This special book is a compilation of essays on a remarkable but little-known story that lasted over half a century of world-renown physicist, the late Sir Rudolf Peierls and his wife Genia Kannegiser. Peierls collected a lot of prestigious awards in his lifetime, and in the beginning of WW2, he and Otto Frisch were responsible for the inception of the Anglo-American nuclear program (1940). He was also one of the key contributors in the research at Los Alamos during those turbulent times. Most previous books on Peierls have focused on his scientific research, while the contents for this volume sheds light on his private life in dramatic circumstances. The extensive contributions were not only gathered from the relatives of Genia, the couple's daughters, Landau's students, and from Russian and English archives, but they also include the unique perspectives of the author who is a professional theoretical physicist and is also fluent in Russian, his native language. So, this fascinating story of love, friendship and physics between Rudolf and Genia is being told for the first time from a surprisingly new angle through correspondence between Genia and Rudolf, memoirs and other documents, interesting and informal excerpts from Peierls' private "diary" covering the years 1979-1994 that will take the reader on a journey through communism, world war, the trials and tribulations of the loving couple with distinctly very different personalities.

More than three decades have passed since Robert Kennedy was assassinated seeking the Democratic nomination for the presidency. During that time, a powerful legend has grown around him, decreeing that he would have quickly ended the Vietnam War, violence in the cities, and racial and social injustice across the land. Millions of Americans continue to believe that legend. Drawing on his striking interpretation of RFK's character, award-winning historian Ronald Steel examines the life against the legend that Kennedy consciously helped create.

This historic book may have numerous typos and missing text. Purchasers can usually download a free scanned copy of the original book (without typos) from the publisher. Not indexed. Not illustrated. 1915 edition. Excerpt: ... chapter ii the uses of A king The reason why we trust one man, rather than many, is because one man can negotiate and many men can't. Two masses of people have no way of dealing directly with each other. They have to deal through representatives. It is a pure fiction to speak of negotiations between the United States and Germany. For when you look around to find the "United States" you discover a hundred million people spread over vast territory, with certain common habits, ideas, and loyalties, but nowhere do you find anything called the "United States " which can strike a bargain with "Germany." The American people cannot all seize the same pen and indite a note to sixty-five million people living within the German Empire. They cannot say: We ask for this, but if you will grant that, we'll do so-and-so, and then we'll both be satisfied. Each man may know what he thinks (a tremendous assumption), but what "we the American people" think is one of the most difficult matters in the world to find out. We all try to find it out. The papers print editorial comment from different parts of the country, they interview leaders of opinion, publish letters from correspondents, take straw ballots, and ask questions in the smoking-room of the club, on the street car, and at the quick-lunch counter. They may throw some light on the general reaction to a particular event. But more accurate than this it is hardly possible to be. The "will" and "mind" and "voice" of a great people are not the same thing as the will and mind and voice of a single man. When an individual thinks out a course of action, he goes through a delicate mental operation, a good part of which is unconscious. But a whole people can no more think in unison than it can make love in...

In an unforgettable addition to the literature of memoir, one of America’s preeminent literary scholars tells his story of coming of age in France during the buildup to the Second World War. As a Jewish youth in France during the 1930s, Victor Brombert’s heady explorations of sex and love were cut short by the rise of Nazi power and the Vichy Regime. His family narrowly escaped to New York, where Brombert joined the U.S. Army, only to return to Europe to fight on the beaches of Normandy and in the Battle of the Bulge. As he shuttles between the stations of his life, Brombert’s narrative recaptures the textures of childhood, the horrors of war, and his own discovery of a sustaining passion for literature. By turns melancholy and erotic, his memoir is also a meditation on memory itself, and a Proustian re-creation of a lost time and place.

