collection to convince us of two things: that there will always be good people in the world who will give us hope and sustain us in times of oppression; and to warn us that it is only with the memories of good deeds that we will be able to adequately deal with evil.

An acclaimed writer on her mother’s tumultuous life as a Jewish immigrant in 1930s New York and her life-long guilt when the Holocaust claims the family she left behind in Latvia A story of love, war, and life as a Jewish immigrant in the squalid factories and lively dance halls of New York’s Garment District in the 1930s, My Mother’s Wars is the memoir Lillian Faderman’s mother was never able to write. The daughter delves into her mother’s past to tell the story of a Latvian girl who left her village for America with dreams of a life on the stage and encountered the realities of her new world: the battles she was forced to fight as a woman, an immigrant worker, and a Jew with family left behind in Hitler’s deadly path. The story begins in 1914: Mary, the girl who will become Lillian Faderman’s mother, just seventeen and swept up with vague ambitions to be a dancer, travels alone to America, where her half-sister in Brooklyn takes her in. She finds a job in the garment industry and a shop friend who teaches her the thrills of dance halls and the cheap amusements open to working-class girls. This dazzling life leaves Mary distracted and her half-sister and brother-in-law scandalized that she has become a “good-time gal.” They kick her out of their home, an event with consequences Mary will regret for the rest of her life. Eighteen years later, still barely scraping by as a garment worker and unmarried at thirty-five, Mary falls madly in love and has a torrid romance with a man who will never marry her, but who will father Lillian Faderman before he disappears from their lives. America is in the midst of the Depression, Hitler is coming to power in Europe, and New York’s garment workers are just beginning to unionize. Mary makes tentative steps to join, despite her lover’s angry opposition. As National Socialism engulfs Europe, Mary realizes she must find a way to get her family out of Latvia, and she spends frenetic months chasing vague promises and false rumors of hope. Pregnant again, after having submitted to two wrenching back-room abortions, and still unmarried, Mary faces both single motherhood and the devastating possibility of losing her entire Eastern European family. Drawing on family stories and documents, as well as her own tireless research, Lillian Faderman has reconstructed an engrossing and essential chapter in the history of women, of workers, of Jews, and of the Holocaust as immigrants experienced it from American shores.

A family's story of human tenacity, faith and a race for survival in the face of unspeakable horror and cruelty perpetrated by the Nazi regime against the Jewish people. Growing up in the safety of Britain, Jonathan Wittenberg was deeply aware of his legacy as the child of refugees from Nazi Germany. Yet, like so many others there is much he failed to ask while those who could have answered his questions were still alive. After burying their aunt Steffi in the ancient Jewish cemetery on the Mount of Olives, Jonathan, now a rabbi, accompanies his cousin Michal as she begins to clear the flat in Jerusalem where the family have lived since fleeing Germany in the 1930s. Inside an old suitcase abandoned on the balcony they discover a linen bag containing a bundle of letters left untouched for decades. Jonathan's attention is immediately captivated as he tries to decipher the faded writing on the long-forgotten letters. They eventually draw him into a profound and challenging quest to uncover the painful details of his father's family's history. Through the wartime correspondence of his great-grandmother Regina and his grandmother, aunts and uncles, Jonathan weaves together the strands of an ancient rabbinical family with the history of Europe during the Second World War and the unfolding policies of the Nazis, telling the moving story of a family whose lives are as fragile as the paper on which they write, but whose faith in God remains steadfast.

Stories abound of immigrant Jews on the outside looking in, clambering up the ladder of social mobility, successfully assimilating and integrating into their new worlds. But this book is not about the success stories. It's a paean to the bunglers, the blockheads, and the just plain weird—Jews who were flung from small, impoverished eastern European towns into the urban shtetls of New York and Warsaw, where, as they say in Yiddish, their bread landed butter side down in the dirt. These marginal Jews may have found their way into the history books far less frequently than their more socially upstanding neighbors, but there's one place you can find them in force: in the Yiddish newspapers that had their heyday from the 1880s to the 1930s. Disaster, misery, and misfortune: you will find no better chronicle of the daily ignominies of urban Jewish life than in the pages of the Yiddish press. An underground history of downwardly mobile Jews, Bad Rabbi exposes the seamy underbelly of pre-WWII New York and Warsaw, the two major centers of Yiddish culture in the late nineteenth and early twentieth centuries. With true stories plucked from the pages of the Yiddish papers, Eddy Portnoy introduces us to the drunks, thieves, murderers, wrestlers, poets, and beauty queens whose misadventures were immortalized in print. There's the Polish rabbi blackmailed by an American widow, mass brawls at weddings and funerals, a psychic who specialized in locating missing husbands, and violent gangs of Jewish mothers on the prowl—in short, not quite the Jews you'd expect. One part Isaac Bashevis Singer, one part Jerry Springer, this irreverent, unvarnished, and frequently hilarious compendium of stories provides a window into an unknown Yiddish world that was.

