This first-ever anthology of the war reporting and commentary of Pulitzer Prize-winning journalist Sydney Schanberg is drawn from more than four decades of reporting at home and abroad for the New York Times, Newsday , the Village Voice , and various magazines. The centerpiece of the collection is his signature work, "The Death and Life of Dith Pran," which appeared in the New York Times Magazine . This became the foundation of Roland Joffé's acclaimed film The Killing Fields (1984), which explored the Khmer Rouge genocide in Cambodia during the late 1970s. Although Schanberg may be best known for his work on Cambodia, he also reported on the India-Pakistan war that ended Pakistan's brutal attempt to crush the Bangladesh freedom movement in the 1970s. His striking coverage of the Vietnam conflict recounts Hanoi's fierce offensive in 1972 that almost succeeded. Years later, citing official documents and other hard evidence that a large number of American POWs were never returned by Hanoi, Schanberg criticized the national press for ignoring these facts and called for Washington to release documents that had been covered up since 1973. As the media critic for the Village Voice , Schanberg offered a unique and searing viewpoint on Iraq, which he called America's "strangest war." His criticism of the Bush administration's secrecy brings his war reportage into the present and presents a vigorous critique of what he considers a devious and destructive presidency. Beyond the Killing Fields is an important work by one of America's foremost journalists.

The name Studs was a nick-name derived from the function character Studs Lonigan in James T. Farrell's 1920s trilogy. Studs Terkel is one of the great oral historians of this century. His literature speaks to and for the common man. He was born in 1903 and throughout his life he never drove a car but preferred to take a bus and share life with the regular people.Studs started his career in the early '50s doing interviews for radio WFMT in Chicago. By the mid '60s his interviews were being noticed and his first oral history was published. He won the Pulitzer Prize for his 1985 book The Good War. He has been inducted into the Academy of Arts and Letters and has received an award for Distinguished Contribution to American Letters by the National Book Foundation.In best-selling books that began in 1970 with Hard Times, and a legendary radio show that started on WFMT in Chicago, Studs Terkel told the tales that real people had told him. IDEAS host Paul Kennedy interviews Studs Terkel.

A former Newsweek senior writer tells the story behind the scandal of Jayson Blair, a mediocre former Times reporter who had made up stories, faked datelines, and plagiarized on a massive scale, rocked the Times to its core and revealed fault lines in a fractious newsroom that was already close to open revolt. Staffers were furious about the shoddy reporting that was infecting the most revered newspaper in the world, and the executive editor who had helped lead the paper to a record six Pulitzer Prizes had been forced out of his job. The profound implications of the scandal will shape how we understand and judge the media for years to come.

Star reporter for the New York Times , the world's most powerful newspaper; foreign correspondent in some of the most dangerous fields; Pulitzer winner; longest jailed correspondent for protecting her sources, Judith Miller is highly respected and controversial. In this memoir, she turns her reporting skills on herself with the intensity of her professional vocation. Judy Miller grew up near the Nevada atomic proving ground. She got a job at the New York Times after a suit by women employees about discrimination at the paper and went on to cover national politics, head the paper's bureau in Cairo, and serve as deputy editor in Paris and then deputy at the powerful Washington bureau. She reported on terrorism and the rise of fanatical Islam in the Middle East and on secret biological weapons plants and programs in Iraq, Iran, and Russia. She covered an administration traumatized by 9/11 and an anthrax attack three weeks later. Miller shared a Pulitzer for her reporting. She turns her journalistic skills on herself and her controversial reporting which marshaled evidence that led America to invade Iraq. She writes about the mistakes she and others made on the existence in Iraq of weapons of mass destruction. She addresses the motives of some of her sources, including the notorious Iraqi Chalabi and the CIA. She describes going to jail to protect her sources in the Scooter Libby investigation of the outing of CIA agent Valerie Plame and how the Times subsequently abandoned her after twenty-eight years. The Story describes the real life of a foreign and investigative reporter. It is an adventure story, told with bluntness and wryness.

