Product Description Meditations, rhapsodies, elegies, confessions, and mindful chronicle writings filling inward and outward space thru mid-Seventies decade. Mind Breaths: Australian songsticks measure oldest known poetics, broken-leg meditations march thru Six Worlds singing crazy Wisdom's hopeless suffering, the First Noble Truth, inspiring quiet Sung sunlit greybeard soliloquies, English moonlit night-gleams, ambitious mid-life fantasies, Ah crossed-legged thoughts sitting straight-spine paying attention to empty breath flowing 'round the globe;' then Dharma elegy & sharp-eyed haiku. Pederast rhapsody, exorcism of mid-East battlegods, workaday sad dust glories, American ego confession & mugging downfall Lower East Side, hospital sickness moan, hydrogen Jukebox Prophecy, Sex come-all-ye, mountain cabin flashes, Buddhist country western chord changes, Rolling Thunder snowballs, a Jersey Shaman dream, Father Death in a graveyard near Newark, Poe bones, two hot hearted love poems: Here chronicled mid Seventies' half decade inward & outward Mindfulness in many Poetries. "Allen Ginsberg's poems of the 1970's are a marvel, his new book, "Mind Breaths," presenting a half dozen poems, probably more, that are first-rate Ginsberg. . . .The poems are there-on the page, in the book. They are called "mind breaths." No need to speak of kinds, qualities, degrees, the intellect's inevitable meanderings. The poems exist. Think of all the millions of things that might have gone otherwise, so that they might not exist. Our times are bleak enough, heaven knows, but at least we have this." —Hayden Carruth, New York Times Allen Ginsberg was born June 3, 1926, the son of Naomi Ginsberg, Russian émigré, and Louis Ginsberg, lyric poet and school teacher, in Paterson, N.J. To these facts Ginsberg adds: "High school in Paterson till 17, Columbia College, merchant marine, Texas and Denver copyboy, Times Square, amigos in jail, dishwashing, book reviews, Mexico City, market research, Satori in Harlem, Yucatan and Chiapas 1954, West Coast 3 years. Later Arctic Sea trip, Tangier, Venice, Amsterdam, Paris, read at Oxford Harvard Columbia Chicago, quit, wrote "Kaddish" 1959, made tape to leave behind & fade in Orient awhile. Carl Solomon to whom "Howl" is addressed, is a intuitive Bronx dadaist and prose-poet." About the Author Allen Ginsberg is also the author of Howl and Other Poems, which was originally published by City Lights Books in the fall of 1956.

The most accurate and poetic translation of the world's greatest epic, which is now a film by Academy Award winner Christopher Nolan! “This may be the best translation of The Odyssey yet."—Edith Hall, The Telegraph A magnificent feat of translation, hailed by classicists and poets alike as a “momentous achievement”: “thrilling,” “rich and rhythmical,” “superb,” “mesmerizing,” “searingly faithful—yet absolutely original.” With this edition of Homer’s Odyssey, the celebrated author, critic, and classicist Daniel Mendelsohn brings the great epic to vividly poetic new life. Widely known for his essays on classical literature and culture in The New Yorker and many other publications, Mendelsohn gives us a line-for-line rendering of The Odyssey that is both engrossing as poetry and true to its source. Rejecting the streamlining and modernizing approach of many recent translations, he artfully reproduces the epic’s formal qualities—meter, enjambment, alliteration, assonance—and in so doing restores to Homer’s masterwork its archaic grandeur. Mendelsohn’s expansive six-beat line, far closer to the original than that of other recent translations, allows him to capture each of Homer’s dense verses without sacrificing the amplitude and shadings of the original. The result is the richest, most ample, most precise, and most musical Odyssey in English, conveying the beauty of its poetry, the excitement of its hero’s adventures, and the profundity of its insights. Supported by an extensive introduction and the fullest notes and commentary currently available, Daniel Mendelsohn’s Odyssey is poised to become the authoritative version of this magnificent and enduringly influential masterpiece.

