"The boys of summer of the 1969 'Miracle Mets,' this book brings together members of that team, including the author, and Mets' star player, Hall of Fame pitcher Tom Seaver, as they reminisce about what made that team great"--

From the heyday of the '50s B-movies through the disaster genre of the '70s, William Castle was an extraordinary movie mogul who produced such classic thrillers as Straight Jacket, Homicidal and Rosemary's Baby. Here are the outrageous memoirs of an American original whose life was every bit as outlandish as his movies. Photographs. Filmography.

From the legendary producer and author of The Kid Stays in the Picture—one of the greatest Hollywood memoirs ever written—comes a long-awaited second work with all the elements of a star-studded blockbuster: glamour and conflict, giddy highs and near-fatal lows, struggle and perseverance, tragedy and triumph.

The memoirs of Lev Razgon, "the last man alive to have actually attended and survived the Communist Party Congress of 1934." Razgon was born in a shetl, became a Communist journalist and writer, was among the Party elite at the beginning of Stalin's reign of terror, and spent seventeen years in labour camps.

A critical biography drawn from the author's letters, notebooks, memoirs and fiction.

"In Ecstasy and Terror, Mendelsohn once again casts an eye at literature, film, television, and the personal essay, filtering his insights through his training as a scholar of classical antiquity in illuminating and sometimes surprising ways. Many of these essays look with fresh eyes at our culture's Greek and Roman models: some find an arresting modernity in canonical works (Bacchae, the Aeneid), while others detect a "Greek DNA" in our responses to national traumas such as the Boston Marathon bombings and the assassination of JFK. There are pieces on contemporary literature, from the "aesthetics of victimhood" in Hanya Yanagihara's A Little Life to the uncomfortable mixture of art and autobiography in novels by Henry Roth, Ingmar Bergman, and Karl Ove Knausgard. Mendelsohn considers pop culture, too, in essays on the feminism of Game of Thrones and on recent films about artificial intelligence--a subject, he reminds us, that was already of interest to Homer. This collection also brings together for the first time a number of the award-winning memoirist's personal essays, including his "critic's manifesto" and a touching reminiscence of his boyhood correspondence with the historical novelist Mary Renault, who inspired him to study the Classics."--

"This memoir is the story of how curiosity led me to investigate some of the greatest political mysteries of our time, including the JFK assassination in Dallas, the Vatican banking scandal in Rome and the diamond cartel in South Africa. To learn about them, I often found myself a fly-on-the-wall at the highest reaches of the establishment where I saw how presidents, tycoons, bankers and media moguls secretly greased the wheels of power. Some accuse me of being a conspiracist, but that is not correct. I am essentially a puzzle solver. Instead of accepting the received wisdom of the media, I search for a puzzle's missing pieces, such as the autopsy photographs of President John F. Kennedy that were kept from the investigation conducted by the Warren Commission Finding suppressed or overlooked evidence often has the result of overturning the established narrative, as happened when I published my book Inquest on the Commission, but that is very different from seeking a conspiracy. Sometimes, it is true. my work results in uncovering a deep conspiracy, as happened in my investigation of the world diamond cartel; other times, however, it results in discrediting belief in a conspiracy, as happened in my investigation of the murders of numerous Black Panthers (which caused the Washington Post, Los Angeles Times and other newspapers, whose reporting had suggested the existence of an FBI conspiracy, to issue editorial apologies following the publication of my investigation in The New Yorker.) My prime interest has always been in finding gaps in the conventional wisdom about an event. How I came to be a pursuer of lost truths is a curious story of self-actualization"--

"Essays, speeches, and journal entries from one of our most admired and best-loved poets that illuminate how he came to understand himself as a poet, the events and people that he wrote about, and the older poets who influenced him. In prose both as superbly rendered as his poetry and as down-to-earth and easy as speaking, Levine reveals the things that made him the poet he became. In the title essay, originally the final speech of his poet laureate year, he recounts how as a boy he composed little speeches walking in the night woods near his house and how he later realized these were his first poems. He wittily takes on the poets he studied with in the Iowa Writing Program: John Berryman, who was his great teacher and lifelong friend, and Robert Lowell, who was neither. His deepest influences--jazz, Spain, the working people of Detroit--are reflected in many of the pieces. There are essays on Spanish poets he admires, William Carlos Williams, Wordsworth, Keats, and others. A wonderful, moving collection of writings that add to our knowledge and appreciation of Philip Levine--both the man and the poet"--

The father of the young actor best known for his performances in "Deadwood" describes his son's congenital heart defect, the young man's theatrical achievements, and the family's effort to find life-saving medical answers.

