Two men, decades apart, are ensnared in the deadly search for a fabled treasure in the conclusion to Lavie Tidhar's epic and audacious Maror Trilogy. 1882, Jerusalem The foreigner. A man with no name, twin guns at his hips, a wide-brimmed hat on his head. A European exile in the backwaters of Ottoman Palestine, The foreigner is a bounty hunter in pursuit of a thief. 1948, Haifa Burton. A man with one name, a detective inspector in the crumpled khaki uniform of the Palestine Police Force's CID. With just seven days before the British Mandate ends, he must find a murderer and a missing aristocrat, as order collapses around him. Both men are outsiders in a land that is a palimpsest of ruins and loyalties, legacy of a history written in blood on a landscape that remembers everything. Both men will treat with bandits and mystics, dreamers and killers as they pursue their quarry; both will be ensnared in a lethal search for the fabled treasures of the Second Temple, long-lost amid the rise and fall of peoples, nations and empires. And both will be haunted by their dreams: burning red skies, a mountain of skulls, echoes of a vision from the dawn of humanity. Before Jerusalem, before Jericho, there has always been Golgotha.

In POT BOUILLE, the well-known French novelist Émile Zola and dramatist William Busnach combine their talents to unmask the hypocrisy that hides behind the façade of a respectable and fashionable Parisian apartment house. The Josserands are struggling to make ends meet, and at the same time to marry off their two daughters to prosperous businessmen. At the heart of this broken family is a weak husband and domineering, spendthrift wife, who between them create two willful children who are doomed to unhappy lives. The sly and adulterous Berthe seduces a shop owner into marriage, and Hortense eventually runs off with the man she loves--knowing he'll never marry her. The result is an unflattering portrayal of a corrupt, immoral society at the heart of French life in the late nineteenth century. Based on one of the great novels of modern literature!

In 1975, a new group of Peace Corps volunteers landed on the island nation of Tonga. Among them was Deborah Gardner -- a beautiful twenty-three-year-old who, in the following year, would be stabbed twenty-two times and left for dead inside her hut. Another volunteer turned himself in to the Tongan police, and many of the other Americans were sure he had committed the crime. But with the aid of the State Department, he returned home a free man. Although the story was kept quiet in the United States, Deb Gardner's death and the outlandish aftermath took on legendary proportions in Tonga. Now journalist Philip Weiss "shines daylight on the facts of this ugly case with the fervor of an avenging angel" (Chicago Tribune), exposing a gripping tale of love, violence, and clashing ideals. With bravura reporting and vivid, novelistic prose, Weiss transforms a Polynesian legend into a singular artifact of American history and a profoundly moving human story.

Detailed accounts of George Eliot's life have hitherto been singularly scanty. In the dearth of published materials a considerable portion of the information contained in this biographical study has, necessarily, been derived from private sources. In visiting the places connected with George Eliot's early life, I enjoyed the privilege of meeting her brother, Mr. Isaac Evans, and was also fortunate in gleaning many a characteristic fact and trait from old people in the neighbourhood, contemporaries of her father, Mr. Robert Evans. For valuable help in forming an idea of the growth of George Eliot's mind, my warm thanks are especially due to her oldest friends, Mr. and Mrs. Charles Bray, and Miss Hennell of Coventry. Miss Jenkins, the novelist's schoolfellow, and Mrs. John Cash, also generously afforded me every assistance in their power.

