The Philosophy of Art of Karl Marx by Mikhail Lifshitz is a comprehensive study of the Marxist theory of art. The book explores the relationship between art and society, and how art reflects the political and economic structures of society. Lifshitz examines the Marxist perspective on the role of art in the revolution and the struggle for social change. He also delves into the Marxist critique of bourgeois art and the concept of alienation in art. The book includes a detailed analysis of the writings of Karl Marx and Friedrich Engels on art, as well as the works of other Marxist theorists such as Georg Lukacs and Antonio Gramsci. The Philosophy of Art of Karl Marx is a thought-provoking and insightful exploration of the Marxist perspective on art, and its relevance in the contemporary world.This scarce antiquarian book is a facsimile reprint of the old original and may contain some imperfections such as library marks and notations. Because we believe this work is culturally important, we have made it available as part of our commitment for protecting, preserving, and promoting the world's literature in affordable, high quality, modern editions, that are true to their original work.

"Manhattan is the tale of a young French scholar who travels to the United States in 1965 on a Fulbright Fellowship to consult the manuscripts of beloved authors. In Yale University's Beinecke Library, tantalized by the conversational and epistolary brilliance of a fellow researcher, she is lured into a picaresque and tragic adventure. Meanwhile, back in France, her children and no-nonsense mother await her return. A young European intellectual's first contact with America and the city of New York are the background of this story. The experience of Manhattan haunts this labyrinth of a book as, over a period of thirty-five years, its narrator visits and revisits Central Park and a half-buried squirrel, the Statue of Liberty and a never again to be found hotel in the vicinity of Morningside Heights: a journey into memory in which everything is never the same. Traveling from library to library, France to the United States, Shakespeare to Kafka to Joyce, Manhattan deploys with gusto all the techniques for which Cixous's fiction and essays are known: rapid juxtapositions of time and place, narrative and description, analysis and philosophical reflection. It investigates subjects Cixous has spent her life probing: reading, writing, and the "omnipotence-other" seductions of literature; a family's flight from Nazi Germany and postcolonial Algeria; childhood, motherhood, and, not least, the strange experience of falling in love with a counterfeit genius"--

Winner of the 2013 National Jewish Book Award, Anthologies and Collections The year 1929 represents a major turning point in interwar Jewish society, proving to be a year when Jews, regardless of where they lived, saw themselves affected by developments that took place around the world, as the crises endured by other Jews became part of the transnational Jewish consciousness. In the United States, the stock market crash brought lasting economic, social, and ideological changes to the Jewish community and limited its ability to support humanitarian and nationalist projects in other countries. In Palestine, the anti-Jewish riots in Hebron and other towns underscored the vulnerability of the Zionist enterprise and ignited heated discussions among various Jewish political groups about the wisdom of establishing a Jewish state on its historical site. At the same time, in the Soviet Union, the consolidation of power in the hands of Stalin created a much more dogmatic climate in the international Communist movement, including its Jewish branches. Featuring a sparkling array of scholars of Jewish history, 1929 surveys the Jewish world in one year offering clear examples of the transnational connections which linked Jews to each other—from politics, diplomacy, and philanthropy to literature, culture, and the fate of Yiddish—regardless of where they lived. Taken together, the essays in 1929 argue that, whether American, Soviet, German, Polish, or Palestinian, Jews throughout the world lived in a global context.

For much of her career, Elfriede Jelinek has been maligned in the press for both her unrelenting critique of Austrian complicity in the Holocaust and her provocative deconstructions of pornography. Despite this, her central role in shaping contemporary literature was finally recognized in 2004 with the award of the Nobel Prize in Literature. The committee acknowledged Jelinek's groundbreaking work that offers a "musical flow of voices and counter-voices in novels and plays that with extraordinary linguistic zeal reveal the absurdity of society's clichés and their subjugating power." Although she is an internationally recognized playwright, Jelinek's work is difficult to find in English, which makes this new volume, which includes Rechnitz: The Exterminating Angel and The Merchant's Contracts , all the more valuable. In Rechnitz , a chorus of messengers reports on the circumstances of the massacre of 180 Jews, an actual historical event that took place near the Austrian/Hungarian border town of Rechnitz. More than a docu-drama, this work explores the very transmission of historic memory and has been called Jelinek's best performance text to date. In The Merchant's Contracts , Jelinek brings us a comedy of economics, where the babble and media spin of spectators leave small investors alienated and bearing the brunt of the economic crisis. In the age of the global economy, Jelinek turns the story of a merchant of Vienna into a universal comedy of errors, making this her most accessible work. Along with an extensive introduction by the translator that both contextualizes and analyzes the two brilliant texts, a DVD of performances of both plays accompanies this volume. Available for the first time in English, this is a collection that testifies to the power and universality of Jelinek's work.