"Schiffrin evokes the bittersweet tang of emigre life in New York." --The New York Times Book Review Andre Schiffrin was born the son of one of France's most esteemed publishers, in a world peopled by some of the day's leading writers and intellectuals, such as Andre Gide, Jean-Paul Sartre, and Antoine de Saint-Exupery. But this world was torn apart when the Nazis marched into Paris on young Andre's fifth birthday. Beginning with the family's dramatic escape to Casablanca--thanks to the help of the legendary Varian Fry--and eventually New York, A Political Education recounts the surprising twists and turns of a life that saw Schiffrin become, himself, one of the world's most respected publishers. Emerging from the emigre community of wartime New York (a community that included his father's friends Hannah Arendt and Helen and Kurt Wolff), he would go on to develop an insatiable appetite for literature and politics: heading a national student group he renamed the Students for a Democratic Society--the SDS. leading student groups at European conferences, once, as an unwitting front man for the CIA. and eventually being appointed by Random House chief Bennett Cerf to head the very imprint cofounded by his father--Pantheon. There, he would discover and publish some of the world's leading writers, including Noam Chomsky, Michel Foucault, Art Spiegelman, Studs Terkel, and Marguerite Duras. But in a move that would make headlines, Schiffrin would ultimately rebel at corporate ownership and form his own publishing house--The New Press--where he would go on to set a new standard for independent publishing. A Political Education is a fascinating intellectual memoir that tells not only the story of a unique and important figure, but of the tumultuous political times that shaped him. From the Hardcover edition"--

"A major influence on the BBC and independent television in Britain in the 1960s, as well as on CBC and the National Film Board in Canada, Sydney Newman acted as head of drama at a key period in the history of television. For the first time, his comprehensive memoirs--written in the years before his death in 1997--are being made public. Born to a poor Jewish family in the tenements of Queen Street in Toronto, Newman's artistic talent got him a job at the NFB under John Grierson. He then became one of the first producers at CBC TV before heading overseas to the U.K. where he revitalized drama programming. Harold Pinter and Alun Owen were playwrights whom Newman nurtured, and their contemporary, socially conscious plays were successful, both artistically and commercially. At the BBC, overseeing a staff of 400, he developed a science fiction show that flourishes to this day: Doctor Who. Providing further context to Newman's memoir is an in-depth biographical essay by Graeme Burk, which positions Newman's legacy in the history of television, and an afterword by one of Sydney's daughters, Deirdre Newman."--

"In this humorous and moving memoir, Michael Rosen recalls the first twenty-three years of his life. Born in the North London suburbs, his parents, Harold and Connie, both teachers, first met as teenage Communists in the 1930s Jewish East End. The family home was filled with stories of relatives in London, the United States and France and of those who had disappeared in Europe. Unlike the children around them, Rosen and his brother Brian grew up dreaming of a socialist revolution; Party meetings were held in the front room, summers were for communist camping holidays, till it all changed after a trip to East Germany, when in 1957 his parents decided to leave "the Party." Michael followed his own journey of radical self-discovery: running away to the Aldermaston March to ban the bomb, writing and performing in experimental political theatre, getting arrested during the 1968 movements"--

"Gardner's memoir places his work on multiple intelligences within the arc of his academic career, and presents a defense of the scholarly and public value of powerful 'works of synthesis.'"--

The author joyfully remembers those days he spent as a boy with his grandparents in the bucolic Jezreel Valley, and in this quirky tribute commemorates the spirit of an exacting, tireless character who was "the purified essence of us all, for better and worse."

From his extraordinary beginnings-his mother went into labor while gambling at a French casino-to escaping Nazi Germany, Fascist Italy, and ultimately hoping to conquer New York City, John Gruen writes a subtly revealing self-portrait in Callas Kissed Me...Lenny Too! As a boy unable to speak a single word of English, Gruen was determined to make a successful life for himself in America. Anxious to know what his adopted country was truly about, he ventured to the Midwest to attend the University of Iowa, where he emerged, five years later, as a more-or-less Americanized graduate student on his way to a PhD scholarship to the prestigious Institute of Fine Arts at New York University, and as the 20-year-old husband of ravishing fellow student and painter Jane Wilson. The story of the Gruens' life in New York City, from the 1950s to the present, explores a complex marriage and two parallel journeys of artistic growth. Gruen worked as a composer, photographer, and journalist; Wilson developed as a distinguished painter, though often supported the two with work as a fashion model. Life was always on the move for the couple. Though hardly well-connected and certainly not wealthy, the Gruens knew everyone during their many years in the artistic milieu of which they were an active part. From the many apartments they occupied in New York City to the countless dinner parties, nights at the Cedar bar, and weekends at their Hamptons barn, their life was a nonstop social whirlwind. There were chance encounters with Salvador Dalí, evenings spent pretending to be Chekhov characters at home with E.E. Cummings and Marion Morehouse, working vacations to Italy with the Leonard Bernsteins, and a long working visit to Gian Carlo Menotti's baronial Scottish estate. Their ever-expanding circle of acquaintances and friends also included Rudolf Nureyev, Maria Callas, Willem De Kooning, Francis Bacon, Judy Garland, Tennessee Williams, Bette Davis, Samuel Beckett, Lucien Freud, Andy Warhol, Robert Rauschenberg, Jasper Johns, and so many others. It was all quite head-spinning, at times producing hugely complicated situations, but throughout it all, John Gruen and Jane Wilson built successful careers based on hard work and a steady conviction that life should be lived to the fullest.

