A one-man think-tank for the New Left, Paul Goodman wrote over thirty books, most of them before his decade of fame as a social critic in the Sixties. A Paul Goodman Reader that does him justice must be a compendious volume, with excerpts not only from best-sellers like Growing Up Absurd, but also from his landmark books on education, community planning, anarchism, psychotherapy, language theory, and poetics. Samples as well from The Empire City, a comic novel reviewers compared to Don Quixote, prize-winning short stories, and scores of poems that led America's most respected poetry reviewer, Hayden Carruth, to exclaim, "Not one dull page. It's almost unbelievable." Goodman called himself as an old-fashioned man of letters, which meant that all these various disciplines and occasions added up to a single abiding concern for the human plight in perilous times, and for human promise and achieved grandeur, love and hope.

One of the hallmarks of French author Patrick Modiano's writing is a singular ability to revisit particular motifs and episodes, infusing each telling with new detail and emotional nuance. In this evocative novel the internationally acclaimed author takes up one of his most compelling themes: a love affair with a woman who disappears, and a narrator grappling with the mystery of a relationship stopped short. Set in mid-sixties Paris, After the Circus traces the relationship between the narrator, a young man not quite of legal age, and the slightly older, enigmatic woman he first glimpses at a police interrogation. The two lovers make their uncertain way into each other's hearts, but the narrator soon finds himself in the unsettling, ominous presence of others. Who are these people? Are they real, or simply evoked? Part romance, part detective story, this mesmerizing book fully demonstrates Modiano's signature use of atmosphere and suggestion as he investigates the perils and the exhilaration of young love.

This publication is the product of the collaboration of two of the finest creative individuals at work in South Africa today, a photographer and a novelist, on a project that is the city of Johannesburg. 'Johannesburg is a fragmented city. It is not a place of smoothly integrated parts. And it has a name that does not roll easily off the tongue.' So begins David Goldblatt's introduction to TJ, a book of photographs of Johannesburg. Commencing in the 1950s, his masterful lens probes, documents and comments on life over six decades in this incomparable African city. Selected from a massive body of work, this superb distillation presents a unique pictorial history of the city. A new novel by Ivan Vladislavic partners the book of photographs. In Double Negative, a young man in Johannesburg receives an induction into the intricate nature of photography and artistic representation. The novel traces the young man as he heads into his career that takes him overseas and back, developing in the process an ever widening perspective on not only the social and political change in the country but also on questions to do with observation and the observing subject. It brings into sharp focus the history of South Africa's recent past and the difficulty of imaging and re-imagining it.

"With the wit and penetration well known to readers of Balzac's Omelette and Monsieur Proust's Library, Anka Muhlstein's PEN AND BRUSH revisits the delights of the French novel. This time she focuses on late 19th- and 20th-century writers--Balzac, Zola, Proust, Huysmans, and Maupassant--through the lens of their passionate involvement with the fine arts. She delves into the crucial role that painters play as characters in their novels, which she pairs with an exploration of the profound influence that painting exercised on the novelists' techniques, offering an intimate view of the intertwined worlds of painters and writers at the time. Muhlstein's deftly chosen vignettes bring to life a portrait of the nineteenth century's tight-knit artistic community, where Cezanne and Zola befriended each other as boys and Balzac yearned for the approval of Delacroix. She leads the reader on a journey of spontaneous discovery as she explores how a great painting can open a mind and spark creative fire"--

Muriel Spark was a poet before she was a novelist. The poems here present the range of her poetry. Here are villanelles, ballads and epigrams, as well as freer forms, marked by precise observation and command of her medium. Her poems are witty, idiosyncratic and haunting, transforming the familiar into moments of strangeness.

For much of her career, Elfriede Jelinek has been maligned in the press for both her unrelenting critique of Austrian complicity in the Holocaust and her provocative deconstructions of pornography. Despite this, her central role in shaping contemporary literature was finally recognized in 2004 with the award of the Nobel Prize in Literature. The committee acknowledged Jelinek's groundbreaking work that offers a "musical flow of voices and counter-voices in novels and plays that with extraordinary linguistic zeal reveal the absurdity of society's clichés and their subjugating power." Although she is an internationally recognized playwright, Jelinek's work is difficult to find in English, which makes this new volume, which includes Rechnitz: The Exterminating Angel and The Merchant's Contracts , all the more valuable. In Rechnitz , a chorus of messengers reports on the circumstances of the massacre of 180 Jews, an actual historical event that took place near the Austrian/Hungarian border town of Rechnitz. More than a docu-drama, this work explores the very transmission of historic memory and has been called Jelinek's best performance text to date. In The Merchant's Contracts , Jelinek brings us a comedy of economics, where the babble and media spin of spectators leave small investors alienated and bearing the brunt of the economic crisis. In the age of the global economy, Jelinek turns the story of a merchant of Vienna into a universal comedy of errors, making this her most accessible work. Along with an extensive introduction by the translator that both contextualizes and analyzes the two brilliant texts, a DVD of performances of both plays accompanies this volume. Available for the first time in English, this is a collection that testifies to the power and universality of Jelinek's work.