Oscar and Lilian Handlin show us how the new voyagers in the twentieth century--from Asia, Africa, Australia, and Latin America--record their experiences in the United States. The narratives of the non-Europeans, they find, clearly reflect the circumstances of their composition, as well as the political prejudices of their authors. These literary products have earned far less attention than those of the English, French, Germans, and Russians, and this volume proposes to redress the balance. The earliest of the thirty-one travel accounts was written by Rabindranath Tagore in 1924, and the most recent by V. S. Naipaul in 1989. Many accounts are newly translated from Arabic, Persian, Hebrew, and Spanish. Some authors are well known, but the less famous are equally insightful. Some insights are weighty, many are amusing. Octavio Paz, a sympathetic observer who admired his country's neighbor, was uneasy that the most powerful country in the world sustained "a global ideology as outdated as the doctrine of free enterprise, the steam boat, and other relics of the nineteenth century." The Israeli journalist Hanoch Bartov observed that "God conceived the car first, with man an afterthought, created for the car's use (a Southern California legend)." In coming to a truer understanding of the United States, these writers noted the frightening repercussions of unsettled lives, perceived class differentiation, contentions regarding the status of women, the sense of national unity amid diversity, and countless other issues of concern to those who try to find meaning in the contemporary world.

An education in a portmanteau: George Steiner at The New Yorker collects his best work from his more than 150 pieces for the magazine. Between 1967 and 1997, George Steiner wrote more than 130 pieces on a great range of topics for The New Yorker, making new books, difficult ideas, and unfamiliar subjects seem compelling not only to intellectuals but to “the common reader.” He possesses a famously dazzling mind: paganism, the Dutch Renaissance, children’s games, war-time Britain, Hitler’s bunker, and chivalry attract his interest as much as Levi-Strauss, Cellini, Bernhard, Chardin, Mandelstam, Kafka, Cardinal Newman, Verdi, Gogol, Borges, Brecht, Wittgenstein, Chomsky, and art historian/spy Anthony Blunt. Steiner makes an ideal guide from the Risorgimento in Italy to the literature of the Gulag, from the history of chess to the enduring importance of George Orwell. Again and again everything Steiner looks at in his New Yorker essays is made to bristle with some genuine prospect of turning out to be freshly thrilling or surprising.

Tells the story of how wealthy businessman Julius Rosenwald came to financially support the building of 5,300 schools in rural African-American communities that desperately needed them over the course of twenty years.

"Her parents moved her from Austria to Tokyo, Japan before she started school. They were all rendered stateless when Nazi Germany and Austria stripped Jews of their citizenship. She graduated high school fluent in Japanese plus four other languages and went to college in America at age 15. Cut off from her parents by the Japanese attack on Pearl Harbor, and America's entry into World War II, she went years not knowing if they were alive. She returned to post-war Japan as an interpreter, found her parents, and wrote the fateful words that make her a storied feminist hero in that nation even today. As Justice Sonia Sotomayor said about Beate Sirota Gordon, 'It is a rare life treat for a Supreme Court Justice to get to meet a framer of a Constitution. It is rarer indeed for that framer to have been a woman'"--

In an age of upheaval and challenged faith, traditional heroes are hard to come by, and harder still to love, with their bloodstained hands and backs unbowed by the consequences of their actions. Through penetrating readings of key works of modern European literature, Victor Brombert shows how a new kind of hero—the antihero—has arisen to replace the toppled heroic model. Though they fail, by design, to live up to conventional expectations of mythic heroes, antiheroes are not necessarily "failures." They display different kinds of courage more in tune with our time and our needs: deficiency translated into strength, failure experienced as honesty, dignity achieved through humiliation. Brombert explores these paradoxes in the works of Büchner, Gogol, Dostoevsky, Flaubert, Svevo, Hašek, Frisch, Camus, and Levi. Coming from diverse cultural and linguistic traditions, these writers all use the figure of the antihero to question handed-down assumptions, to reexamine moral categories, and to raise issues of survival and renewal embodying the spirit of an uneasy age.

A reading of African American and Jewish American writers from Henry Roth and Ralph Ellison to Philip Roth and David Bradley. Reading the work of such writers alongside and through one another, Newton's book offers an original way of juxtaposing two major traditions in modern American literature, and rethinking the sometimes vexed relationship between two constituencies ordinarily confined to sociopolitical or media commentary alone. Newton combines Emmanuel Levinas's ethical philosophy and Walter Benjamin's theory of allegory in shaping an innovative kind of ethical-political criticism. Through artful, dialogical readings of Saul Bellow and Chester Himes, David Mamet and Anna Deavere Smith, and others, Newton seeks to represent American Blacks and Jews outside the distorting mirror of 'Black-Jewish Relations', and restrictive literary histories alike. A final chapter addresses the Black/Jewish dimension of the O. J. Simpson trial.