When plutonium was first manufactured at Berkeley in the spring of 1941, there was so little of it that it was not visible to the naked eye. It took a year to accumulate enough so that one could actually see it. Now there is so much that we don’t know what to do to get rid of it. We have created a monster. The history of plutonium is as strange as the element itself. When scientists began looking for it, they did so simply in the spirit of inquiry, not certain whether there were still spots to fill on the periodic table. But the discovery of fission made it clear that this still-hypothetical element would be more than just a scientific curiosityâ€"it could be a powerful nuclear weapon. As it turned out, it is good for almost nothing else. Plutonium’s nuclear potential put it at the heart of the World War II arms raceâ€"the Russians found out about it through espionage, the Germans through independent research, and everybody wanted some. Now, nearly everyone has someâ€"the United States alone has about 47 metric tonsâ€"but it has almost no uses besides warmongering. How did the product of scientific curiosity become such a dangerous burden? In his new history of this complex and dangerous element, noted physicist Jeremy Bernstein describes the steps that were taken to transform plutonium from a laboratory novelty into the nuclear weapon that destroyed Nagasaki. This is the first book to weave together the many strands of plutonium’s story, explaining not only the science but the people involved.

The whole of The Catcher in the Rye is in the Oxford English Dictionary , waiting to be unscrambled, and so are all the novels of our past, present, and immediate future en·thu·si·ast Function: noun : a person filled with enthusiasm : as a: one who is ardently attached to a cause, object, or pursuit b: one who tends to become ardently absorbed in an interest A dictionary, despite its heroic effort to pin down language, is destined for failure the moment a single word is printed; language, with its eternal mutations, is forever uncontainable. In Dictionary Days , award-winning essayist Ilan Stavans explores our very human need to "seize upon the meaning of a word." Owner of hundreds of dictionaries, he follows a fascinating, zigzagging history of lexicography across many languages, including English, French, Spanish, German, Arabic, Hebrew, Latin, and Cyrillic. Throughout his journey, Stavans spots strange meaning inconsistencies, uncovers unusual origins, and shares extraordinary and often hilarious anecdotes. With a dazzling knowledge of dictionaries through the ages, matched by a lively wit, Stavans reaches far beyond the margin of the page and pays a worthy tribute to a discipline that is at once inspiring and maddening. "For dictionaries are oracles: nothing is outside them—except the impossible."

Jews were emancipated at a time when high culture was becoming an integral part of German citizenship. German Jews felt a powerful urge to integrate, to find their Jewish substance in German culture and craft an identity as both Germans and Jews. In this reprint edition, based on the 1983 Efroymson Memorial Lectures given at Hebrew Union College-Jewish Institute of Religion in Cincinnati, George Mosse argues that they did this by adopting the concept of Bildung-the idea of intellectual and moral self-cultivation-and combining it with key Enlightenment ideas such as optimism about human potential, individualism and autonomy, and a connection between knowledge and morality through aesthetics. Personal friendships could be devoted to common pursuit of Bildung and become a means of overcoming differences, becoming a means for integration into German society. Mosse traces how Jewish artists, writers, and thinkers actively sought to participate in German culture and communicate these ideals through popular culture, scholarship, and political activity. From the historical biographies, novels, and short stories of Stefan Zweig and Emil Ludwig; to the psychoanalysis of Freud, which sought to subject irrationality to reason; to the revolutionary thought of Walter Benjamin-Jews sought to influence a mass political culture that was fast drifting into irrationality. As individualism was subsumed into nationalism, and eventually the German political right's racist version of nationalism, German-Jewish dialogue became more difficult. Jews remained idealistic as German society became less rational, their ideas corresponded less and less to the realities of German life, and they drifted out of the mainstream into an intellectual isolation. Yet out of this German-Jewish dialogue, what had once been part of German culture became a central Jewish heritage. The ideal of cultivating a personal identity beyond religion and nationality, the liberal outlook on society and politics, and the desire to transcend history by stressing what united rather than divided individuals and nations infiltrated Jewish life became an inspiration for many men and women searching to humanize their society and their own lives. Mosse's lectures trace the emergence of a form of Jewishness which resisted cultural ghettoization in favor of the pursuit of that which is universally human.