When Allen Shawn and his twin sister, Mary, were two, she began exhibiting signs of what would be diagnosed many years later as autism. At the age of eight, with almost no warning, her parents sent Mary to a residential treatment center, to never live at home again. Fifty years later, Shawn realized that his fate was inextricably linked to his sister's, and that their natures were far from being different.

"A hilarious, poignant memoir from comedian Todd Glass about his decision at age forty-eight to finally live openly as a gay man--and the reactions and support from his comedy pals, from Louis CK to Sarah Silverman. Growing up in a Philadelphia suburb in the 1970s was an easy life. Well, easy as long as you didn't have dyslexia or ADD, or were a Jew. And once you added gay into the mix, life became more difficult. So Todd Glass decided to hide the gay part, no matter how comic, tragic, or comically tragic the results. It might have been a lot easier had he chosen a profession other than stand-up comedy. By age eighteen, Todd was opening for big musical acts like George Jones and Patti LaBelle. His career carried him through the Los Angeles comedy heyday in the 1980s, its decline in the 1990s, and its rebirth via the alternative comedy scene and the explosion in podcasting. But the harder he worked at his craft, the more difficult it became to manage his "situation." There were the years of abstinence and half-hearted attempts to "cure" himself. The fake girlfriends so that he could tell relationship jokes onstage. The staged sexual encounters to burnish his reputation offstage. It took a brush with death to cause him to rethink the way he was living his life; a rash of suicides among gay teens to convince him that it was finally time to come out to the world. Now, Todd has written an open, honest, and hilarious memoir in an effort to help everyone--young and old, gay and straight--breathe a little more freely. Peppered with anecdotes from his life among comedy's greatest headliners and tales of the occasionally insane lengths Todd went through to keep a secret that--let's face it--he probably didn't have to keep for as long as he did, The Todd Glass Situation is a front-row seat to the last thirty plus years of comedy history and a deeply personal story about one man's search for acceptance"--

The Year That Keeps Returning is Goldstein's astonishing historical memoir of that fateful year--when the Ustasha, the pro-fascist nationalists, were brought to power in Croatia by the Nazi occupiers of Yugoslavia. On April 10, when the German troops marched into Zagreb, the Croatian capital, they were greeted as liberators by the Croats. Three days later, Ante Pavelić, the future leader of the Independent State of Croatia, returned from exile in Italy and Goldstein's father, the proprietor of a leftist bookstore in Karlovac--a beautiful old city fifty miles from the capital--was arrested along with other local Serbs, communists, and Yugoslav sympathizers. Goldstein was only thirteen years old, and he would never see his father again. More than fifty years later, Goldstein seeks to piece together the facts of his father's last days. The moving narrative threads stories of family, friends, and other ordinary people who lived through those dark times together with personal memories and an impressive depth of carefully researched historic details. The other central figure in Goldstein's heartrending tale is his mother--a strong, resourceful woman who understands how to act decisively in a time of terror in order to keep her family alive.

"From a personal obsession with film, to an unorthodox mentorship with the legendary Pauline Kael, to establishing himself with the upstart Entertainment Weekly, Movie Freak is the memoir by veteran film critic Owen Gleiberman that will speak to anyone whose life has been changed by a great film. What molds a critic? Perhaps it takes parents willing to buy nine-year-old Gleiberman drive-in tickets for Rosemary's Baby. Like millions of us, Gleiberman loves movies, and in this frank and funny memoir he not only reveals the details of how he became a critic but attempts to show why we find cinema so defining as a society. As one of the premiere tastemakers for more than three decades, Gleiberman, a self-confessed movie freak, explains why he, and so many others, equate film with life. Readers will revel in the juicy details of the behind-the-scenes life of a critic, and cheer as he lifts the curtain on life along the red carpet"--