"In March 1953, four women meet in Room 408 of Moscow's deluxe Metropole Hotel. They have gathered, not altogether willingly, to reminisce about Vladimir Mayakovsky, the poet who in death had become a national idol of Soviet Russia. In life, however, he was a much more complicated figure. Each of these ladies loved Mayakovsky in the course of his life, and as they piece together their memories of him, a portrait of the artist emerges. From his early years as a leader of the Futurist movement to years as a propagandist for the Revolution, to the censorship battles that turned him against the State, Mayakovsky is revealed as a passionate, complex man who lived at the center of history and fought to hold onto his ideals even in the face of a world changing for the worse. The Mayakovsky Tapes is an ambitious, impressive novel that captures the tumultuous life of one of the most significant writers of the Soviet era"--

"Flames from the Earth is an autobiographical novel by Isaiah Spiegel, one of the most revered Yiddish authors to survive the Holocaust, depicting the complex web of relationships in and around the Łódź Ghetto"--

The tale of Lillth Zeremba, a young woman rebelling against her intellectually complex, feminist Jewish mother.

A brilliant portrait of motherhood, sublimated desire and the reverberations of the Cold War in a novel that investigates and reimagines the life of the author's mother.[Bokinfo]

A haunting consideration of the extraordinary mind of Saul Bellow's unjustly forgotten friend and literary rival and the extremes of the writing life Born in Chicago in 1918, the prodigiously gifted and erudite Isaac Rosenfeld was anointed a "genius" upon the publication of his "luminescent" novel, Passage from Home and was expected to surpass even his closest friend and rival, Saul Bellow. Yet when felled by a heart attack at the age of thirty-eight, Rosenfeld had published relatively little, his life reduced to a metaphor for literary failure. In this deeply contemplative book, Steven J. Zipperstein seeks to reclaim Rosenfeld's legacy by "opening up" his work. Zipperstein examines for the first time the "small mountain" of unfinished manuscripts the writer left behind, as well as his fiercely candid journals and letters. In the process, Zipperstein unearths a turbulent life that was obsessively grounded in a profound commitment to the ideals of the writing life. Rosenfeld's Lives is a fascinating exploration of literary genius and aspiration and the paradoxical power of literature to elevate and to enslave. It illuminates the cultural and political tensions of post-war America, Jewish intellectual life of the era, and--most poignantly--the struggle at the heart of any writer's life.

Winter Games is a dazzling tale of secrets and betrayal, and the perfect novel for fans of The Bolter by Frances Osborne, and all those fascinated by the Mitford sisters. Munich, 1936. She doesn't know it, but eighteen-year old Daphne Linden has a seat in the front row of history. Along with her best friend, Betsy Barton-Hill, and a whole bevy of other young English upper-class girls, Daphne is in Bavaria to improve her German, to go to the Opera, to be 'finished'. It may be the Third Reich, but another war is unthinkable, and the girls are having the time of their lives. Aren't they? London, 2006. Seventy years later and Daphne's granddaughter, Francie Fitzsimon has all the boxes ticked: large flat, successful husband, cushy job writing up holistic spas . . . The hardest decision she has to make is where to go for brunch - until, that is, the discovery of a photograph of Daphne sends her on a quest to discover what really happened to her grandmother in Germany, all those years ago. A dazzling tale of secrets and betrayal, Winter Games is powerful novel of innocent lives caught up in the march of history. 'Johnson has a brilliant eye for the telling specifics . . . She is a natural comic writer and has a breezy, Mitfordian tone that makes you laugh at the same time as wincing in recognition . . . To write an entertaining romp set against the backdrop of Nazi Germany is a tricky feat to pull off. Yet Johnson has done it - and done it in style' Observer 'A rip-roaring read' Evening Standard 'There's never a dreary moment in this blast of a book . . . Johnson's descriptions are irresistibly exuberant . . . As addictively, fizzily invigorating as the Alpine air itself' Daily Mail 'Johnson delivers a genuine sense of time and place . . . there isn't a dull sentence in this sure-footed novel' Jenny Colgan, Telegraph 'An excellent romp. Full of 'tally-ho' Mitfordian charm . . . a witty, fast read' Red 'Excellent on period detail, the blundering innocent abroad and young heartbreak' Sunday Times 'The Jane Austen of W11' Scotsman Rachel Johnson is a journalist who has written two previous novels and two volumes of diaries. The Mummy Diaries , Notting Hell, Shire Hell and A Diary of The Lady are all available now from Penguin.