The interaction of Jew and Greek in antiquity intrigues the imagination. Both civilizations boasted great traditions, their roots stretching back to legendary ancestors and divine sanction. In the wake of Alexander the Great's triumphant successes, Greeks and Macedonians came as conquerors and settled as ruling classes in the lands of the eastern Mediterranean. Hellenic culture, the culture of the ascendant classes in many of the cities of the Near East, held widespread attraction and appeal. Jews were certainly not immune. In this thoroughly researched, lucidly written work, Erich Gruen draws on a wide variety of literary and historical texts of the period to explore a central question: How did the Jews accommodate themselves to the larger cultural world of the Mediterranean while at the same time reasserting the character of their own heritage within it? Erich Gruen's work highlights Jewish creativity, ingenuity, and inventiveness, as the Jews engaged actively with the traditions of Hellas, adapting genres and transforming legends to articulate their own legacy in modes congenial to a Hellenistic setting. Drawing on a diverse array of texts composed in Greek by Jews over a broad period of time, Gruen explores works by Jewish historians, epic poets, tragic dramatists, writers of romance and novels, exegetes, philosophers, apocalyptic visionaries, and composers of fanciful fables—not to mention pseudonymous forgers and fabricators. In these works, Jewish writers reinvented their own past, offering us the best insights into Jewish self-perception in that era.

TABLE OF CONTENTS: Who was Sappho? How gay was the Renaissance? When were the first sodomy laws passed in America? Were there any gay heroes in the American Revolution? Were "passing" women lesbians? Who was Walt Whitman? Who was Karl Heinrich Ulrichs? How did San Francisco become so gay? Was Susan B. Anthony a lesbian? Who were the "berdaches"? Who was Katharine Lee Bates? What was the Scientific-Humanitarian Committee? What were Oscar Wilde's trials about? What is the history of gay bathhouses? When did American gays, lesbians, and others first start calling themselves "queer"? Who was E.M. Forster? Who were Havelock Ellis and Edith Lees Ellis? How gay was the Harlem Renaissance? Who were Gertrude Stein and Alice B. Toklas? Who was Willa Cather? What was the Leopold and Loeb case? Who was Natalie Barney? What was the first gay rights organization in America? Who was Janet Flanner? What was the "Padlock" Bill? What was The Well of Loneliness? Who was Babe Didrikson Zaharias? Was Eleanor Roosevelt a lesbian? What was The Children's Hour? What happened to gays and lesbians during the Holocaust? Who were some of the lesbians in Hollywood's golden age? What is the origin of the phrase "a friend of Dorothy's"? Who were Ruth Benedict and Margaret Mead? What were the army drag shows during World War II? What were "blue discharges"? When did the American gay and lesbian press begin? How gay were Tennessee Williams's plays? What was the Kinsey Report? What were the lesbian pulp novels of the 1950s? What were physique magazines? Who was Christine Jorgensen? What was the Mattachine Society? How did McCarthyism affect gays and lesbians? Who were the Daughters of Bilitis? Who was Rudi Gernreich? Who was James Baldwin? What was the Boise Sex Scandal? What was Evelyn Hooker's research about? What was the Wolfenden Report? Who was Lorraine Hansberry? What was the Supreme Court's first pro-gay ruling? What have gays and lesbians experienced in revolutionary Cuba? Who was Bayard Rustin? What was NACHO? What is the origin of the annual gay and les

Queen Elizabeth’s spymasters recruit an unlikely agent—the only Muslim in England—for an impossible mission in a mesmerizing novel from “one of the best writers in America” ( The Washington Post ) “Evokes flashes of Hilary Mantel, John le Carré and Graham Greene, but the wry, tricky plot that drives it is pure Arthur Phillips.”— The Wall Street Journal NAMED ONE OF THE BEST BOOKS OF THE YEAR BY THE NEW YORK TIMES BOOK REVIEW AND THE WASHINGTON POST The year is 1601. Queen Elizabeth I is dying, childless. Her nervous kingdom has no heir. It is a capital crime even to think that Elizabeth will ever die. Potential successors secretly maneuver to be in position when the inevitable occurs. The leading candidate is King James VI of Scotland, but there is a problem. The queen’s spymasters—hardened veterans of a long war on terror and religious extremism—fear that James is not what he appears. He has every reason to claim to be a Protestant, but if he secretly shares his family’s Catholicism, then forty years of religious war will have been for nothing, and a bloodbath will ensue. With time running out, London confronts a seemingly impossible question: What does James truly believe? It falls to Geoffrey Belloc, a secret warrior from the hottest days of England’s religious battles, to devise a test to discover the true nature of King James’s soul. Belloc enlists Mahmoud Ezzedine, a Muslim physician left behind by the last diplomatic visit from the Ottoman Empire, as his undercover agent. The perfect man for the job, Ezzedine is the ultimate outsider, stranded on this cold, wet, and primitive island. He will do almost anything to return home to his wife and son. Arthur Phillips returns with a unique and thrilling novel that will leave readers questioning the nature of truth at every turn.