Howard Fast's life, from a rough-and-tumble Jewish New York street kid to the rich and famous author of close to 100 books, rivals the Horatio Alger myth. Author of bestsellers such as Citizen Tom Paine, Freedom Road, My Glorious Brothers, and Spartacus, Fast joined the American Communist Party in 1943 and remained a loyal member until 1957, despite being imprisoned for contempt of Congress. Gerald Sorin illuminates the connections among Fast's Jewishness, his writings, and his left-wing politics and explains Fast?s attraction to the Party and the reasons he stayed in it as long as he did. Recounting the story of his private and public life with its adventure and risk, love and pain, struggle, failure, and success, Sorin also addresses questions such as the relationship between modern Jewish identity and radical movements, the consequences of political myopia, and the complex interaction of art, popular culture, and politics in 20th-century America.

Born in Berlin at the end of the nineteenth century, Walter Mehring inherited both his father's respect for the civilizing power of literature and his formidable library of thousands of books. Like his father, believed that books and reading were essential to progress, mutual understanding, and contentment. After having served in World War I, Mehring spent the years between the world wars as part of the exhilarating avant-garde coffeehouse culture of Europe's capitals; he himself was a poet, cabaret lyricist, and founder of the Dadaist movement in Berlin. But with the rise of fascism, Europe became a dangerous place for free-thinking artists. Mehring never envisioned that the culture of books celebrated in his father's library would be rejected by the sudden rise to prominence of the Nationalist Socialist Party. Soon, even his own books were burned by the Brownshirts and Mehring was forced to roam Europe as a literary fugitive. From a precarious exile in Vienna, he arranged for his father's books to be smuggled out of Germany, but their fate would be worse than his--while Mehring managed to slip out of Austria and avoid capture, his library was confiscated and destroyed by the Nazis in 1938. In The Lost Library: The Autobiography of a Culture , translated by Richard and Clara Winston and presented in paperback for the first time, Mehring takes the reader with him as he unpacks the crates of books in his mind, and in the process recalls what each book meant to him and his father. Writing with wit and insight, Mehring successfully compares the humanism of his father's era with the chaos of Europe at war, using his father's library as a metaphor for how the optimism of nineteenth-century progress gave way to the disorder and book-burning of the twentieth. "It is with love and not a little bitterness that the author touches on the various tomes of his father's library [and through them] on the history of man's ideas, on the magnificence of our cultural progress, . . . and on the eventual destruction of the beauty and ideals that man had been able to create. . . . Beautifully conceived and beautifully executed."-- The Atlantic "Whoever cares for books will love this book about books."-- New York Times " The Lost Library cannot be read without profit."-- Times Literary Supplement

In this collection of essays, twenty-four leading scholars examine the major developments that have expanded the horizons of English and American literary studies during recent decades.Redrawing the Boundaries reviews the significant scholarship for major historical periods and surveys new directions in literary criticism and in composition studies. Each essay is accompanied by an annotated list of suggestions for further reading; the book concludes with an extensive list of works cited and a name index.For scholars, teachers, and students of literature, this remarkable work provides an essential overview of traditions and innovations that make up English and American literary studies today. -- Amazon.com.