Poppy, newly recruited cub reporter at the Downingham Post, is determined to prove to the editor that he's wrong in his belief that 'Women are a nuisance in the office'. He certainly doesn't think she's a nuisance when it's time for the tea round - a job which never fails to fall to the only female reporter. What Poppy lacks in experience, she makes up for in spirit and ambition. She'll make the Downingham Post the best regional newspaper there is - even if she occasionally gets the names wrong in court hearings. Life, for a single professional woman in the post-war years, certainly has its challenges - from finding a room, when the tyrannical landlady doesn't consider Poppy to be quite respectable, to changing her editor's deeply entrenched ways. This semi-autobiographical novel, recounted with Monica Dickens's wit, warmth and wry observation, will charm all who read it.

For me it begins in such an ordinary way ... with a gorilla, a blonde, and a gun ... Mid- 20th century Hollywood; 'Raymond Chandler's LA before Pilates and cell phones'. Clancy Sigal (who would later be the inspiration for Doris Lessing's 'Saul Green') is just back from fighting in the Second World War and an abortive solo attempt to assassinate Hermann Goering at the Nurenburg trials. Charming his way into a job as an agent with the Sam Jaffe agency, Sigal plunges into a chaotic Hollywood peopled by fast women, washed-up screenwriters, wily directors, and starstruck FBI agents trailing 'subversives'. He parties with the likes of Humphrey Bogart, Barbara Stanwyck, Tony Curtis and an anxious Peter Lorre, who becomes a drinking buddy. But this is the era of the Hollywood Blacklist and Sigal, like many of his contemporaries, is subpoenaed to testify before the HUAC. Will he give up the list of nine names, burning a hole in his pocket, to save his own skin? Hilarious, touching, intimate and revealing: Sigal's memoir reads like a forgotten hardboiled detective novel and has all the makings of an instant classic.

The awarding of the 1958 Nobel Prize for Literature to Boris Pasternak and the subsequent calumny of his fellow citizens in Soviet Russia focused unusual attention on Pasternak's great novel, Dr. Zhivago, and the small body of his other work. At the time, the latter was only available (in any language, as far as is known) in New Directions' Selected Writings of Pasternak, first published in 1949. The 1958 edition was issued with a new introduction by Babette Deutsch under the title of the book's main component, Pasternak's autobiography. Written when he was forty, Safe Conduct puzzled many readers in Russia and when it appeared in English, because its isolated sharp impressions and juxtapositions seem to deny chronology, but at least one critic recognized it as "the most original of autobiographies, employing a new technique of great important." Also included is a group of remarkable short stories, translated by Robert Payne, dealing with the mysteries of life and art, and a selection of the poems that have made Pasternak known, to the few at last, as the "outstanding Russian poet of the century." these are translated by the British Critic and poet C. M. Bowra, and by Miss Deutsch.

An eye-opening account of time served in the great battles of our century - for workers' rights, against Fascism, Communism, and racism - Jumping the Line is the life story of an American original. William Herrick relates his adventures and misadventures on the front lines of the Spanish Civil War, in (and very much out of) the Communist Party, driving a tractor on a communal farm in Michigan, jumping the line as a hobo, organizing African American sharecroppers in Georgia, at work with Orson Welles, and immersed in his own writing. When Paul Berman interviewed Herrick in the Village Voice in 1986, for the fiftieth anniversary of the Spanish Civil War, Herrick's remarks so incensed other veterans of the Abraham Lincoln battalion that they picketed the paper. What William Herrick has to say doesn't always go down easily. But for those who like the truth, with a dash of wit and a healthy dose of history, it can be exhilarating.

This collection of interviews reveals the intellectual and creative life of one of America's contemporary masters of fiction writing. In spanning his richly productive career, they convey a sense of his continuity and of his growth as a novelist. Roth has said that one of his goals is to reconcile "experience that I am strongly attached to be temperament and training--the aggressive, the crude, and the obscene, at one extreme, and something a good deal more subtle and, in every sense, refined, at the other." These conversations reveal a savvy, thoughtful man who shows great intelligence, confidence, and wit, as well as an admirable sense of humility and tact.

Mixing observations about friends and family with short sketches and literary gossip, this third installment of the author's notebooks updates an intriguing personal and cultural record. Starting where Rough Copy: Personal Terms II left off, the story of one contemporary writer's life is resumed in anecdotes, aphorisms, journal entries, reviews, and vignettes of people and places.

"She is a shimmering, melancholy angel, flown from Paradise to save him from the suburbs of hell. He an accountant, dreaming of a white Christmas, a little garden and someone to love. A storm of romance and slapstick, of heavenly and earthly delights, in this dystopian philosophical poem about individual freedom and the search for the good life."--Back cover