"Such audacity she has, Soraya, a woman who dares to break free of the diamond-studded leash of her culture. A woman who refuses to accept the devastating betrayal her husband has perpetrated. A woman who refuses to forgive her best friend. Soraya turns her back on Iran, fleeing to America to plot her intricate revenge. The Shah has fallen, her country is in turmoil, her marriage has crumbled, and she is unraveling. The cruel and intimate blow her husband has dealt her awakens an obsessive streak that explodes in the heated world of Los Angeles. Yet the secret Soraya discovers proves far more devastating than anything she had imagined, unleashing a whirlwind of unexpected events that will leave the reader breathless"--from publisher's web site.

Yehoshua Hankin had two loves: love for his wife Olga, many years his senior, and a love for the land. The two competed with each other, but he never preferred one over the other. Displayed for the reader, against the backdrop of the atmosphere in the Land of Israel toward the close of the Ottoman period and into that of the British Mandate, is a broad slice of life spread over fifty years of the man dubbed by constituents as the “Redeemer of the Land,” and of the figures who accompanied him.The characters, events, times, and places described in this historical novel are to a great extent a faithful representation of reality, and they are interwoven into a multi-faceted biography illuminating the period and forgotten actors in a new light. Joining forces in writing this book were Irit Amit Cohen and Ruth Kark, who combined Irit Amit Cohen’s literary work in the genre of the historical novel with Ruth Kark’s long-term research endeavor on Yehoshua Hankin, which even encompassed oral documentation from his close associates.

The storm of controversy over Helen Demidenko and her novel, 'The Hand that Signed the Paper,' raised huge cultural and political questions. Robert Manne, the influential historian and commentator, was a key participant in that debate. In 'The Culture of Forgetting, Manne tells the fascinating story of Demidenko's triumphal march into the honors list of Australian literature, the furious argument she provoked, and her astonishing unmasking as Helen Darville, the daughter of English immigrants. In his pursuit of the truth, Manne is driven by one inescapable question: what is the relationship between 'The Hand that Signed the Paper' and the greatest tragedy of twentieth-century Europe, the Holocaust? 'The Culture of Forgetting' is a powerful and moving book about fiction and free speech, a deeply personal response to the Demidenko puzzle, and a brilliant account of the history at the heat of the affair.