1833. Spain is gripped by a Civil War that will change everything. On one side the Carlists sought to return to an absolute monarchy under Carlos de Borbón, on the other the Liberals were fighting to defend constitutional monarchy under Isabella II. Both branches of the family abounded in colourful characters - the shrewd Maria Cristina, the masculine Infanta Carlota, the effete King Francisco, the suave Duke de Montpensier, the showy Carlos VII, and the licentious Alfonso XII. The drama unfolded across the world - in the court in the Palacio Real in Madrid, Don Juan dying incognito in a house in Brighton, Isabel living out her voluptuous days in Paris, Carlos VII scheming in his palazzo on the Grand Canal, the future Alfonso XII at Sandhurst, the Infanta Eulalia in Chicago, the son of Alfonso XIII dying in a car accident in the U.S.A. Royal Vendetta is a story of wars, revolutions, exiles and restorations; a parade of kings, queens, regents and pretenders. Theo Aronson is the author of over twenty works of royal historical biography, published in eleven languages. Among the widely read are Grandmama of Europe, The King in Love, Napoleon and Josephine and a biography of Princess Margaret.

Of all royal lost causes, none has a stronger fascination than that of the Stuart Pretenders to the British throne. For well over a century, four successive Stuart kings laid claim to the crown. The first was James II, deposed in 1688 by his daughter, Mary, and her husband, William of Orange; then came James III the Old Pretender and his son, Bonnie Prince Charlie; finally, there was Henry IX who died in 1807, the last descendant in direct and legitimate line from James II. This book tells the story of these four men, and of their families. It is an account of their public and private lives, their personalities, their relationships with others, and the extraordinary hold which they never ceased to exercise over their adherents. It is a book about people and the twilight of one of the world's most romantic, colourful and ill-fated dynasties. Theo Aronson is the author of over twenty works of royal historical biography, published in eleven languages. Among the widely read are Grandmama of Europe, The King in Love, Napoleon and Josephine and a biography of Princess Margaret.

"In recent years, 'white feminism' and girlboss feminism have taken a justified beating. We know that leaning in won't make our jobs any more tolerable and that white women have proven to be, at best, unreliable allies. But in a time of rising fascism, ceaseless attacks on reproductive justice, and violent transphobia, we need to reckon with what Western feminism has wrought if we have any hope of building the feminist world we need. Sophie Lewis offers an unflinching tour of enemy feminisms, from 19th century imperial feminists and police officers to 20th century KKK feminists and pornophobes to today's anti-abortion and TERF feminists. Enemy feminisms exist. Feminism is not an inherent political good. Only when we acknowledge that can we finally reckon with the ways these feminisms have pushed us toward counterproductive and even violent ends. And only then can we finally engage in feminist strategizing that is truly antifascist. At once a left transfeminist battlecry against cisness, a decolonial takedown of nationalist womanhoods, and a sex-radical retort to femmephobia in all its guises, Enemy Feminisms is above all a fierce, brilliant love letter to feminism."-- From Amazon

The Black Diaspora tells the enthralling story of African-descended people outside Africa, spanning more than five centuries and a dozen countries of settlement, from Britain, Canada, and the United States to Haiti, Guyana, and Brazil. Ronald Segal's account begins in Africa itself, with the cultures and societies flourishing there before the arrival of the Atlantic slave trade, which transported over ten million people to the Americas, after killing at least as many in their procurement and passage. He examines the extent of the profits made through the trade by merchants, manufacturers, investors, and planters, along with the racist ideology that developed as whites strove to rationalize an enormous economic dependence. Segal describes the various ways in which the system of slavery developed and provides the most comprehensive account to date of the resistance by the slaves themselves, from escape and arson to guerrilla warfare and revolution. When emancipation finally came, the former slaves were left in the fetters of poverty and discrimination. Segal details the course of the struggle against colonial rule and the racial oppressions of self-styled democracies. In recounting his own travels through the Diaspora, he shows the continuing plight of peoples confined by the consequences of the past and the prejudices of the present: racked by violence, as in Jamaica and the ghettos of America; denied the right to assert their sense of identity, as in Cuba; acknowledged only to be repudiated, as in Brazil. Yet this is also, Segal reveals, a Diaspora of wondrous achievement. It has immeasurably enriched world culture in music, language and literature, painting, sculpture and architecture; has done much to make sports a form of art; and has invested Western culture with the ecological reverence derived from its African source. Segal argues that the black Diaspora has a unique destiny, infused by the love of freedom that is its creative impulse.