Originally published in 1952, this book provides a detailed critical analysis of 40 German lyrics. All the poems analysed are reprinted in full, so that criticism may be checked by reference to the original text. The book therefore provides a unique introduction to German poetry from the Age of Enlightenment to that of Rilke, without burdening the reader with too much details about minor figures.

With his father gunned down in a petty robbery and his aunt haunted by the threats of the Gestapo, Richard Michelson's experiences growing up in Brooklyn were far from ordinary, yet they remain all too common--too much a part of ongoing violence--to be dismissed as merely private events, safely past. In Counting to Six Million he writes out memory, anxiety, and grief, worry over his wife and children, and the recurring clashes between love and cruelty that test wisdom with suffering, day after day.

This book "" The Janitor's Boy, and Other Poems "", has been considered important throughout the human history, and so that this work is never forgotten we have made efforts in its preservation by republishing this book in a modern format for present and future generations. This whole book has been reformatted, retyped and designed. These books are not made of scanned copies and hence the text is clear and readable.

Product Description The new, authoritative edition of “A”: the monumental lifepoem by one of the most important American poets of the twentieth century, Louis Zukofsky. River that must turn full after I stop dying Song, my song, raise grief to music Light as my loves’ thought, the few sick So sick of wrangling: thus weeping, Sounds of light, stay in her keeping And my son’s face – this much for honor ― from “ ‘A’-11” At long last, here is the whole of Louis Zukofsky’s epic masterpiece “A” back in print with misprints corrected and a new, fresh introduction by the noted scholar Barry Ahearn. No other poem in the English language is filled with as much daily love, light, intellect, and music. As William Carlos Williams once wrote of Zukofsky’s poetry, “I hear a new music of verse stretching out into the future.” Review “‘A’ ’s place is in the great line of American personal epic begun in Song of Myself and stretching through the Cantos, Paterson, Notes Toward a Supreme Fiction, and The Dream Songs. It should be read.” - The Nation “Zukofsky’s art, in this work, is without equal. No poet of our time can sound the resources of language, so actuate words to become all that they might be thought otherwise to engender.” - Robert Creeley, The New York Times “Magnificent: a great poem really rolling in all its power and splendor of language.” - James Laughlin “'A' belongs in the company of the major modernist epics such as Pound's Cantos or Williams' Patterson. It will repay as much attention as it is given.” - Bob Perelman, The Philadelphia Inquirer “The poem is “of a life,” but the life that it presents is closer to life-as-experienced than life as narrated or told. And that, in the final analysis, is precisely the essence of Zukofsky’s genius.” - Mary Wilson, Make Magazine About the Author Louis Zukofsky spent forty-six years writing his masterwork “A,” and died before he could see the completed version published. Poet, translator, fiction writer, essayist, anthologist, critic, teacher, WPA worker, and binding force of the Objectivist poets, Zukofsky was born in New York City and lived in or near the city his whole life.

This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

An anthology of poems, most of them by English poets of earlier centuries, which reflect the symbolic overtones and moods of the seasons.

Guardian of the gates of hell, brightest star in the night sky, the dog is the saucy, swaggering, world-weary trickster whose indomitable spirit has been mythologized for millennia. In Dog, poets Catherine Owen and Joe Rosenblatt have written a volume of solo and conjoined sonnets about dogs of the cosmos, the underworld and the psyche. Orbiting around the striking canine images of photographer Karen Moe's Perros: Dogs of Central Havana, Owen and Rosenblatt wisely and wittily follow the scent of mankind's oldest friend, sniffing out the traces of the dog in all of us.

In 2015, Beirut's district president takes the dangerous road to Damascus once a month to bring the sacrament to Syrian Saints. In 1904, a ward rallies around a mentally ill member in Salt Lake City after he's institutionalized. In 1844, a sister gathers new members on the South Pacific atoll of Anaa and teaches them the gospel by singing hymns from dusk until midnight. The twenty-two poems in Song of Names draw images from the lives of ordinary Latter-day Saints from many times and places to make a mosaic of discipleship. Accompanied by historical introductions, reflective essays, and original fine art sketches, this collaboration between James Goldberg, Ardis E. Parshall, and Carla Jimison is a monument to two centuries of struggle and faith.