One of America's most popular Jewish writers, Chaim Potok (b. 1929) is the author of such novels as The Chosen (1967), The Promise (1969), The Book of Lights (1981), and Davita's Harp (1985). Each of his novels explores the tension between tradition and modernity, and the clash between Jewish culture and contemporary Western civilization, which he calls "core-to-core culture confrontation." Although primarily known as a novelist, Potok is an ordained Conservative rabbi and a world-class Judaic scholar who has also published children's books, theological discourses, biographies, and histories. Conversations with Chaim Potok presents interviews ranging from 1976 to 1999. Potok discusses the broad range of his writing and the deep influence of non-Jewish novels-in particular, Evelyn Waugh's Brideshead Revisited and James Joyce's Portrait of the Artist as a Young Man -on his work. Interviews bear witness to Potok's many other influences-Orthodox Jewish doctrine, Freudian psychoanalytical theory, Picasso's Guernica, and Jewish kabbalah mysticism. Though labeled an American Jewish writer, Potok argues that Flannery O'Connor should then be called an American Catholic writer and John Updike an American Protestant writer. "In his mind," editor Daniel Walden writes, "just as Faulkner was a writer focused on a particular place, Oxford, Mississippi, . . . so Potok's territory was a small section of New York City." Potok often explores conflict in his writings and in his interviews. Strict Jewish teachings deem fiction an artifice and therefore unnecessary, yet since the age of sixteen Potok has been driven to write novels. At the root of all of these conversations is Potok's intense interest in the turmoil between Jewish culture, religion, and tradition and what he calls "Western secular humanism." As he discusses his work, he continually includes broader issues, such as the state of Jewish literature and art, pointing out with pride and enthusiasm his belief that Jewish culture, in the twentieth century, has finally begun to have a significant role in producing and shaping the world's art and literature. Whether discussing the finer details of Talmudic textual analysis or his period of chaplaincy during the Korean War, Potok is articulate and philosophical, bringing deep consideration into what may seem small subjects. Although his novels and histories take place primarily in the recent past, the Chaim Potok that emerges from this collection is a writer deeply rooted in the tensions of the present. Daniel Walden is Professor Emeritus of American Studies, English and Comparative Literature at Penn State University. He has written or edited several books, including On Being Jewish (1974), Twentieth Century American Jewish Writers (1984), The World of Chaim Potok (1985), and American Jewish Poets: The Roots and the Stems (1990).

"Anyone who wants to understand the connection between anti-Semitism, Islamic terrorism, the role of propaganda and appeasement must read this book." -Natan Sharansky, author, The Case for Democracy: The Power of Freedom to Overcome Tyranny and Terror "I admire the courage of this vision and the power of the writing." -Rabbi Lord Dr. Jonathan Sacks "Passionate and beautifully written.... This book will make you weep. It will also make you angry and frightened." -Alan Dershowitz, Harvard Law School; author, The Case for Israel "Absolutely amazing...An indispensable guide to the apocalyptic sandstorms our world now faces." -Erica Jong, poet and novelist, Fear of Flying A dangerous worldwide coalition of Islamic terrorists, well-intentioned but misinformed students, right-wing fascists, left-wing ideologues, academics, feminists, European politicians, journalists, and international human rights organizations have joined together to again scapegoat the Jews and the Jewish state for crimes they did not commit and for whatever ails the world. In this intensely passionate and compelling book, the best-selling and prize-winning Jewish feminist author Dr. Phyllis Chesler demonstrates how old-fashioned anti-Semitism - now often seen in the form of anti-Zionism - has become fashionable and even politically correct, and how this plague threatens the Jews of the world, Israel, America, and Western civilization.

First published one year after the outbreak of the Spanish Civil War, and long out of print, this eyewitness account provides an insight into the political and social conflicts that no book written today can hope to achieve. Recognised by historians as a dress rehearsal for World War II, the Spanish Civil War drew romantics from all over the world to fight for the Republican cause. It has inspired and continues to inspire novelists, artists, historians, musicians, poets, movie makers, revolutionaries. Yet few were actually there to see for themselves. Franz Borkenau, a n idealistic young Austrian wrote (in English) this on the spot account of his visits to Spain in 1936 and 1937 - it became one of the most sought after classics and is now back in print for the first time in many years.