Of all the Roman poets, Horatius Flaccus (65 BC to 8 BC) is undoubtedly the greatest. His vast corpus of work (the Epodes, Satires, Odes, Epistles and the Ars Poetica) spanned all aspects of Roman life: politics, the arts, religion, and the authority of the emperor, while his poems about friendship, philosophy, love and sex still have considerable universal appeal. For two thousand years he has been kept alive by scholars who have felt a great affinity with the benign personality that emerges. But not since Fraenkel's life of Horace in 1957 has a substantial biography of the poet been undertaken. This book makes a real attempt to present a complete picture of the life of Horace and the world in which he lived. It considers the details of Horace's romantic liaisons and why he never married, what the status of his father - a freedman - meant to the poet, and his distinctive brand of philosophy.

Peter Dronke illuminates a unique literary tradition: the narrative that mixes prose with verse. Highlighting a wide range of texts, he defines and explores the creative ways in which mixed forms were used in Europe from antiquity through the thirteenth century. Verse with Prose distinguishes for the first time some of the most significant uses of mixed forms. Dronke looks at the way prose and verse elements function in satirical works, beginning in the third century B.C. with Menippus. He examines allegorical techniques in the mixed form, giving especially rewarding attention to Boethius' Consolation of Philosophy. His lucid analysis encompasses a feast of medieval sagas and romances, ranging from Iceland to Italy, including vernacular works by Marguerite Porete in France and Mechthild in Germany. A number of the medieval Latin texts presented have remained virtually unknown, but emerge here as narratives with unusual and at times brilliant literary qualities. To enable not only specialists but all who love literature to respond to the works discussed, they are quoted in fresh translations, as well as in the originals.

Labour has been on a wild ride over the past thirty years. New Labour argued that we had no choice but to accept a globalized free market economy in which the race was to the swift, the open and the flexible. Corbynism reacted against this with a jumble of old school statism and identity politics. Both ultimately failed. In this book, Maurice Glasman takes the axe to the soulless utilitarianism and 'progressive' intolerance of both Blair and Corbyn. Human beings, he contends, are not calculating machines, but faithful, relational beings who yearn for meaning and belonging. Rooted in their homes, families and traditions, they seek to resist the revolutionary upheaval of markets and states, which try to commodify and dominate their lives and homes, by the practice of democracy, mutuality and pluralism. This is the true Labour tradition, which is paradoxically both radical and conservative - and more relevant than ever in a post-COVID world. This crisp statement of the real politics of Blue Labour - rather than the absurd caricature of its detractors - is Glasman's love letter to the left-conservatism that provides Labour's best chance of moral - and indeed electoral - redemption.

A funny and affecting portrait of Britain's love hate relationship with the railway with a new chapter for this paperback editionBritain gave railways to the world, yet its own network is the dearest (definitely) and the worst (probably) in Western Europe. Trains are deeply embedded in the national psyche and folklore - yet it is considered uncool to care about them. For Matthew Engel the railway system is the ultimate expression of Britishness. It represents all the nation's ingenuity, incompetence, nostalgia, corruption, humour, capacity for suffering and even sexual repression. To uncover its mysteries, Engel has travelled the system from Penzance to Thurso, exploring its history and talking to people from politicians to platform staff. Along the way Engel ('half-John Betjeman, half-Victor Meldrew') finds the most charmingly bizarre train in Britain, the most beautiful branch line, the rudest railwayman, and - after a quest lasting decades - an Individual Pot of Strawberry Jam. Eleven Minutes Late is both a polemic and a paean, and it is also very funny.

"A fantastic social history" from the author of Salt and Cod ( USA Today ) In the Dominican Republic town of San Pedro de Macorís, baseball is often seen as the only way to a better life. For those who make it, the million-dollar paychecks from Major League Baseball mean that not only they, but their entire families as well, have been saved from grinding poverty. The successful few set an example that dazzles the neighbors they left behind. But for the majority, this dream is illusory. In The Eastern Stars, New York Times bestselling author Mark Kurlansky reveals the connection between two countries' love affair with a sport, and the remarkable journey of impoverished San Pedro and its baseball players-including Rico Carty, Albert Pujols, Robinson Canó, Sammy Sosa, and Alfonso Soriano-who have sought freedom from poverty through playing ball.