In this volume, Jules Chametzky has gathered his very personable stories and reminiscences of some of the many writers he has met or known as he writes, some fleetingly, a few more intensely over the course of his more than half a century in the business of reading, writing, and talking about literature, of teaching and editing. Not only do those writers emerge as the complicated and fascinating human beings they are, but we also come to know Jules himself, a warm and gracious storyteller. Praise for Out of Brownsville: NO STUDENT of American Jewish writing needs to be reminded that Jules Chametzky is one of its pioneers. A founding editor of the influential Massachusetts Review, he is perhaps especially noted for his study of the fiction of Abraham Cahan. He now caps a distinguished career as critic, editor, and teacher with this delightful volume of memoirs. It is astonishing to know how many of the shapers of literature in America Chametzky knew not merely as subjects met in passing but understood as artists. Readers and scholars will, of course, find their own favorites among the individual memoirs, but beyond the perceptiveness of the recollections and the shrewd assessments in them, there emerges Jules himself, warm, gracious, accepting, modest about his own achievements, which he scarcely mentions. One closes the book with a sense of regret that it has ended and with a feeling how good it was for those who met Jules and enjoyed, however briefly, his friendship. Joseph C. Landis, Editor, Yiddish-Modern Jewish Studies, Professor Emeritus of English, Queens College, CUNY WOVEN INTO these lively portraits and reminiscences of others are not only sudden illuminations of the characters portrayed and of the fleeting moments captured here, but also insights into the fragility of life, the power to create, and the strange magic of human encounters that make Jules Chametzky s memoir so touchingly social and pleasurable to read. Werner Sollors, Henry B. and Anne M. Cabot Professor of English Literature and Professor of African and African American Studies, Harvard University LEGENDARY EDITOR Jules Chametzky s book is autobiography at its cleanest: one s life through the eyes of others. His astute, personable dispatches are a map of Jewish intellectual trends in the United States in the second half of the twentieth century. Ilan Stavans, Lewis-Sebring Professor in Latin American and Latino Culture (Spanish), Amherst College ACCORDING TO the Jewish Midrash, the Book and the Sword came wrapped together, with a message: Regard what is written in the book, or be delivered to the sword. Jules Chametzky s love of books and their very human creators is expressed in this cultural memoir with affection and marvelous charm, yet there is also a tone of urgency, from a man who has dedicated his life to keeping the book open and the sword sheathed. Lawrence Bush, Editor, Jewish Currents About the Author: Jules Chametzky is Professor of English, emeritus, at the University of Massachusetts Amherst, where he taught from 1958 until 2004. He was a founder of The Massachusetts Review, of which he is Editor, emeritus, after 27 years as senior co-Editor. Chametzky has published numerous articles and reviews on Jewish American and American literature in popular and academic journals. His major publications include From the Ghetto: The Fiction of Abraham Cahan; Our Decentralized Literature: Cultural Mediations in Selected Jewish and Southern Writers; the Penguin edition of Abraham Cahan s The Rise of David Levinsky. He co-edited Black and White in American Culture: Ten Years of The Massachusetts Review; and Jewish American Literature: A Norton Anthology. Chametzky is the father of three sons and was married for 52 years to the late poet Anne Halley.

“I have read all of Daniel Aaron’s books, and admired them, but in The Americanist I believe he has composed an intellectual and social memoir for which he will be remembered. His self-portrait is marked by personal tact and admirable restraint: he is and is not its subject. The Americanist is a vision of otherness: literary and academic friends and acquaintances, here and abroad. Eloquently phrased and free of nostalgia, it catches a lost world that yet engendered much of our own.” —Harold Bloom “ The Americanist is the absorbing intellectual autobiography of Daniel Aaron, who is the leading proponent and practitioner of American Studies. Written with grace and wit, it skillfully blends Daniel Aaron’s personal story with the history of the field he has done so much to create. This is a first-rate book by a first-rate scholar.” —David Herbert Donald, Professor Emeritus, Harvard University The Americanist is author and critic Daniel Aaron’s anthem to nearly a century of public and private life in America and abroad. Aaron, who is widely regarded as one of the founders of American Studies, graduated from the University of Michigan, received his Ph.D. from Harvard, and taught for over three decades each at Smith College and Harvard. Aaron writes with unsentimental nostalgia about his childhood in Los Angeles and Chicago and his later academic career, which took him around the globe, often in the role of America’s accidental yet impartial critic. When Walt Whitman, whom Aaron frequently cites as a touchstone, wrote, “I am large, I contain multitudes,” he could have been describing Daniel Aaron—the consummate erudite and Renaissance individual whose allegiance to the truth always outweighs mere partisan loyalty. Not only should Aaron’s book stand as a resplendent and summative work from one of the finest thinkers of the last hundred years, it also succeeds on its own as a first-rate piece of literature, on a par with the writings of any of its subjects. The Americanist is a veritable Who’s Who of twentieth-century writers Aaron interviewed, interacted with, or otherwise encountered throughout his life: Ralph Ellison, Robert Frost, Lillian Hellman, Richard Hofstadter, Alfred Kazin, Sinclair Lewis, Malcolm Muggeridge, John Crowe Ransom, Upton Sinclair, Edmund Wilson, Leonard Woolf, and W. B. Yeats, to name only a few. Aaron’s frank and personal observations of these literary lights make for lively reading. As well, scattered throughout The Americanist are illuminating portraits of American presidents living and passed—miniature masterworks of astute political observation that offer dazzlingly fresh approaches to well-trod subjects.

An eye-opening account of time served in the great battles of our century - for workers' rights, against Fascism, Communism, and racism - Jumping the Line is the life story of an American original. William Herrick relates his adventures and misadventures on the front lines of the Spanish Civil War, in (and very much out of) the Communist Party, driving a tractor on a communal farm in Michigan, jumping the line as a hobo, organizing African American sharecroppers in Georgia, at work with Orson Welles, and immersed in his own writing. When Paul Berman interviewed Herrick in the Village Voice in 1986, for the fiftieth anniversary of the Spanish Civil War, Herrick's remarks so incensed other veterans of the Abraham Lincoln battalion that they picketed the paper. What William Herrick has to say doesn't always go down easily. But for those who like the truth, with a dash of wit and a healthy dose of history, it can be exhilarating.