Stories abound of immigrant Jews on the outside looking in, clambering up the ladder of social mobility, successfully assimilating and integrating into their new worlds. But this book is not about the success stories. It's a paean to the bunglers, the blockheads, and the just plain weird—Jews who were flung from small, impoverished eastern European towns into the urban shtetls of New York and Warsaw, where, as they say in Yiddish, their bread landed butter side down in the dirt. These marginal Jews may have found their way into the history books far less frequently than their more socially upstanding neighbors, but there's one place you can find them in force: in the Yiddish newspapers that had their heyday from the 1880s to the 1930s. Disaster, misery, and misfortune: you will find no better chronicle of the daily ignominies of urban Jewish life than in the pages of the Yiddish press. An underground history of downwardly mobile Jews, Bad Rabbi exposes the seamy underbelly of pre-WWII New York and Warsaw, the two major centers of Yiddish culture in the late nineteenth and early twentieth centuries. With true stories plucked from the pages of the Yiddish papers, Eddy Portnoy introduces us to the drunks, thieves, murderers, wrestlers, poets, and beauty queens whose misadventures were immortalized in print. There's the Polish rabbi blackmailed by an American widow, mass brawls at weddings and funerals, a psychic who specialized in locating missing husbands, and violent gangs of Jewish mothers on the prowl—in short, not quite the Jews you'd expect. One part Isaac Bashevis Singer, one part Jerry Springer, this irreverent, unvarnished, and frequently hilarious compendium of stories provides a window into an unknown Yiddish world that was.

Proposes a framework for understanding the history of the Holocaust, focusing on the German perpetrators of the genocide and reflecting on social, ethical, and religious issues. Discusses the evolution of antisemitism from the ancient period to Nazi racism. Describes the Nazi rise to power, anti-Jewish laws of the 1930s, the "Kristallnacht" pogrom, ghettoization in occupied Poland, mass killings in the occupied USSR, and the Wannsee conference. Dwells on the Nazi concentration camps, the killing process, and the medical experiments, as well as on the euthanasia program and the murder of some non-Jewish victims (e.g. Gypsies, "asocials"). Mentions Jewish reactions to the genocide, including resistance; wartime reactions to the Holocaust in Germany and worldwide; the Nuremberg Trials; denial of the Holocaust by revisionists; and Jewish Holocaust theology.

Between 1938-41 some 17,000 Jewish refugees from Germany, Austria, and Poland reached Shanghai, then under Japanese control. Ch. 7 (pp. 169-266), "Japanese Policy vis-à-vis the Jews", explains Japan's unusual behavior in opening the door to Jewish refugees. Describes the influence of the so-called "experts on Jewish affairs" in Japan and their unique approach to antisemitism - to make use of alleged Jewish wealth and influence on behalf of Japan's "New Order". This approach lasted until America's entry into the war when it became unfeasible and Nazi propaganda gained more influence. Discusses immigration restrictions imposed in August 1939, Nazi antisemitic propaganda, and the establishment of a ghetto in 1943 under German instigation. Japan's attitude towards Jews evolved from favorable to highly antagonistic, blaming the Jews for all economic and social ills and for a conspiracy to overthrow the government and dominate the media, aid the communists, and halt Japanese development.

Relates the multiple ways adopted by young German Jews (born mainly between 1914-28) to escape from Nazi Germany. Their destinations included Palestine, Great Britain, the USA, South America, and China. Dwells on the routes of escape - sometimes dangerous, and on the organizational framework of the escape - sometimes part of a political underground. Some young persons managed to survive in Germany. Many Jews, both those who escaped and those who remained in Germany, joined the anti-Nazi struggle in multiple forms - from the underground in Berlin to joining up with the Red Army. Many countries of destination were reluctant to accept the refugees, in part due to antisemitism. Other possible frameworks (e.g. communists) were also not eager to help Jews. The majority of the émigrés did not return to Germany after the war.

Though many of the details of Jewish life under Hitler are familiar, historical accounts rarely afford us a real sense of what it was like for Jews and their families to live in the shadow of Nazi Germany’s oppressive racial laws and growing violence. With Jews in Nazi Berlin , those individual lives—and the constant struggle they required—come fully into focus, and the result is an unprecedented and deeply moving portrait of a people. Drawing on a remarkably rich archive that includes photographs, objects, official documents, and personal papers, the editors of Jews in Nazi Berlin have assembled a multifaceted picture of Jewish daily life in the Nazi capital during the height of the regime’s power. The book’s essays and images are divided into thematic sections, each representing a different aspect of the experience of Jews in Berlin, covering such topics as emigration, the yellow star, Zionism, deportation, betrayal, survival, and more. To supplement—and, importantly, to humanize—the comprehensive documentary evidence, the editors draw on an extensive series of interviews with survivors of the Nazi persecution, who present gripping first-person accounts of the innovation, subterfuge, resilience, and luck required to negotiate the increasing brutality of the regime. A stunning reconstruction of a storied community as it faced destruction, Jews in Nazi Berlin renders that loss with a startling immediacy that will make it an essential part of our continuing attempts to understand World War II and the Holocaust.

David Conway analyses why and how Jews, virtually absent from Western art music until the end of the eighteenth century, came to be represented in all branches of the profession within fifty years as leading figures - not only as composers and performers, but as publishers, impresarios and critics. His study places this process in the context of dynamic economic, political, sociological and technological changes and also of developments in Jewish communities and the Jewish religion itself, in the major cultural centres of Western Europe. Beginning with a review of attitudes to Jews in the arts and an assessment of Jewish music and musical skills, in the age of the Enlightenment, Conway traces the story of growing Jewish involvement with music through the biographies of the famous, the neglected and the forgotten, leading to a new and radical contextualisation of Wagner's infamous 'Judaism in Music'.