More than seventy years after D. H. Lawrence made his "savage pilgrimage" to New Mexico, British twenty-something Henry Shukman set off on his own journey there, in search of the spirit of Lawrence, the rugged and enigmatic beauty of the American Southwest, and answers to questions of love and life. His New Mexico quest takes him to dusty roadside gas stations, cheap Mexican restaurants, and ancient Indian pueblos, and he crosses paths with amiable cowboys and lonesome cowgirls, a plane-flying priest, more than one romantically inclined stranger, and a barroom philosopher at every stop. He's not afraid to strip naked to join strange men in an open-air hot tub, nor is he intimidated by salsa dancing at the Red Dog Saloon. As he finds himself in towns called Truth or Consequence, or just driving along the magical New Mexico roads, his journey becomes one of self-discovery - in the end, he finds exactly what he is searching for in the dusty town of Las Vegas, New Mexico.

In a time of Rasputin's magic and Romanov mystery, a young girl finds herself at the heart of the royal family. She was an orphan, ushered into the royal palace on the prayers of her majestry. Yet, decades later, her time spent in the embrace of the Romanovs haunts her still. Is she responsible for those murderous events that changed everything? If only she can find the heir, maybe she can put together the broken pieces of her own past-maybe she can hold on to the love she found

The Moral Lives of Israelis explores the last ten years of life in Israel, a sixty-one-year-old country that has never not been in a state of war. It began in David Berlin's head as he sat vigil over his father's deathbed in a falling-down hospital in Tel Aviv. The last words given to him by his father were not words of love for his son and his grandchildren, but this command: "Look after my little country." That note set off a huge voyage of exploration and remembrance for Berlin, who has spent much of the last six years living and reporting in Israel, interviewing his own generation and the new crop of politicians and leaders, and witnessing the Second Lebanon War, the removal of the settlers from Gaza, and other defining events. The result is a thrilling blend of memoir, reportage and original thinking on the place of Israel in the world. The fundamental question that floats over every page of this passionate book is, with so many missteps and in a region deeply fraught with antagonism, racism and misunderstanding, how can Israel move forward? After many dead ends and twists and turns, it is the nineteenth-century visionary father of Zionism, Theodor Herzl, who ultimately sparks Berlin's dream for Israel in the twenty-first century — it is Herzl's insistence on a secular and cosmopolitan state that Berlin sees as a way to move beyond. Berlin's brave inquiry will be a must-read for anyone concerned with the fate of the Middle East — it engages on every level from the deeply emotional to the philosophical, and brings new perspective to a question that resonates well beyond the borders of Israel.

A facsimile edition of the celebrated 1954 history of the Senators Shirley Povich's history of the Washington Senators originally appeared in 1954 as part of the popular series of major league team histories published by G. P. Putnam. With their colorful prose and delightful narratives, the Putnam books have been described as the Cadillac of the genre and have become prized collectibles for baseball readers and historians. One of the American League's eight charter franchises, the club was founded in Washington, D.C., in 1901 as the Washington Senators. In 1905 the team changed its name to the Washington Nationals. However, fans and newspapers persisted in using the "Senators" nickname, and over time the use of "Nationals" faded and "Senators" reemerged as the team's official name. In their first nine seasons the Senators finished last four times and didn't climb above sixth place until 1912. The major catalysts in their rise were the ascendance to greatness of Walter Johnson, who emerged in 1910 as the American League's best pitcher, and the hiring of Clark Griffith as manager in 1912. Griffith pioneered in the use of relief pitchers and in signing Caribbean talent. Although the team's new respectability faded, the 1924 hiring of twenty seven-year-old Bucky Harris as player-manager brought instant results, with a surprise World Series Championship in Harris's first season at the helm. The club repeated as AL champions in 1925 and its best season came in 1933, when it captured the AL title with a team record 99-53 mark. The Senators had only four more winning seasons over the next twenty six years. Povich's unique insight as a Washington Post sportswriter led to thoughtful advice and comfort for the long-suffering Senators fans. Legends like Walter Johnson, Gabby Street, Bucky Harris, Roger Peckinpaugh, Sam Rice, Firpo Marberry, Joe Cronin, and Leon "Goose" Goslin fill these pages, and their colorful exploits are woven into the fabric of each season's story. Sure to be treasured by baseball lovers everywhere, The Washington Senators is another enjoyable addition to the Writing Sports Series.