'In Becoming the People of the Talmud,' Talya Fishman examines ways in which circumstances of transmission have shaped the cultural meaning of Jewish traditions. Although the Talmud's preeminence in Jewish study and its determining role in Jewish practice are generally taken for granted, Fishman contends that these roles were not solidified until the late eleventh and early twelfth centuries. The inscription of Talmud—which Sefardi Jews understand to have occurred quite early, and Ashkenazi Jews only later—precipitated these developments. The encounter with Oral Torah as a written corpus was transformative for both subcultures, and it shaped the roles that Talmud came to play in Jewish life.What were the historical circumstances that led to the inscription of Oral Torah in medieval Europe? How did this body of ancient rabbinic traditions, replete with legal controversies and nonlegal material, come to be construed as a reference work and prescriptive guide to Jewish life? Connecting insights from geonica, medieval Jewish and Christian history, and orality-textuality studies, 'Becoming the People of the Talmud' reconstructs the process of cultural transformation that occurred once medieval Jews encountered the Babylonian Talmud as a written text. According to Fishman, the ascription of greater authority to written text was accompanied by changes in reading habits, compositional predilections, classroom practices, approaches to adjudication, assessments of the past, and social hierarchies. She contends that certain medieval Jews were aware of these changes: some noted that books had replaced teachers; others protested the elevation of Talmud-centered erudition and casuistic virtuosity into standards of religious excellence, at the expense of spiritual refinement. The book concludes with a consideration of Rhineland Pietism's emergence in this context and suggests that two contemporaneous phenomena—the prominence of custom in medieval Ashkenazi culture and the novel Christian attack on Talmud—were indirectly linked to the new eminence of this written text in Jewish life.

This book brings together an inter-disciplinary group of Palestinian, Israeli, American, British and Irish scholars who theorise 'the question of Palestine'. Critically committed to supporting the Palestinian quest for self determination, they present new theoretical ways of thinking about Palestine. These include the 'Palestinization' of ethnic and racial conflicts, the theorization of Palestine as camp, ghetto and prison, the tourist/activist gaze, the role of gendered resistance, the centrality of the memory of the 1948 Nakba (catastrophe) to the contemporary understanding of the conflict, and the historic roots of the contemporary discourse on Palestine. The book offers a novel examination of how the Palestinian experience of being governed under what Giorgio Agamben names a 'state of exception' may be theorised as paradigmatic for new forms of global governance. An indispensable read for any serious scholar.

A Book of Memories is made up of three first-person narratives- The first, that of a young Hungarian writer and his fated love for a German poet; we also learn of the narrator's adolescence in Budapest, when he experiences the downfall of his once upper-class but now pro-Communist family. A second memoir, alternating with the first, is a novel the narrator is composing about a refined Belle Epoque aesthete, whose anti-bourgeois transgressions seem like emotionally overcharged versions of the narrator's own experiences. A third voice is that of a childhood friend who, after the narrator's return to his homeland, offers an apparently more objective account of their friendship. Together these brilliantly coloured lives are integrated into a powerful work of tragic intensity.

The double disappointment by Moses Mendez The 18th century was a wealth of knowledge, exploration and rapidly growing technology and expanding record-keeping made possible by advances in the printing press. In its determination to preserve the century of revolution, Gale initiated a revolution of its own: digitization of epic proportions to preserve these invaluable works in the largest archive of its kind. Now for the first time these high-quality digital copies of original 18th century manuscripts are available in print, making them highly accessible to libraries, undergraduate students, and independent scholars. Western literary study flows out of eighteenth-century works by Alexander Pope, Daniel Defoe, Henry Fielding, Frances Burney, Denis Diderot, Johann Gottfried Herder, Johann Wolfgang von Goethe, and others. Experience the birth of the modern novel, or compare the development of language using dictionaries and grammar discourses. We are delighted to publish this classic book as part of our extensive Classic Library collection. Many of the books in our collection have been out of print for decades, and therefore have not been accessible to the general public. The aim of our publishing program is to facilitate rapid access to this vast reservoir of literature, and our view is that this is a significant literary work, which deserves to be brought back into print after many decades. The contents of the vast majority of titles in the Classic Library have been scanned from the original works. To ensure a high quality product, each title has been meticulously hand curated by our staff. Our philosophy has been guided by a desire to provide the reader with a book that is as close as possible to ownership of the original work. We hope that you will enjoy this wonderful classic work, and that for you it becomes an enriching experience.