Modiano's debut novel is a sardonic, often grotesque satire of France during the Nazi occupation. We are immediately plunged into the hallucinatory imagination of Raphael Schlemilovitch, a young Jewish man, torn between self-aggrandisement and self-loathing, who may be the heir to a Venezuelan fortune, may have lived during the Nazi Occupation, may have rubbed shoulders with the most notorious collaborators and anti-Semites of the time, may even have been the lover of Eva Braun...or he may have been none of these things. But at the centre of this vortex is 'La Place de l'Etoile' - the Place of the Star - which is both the geographical and moral centre of Paris, and that place next the heart where French Jews were compelled to wear the yellow star, the symbol of their persecution.

"This is an insider's view, and Raskin offers readers insights into a hidden California. The impact of his book is to return culture to agriculture in a state dominated by agribusiness."--Gerald Haslam, author of The Great Central Valley: California's Heartland "Jonah Raskin has lived and taught in this area for well over thirty years and has the credibility to write about the evolution of farming here. His book is a magical mixture of journalism and memoir. I loved his interviews with local farmers and growers. He explores the questions that we all are asking about our relationship to food and what it means to eat locally, who grows it, and will they be able to continue to do so."--Ianthe Brautigan, author of You Can't Catch Death: A Daughter's Memoir "'Think global, buy local' takes on new meaning in this intriguing synthesis of memoir and reportage on the slow and local food movements."--Peter Laufer, author of Wetback Nation and The Dangerous World of Butterflies "Anyone wanting to know what it's like to live in the paradise that is Sonoma County must read Field Days . Jonah Raskin brings this blessed region and its communities of environmental champions vividly to life."--Jeff Cox, author of The Organic Cook's Bible and The Organic Food Shopper's Guide "In Jonah Raskin's wonderfully observant ramble through Sonoma County's farms, orchards, and vineyards, it becomes abundantly clear that American farming has not been killed off by agribusiness, or the Department of Agriculture's call to 'get big or get out'. With Raskin we meet a rich community of amazing people who have stayed on the land, or gone back to it, sharing a new kind of ecologically informed consciousness about our intimate connections to the land and the people who work it. Anybody who reads this book, wherever they live, will gain a new appreciation of this new generation of farmers. Thanks to them, we're learning to eat well--a basic necessity in the hard times ahead."--Ernest Callenbach, author of Ecotopia "In Field Days , Jonah Raskin becomes the George Plimpton of organic farming. Instead of getting out on the playing field to measure his stuff against pro athletes, he toils long days beside farm workers. Soulful and always curious, Raskin traces the tradition of responsible farming practices in Northern California, and explores the meaning of living locally."--Bart Schneider, author of The Man in the Blizzard

"It was...unnecessary for me to fret about who the murderer was: Everybody was." A haunting, never-before-translated, autobiographical novella by the 2002 Nobel Prize winner. An unnamed narrator recounts a simple anecdote, his sighting of the Union Jack—the British Flag—during the Hungarian Revolution of 1956, in the few days preceding the uprising's brutal repression by the Soviet army. In the telling, partly a digressive meditation on "the absurd order of chance," he recalls his youthful self, and the epiphanies of his intellectual and spiritual awakening—an awakening to a kind of radical subjectivity. In his Nobel address Kertesz remembered: "I, on a lovely spring day in 1955, suddenly came to the realization that there exists only one reality, and that is me, my own life, this fragile gift bestowed for an uncertain time, which had been seized, expropriated by alien forces, and circumscribed, marked up, branded—and which I had to take back from 'History', this dreadful Moloch, because it was mine and mine alone..." The Contemporary Art of the Novella series is designed to highlight work by major authors from around the world. In most instances, as with Imre Kertész, it showcases work never before published; in others, books are reprised that should never have gone out of print. It is intended that the series feature many well-known authors and some exciting new discoveries. And as with the original series, The Art of the Novella, each book is a beautifully packaged and inexpensive volume meant to celebrate the form and its practitioners.