Pulitzer prize-winning columnist Ellen Goodman and novelist-journalist Patricia O'Brien provide a thoughtful, deeply personal look at the enduring bonds of friendship between women. Friends for twenty-seven years, they have served as confessors and advisers to each other during romantic, career, and child-raising crises, and have shopped together, laughed together, and enjoyed a bond unlike any other. Drawing on interviews with numerous women, the authors take readers into the heart of "the place where women do the work of their lives, the growing, the understanding, the reflection," and illuminate both the fragility and strength of relationships that are irreplaceable lifelines. I KNOW JUST WHAT YOU MEAN WILL STRIKE A CHORD WITH WOMEN OF ALL AGES.

"William Furman, an African-American and career criminal, shot and killed a white homeowner during a 1967 burglary in Savannah, Georgia. In short order he was arrested, put on trial, convicted by a nearly all-white jury, and sentenced to death. Furman's attorney, aided by the NAACP, doggedly appealed the verdict all the way to the U.S. Supreme Court, which voided Furman's sentence in a highly contentious 5-4 vote. That decision overturned Georgia's capital punishment statute, and by implication all other state death penalty laws, for violating the Eighth amendment's prohibition against "cruel and unusual punishment." Furman, thus, effectively halted capital punishment in the United States. But the reprieve was only temporary, for the decision did not rule the death penalty per se to be unconstitutional; rather it struck down the laws that currently governed its application, leaving the states free to devise new ones that the Court might find acceptable. And that is exactly what happened. Pulitzer Prize-winning author David Oshinsky's compact and insightful study of the case showcases his talent for clarifying the complex and often confusing legal issues that surround a subject as controversial as capital punishment."--Back cover.

Drawing on a gold mine of primary documents--including letters, diary entries, personal narratives, political speeches, broadsides, trial transcripts, and contemporary newspaper articles--The Boisterous Sea of Liberty brings the past to life in a way few histories ever do.Here is a panoramic look at early American history as captured in the words of Benjamin Franklin, Thomas Jefferson, George Washington, Andrew Jackson, Abraham Lincoln, Frederick Douglass, Harriet Beecher Stowe and many other historical figures, both famous and obscure. In these pieces, the living voices of the past speak to us from opposing viewpoints--from the vantage point of loyalists as well as patriots, slaves as well as masters. The documents collected here provide a fuller understanding of such historical issues as Columbus's dealings with Native Americans, the Stamp Act Crisis, the Declaration of Independence, the Whiskey Rebellion, the Missouri Crisis, the Mexican War, and Harpers Ferry, to name but a few.Compiled by Pulitzer Prize winning historian David Brion Davis and Steven Mintz, and accompanied by extensive illustrations of original documents, The Boisterous Sea of Liberty brings the reader back in time, to meet the men and women who lived through the momentous events that shaped our nation.

David Berman reinvents the overlooked and seemingly ordinary details of everyday life--from the suitcase of a departing girlfriend to a baseboard electrical outlet. His poems chart a course through his own highly original American dreamscape in language that is fresh, accessible, and remarkably precise. This debut collection has received extraordinary acclaim from readers and reviewers alike and is quickly becoming a cult classic. As Pulitzer Prize-winning poet James Tate said, "These poems are beautiful, strange, intelligent, and funny. . . . It's a book for everyone."

A Pulitzer Prize-winning journalist's recounting of the tense and intimidating McCarthy era and his own leftist family's persecution in the name of patriotism describes family life under forty years of FBI surveillance

A journalistic tour de force, this wide-ranging collection by the author of the Pulitzer Prize–winning biography Stilwell and the American Experience in China is a classic in its own right. During the summer of 1972—a few short months after Nixon’s legendary visit to China—master historian Barbara W. Tuchman made her own trip to that country, spending six weeks in eleven cities and a variety of rural settlements. The resulting reportage was one of the first evenhanded portrayals of Chinese culture that Americans had ever read. Tuchman’s observations capture the people as they lived, from workers in the city and provincial party bosses to farmers, scientists, and educators. She demonstrates the breadth and scope of her expertise in discussing the alleviation of famine, misery, and exploitation; the distortion of cultural and historical inheritances into ubiquitous slogans; news media, schools, housing, and transportation; and Chairman Mao’s techniques for reasserting the Revolution. This edition also includes Tuchman’s “fascinating” ( The New York Review of Books ) essay, “If Mao Had Come to Washington in 1945”—a tantalizing piece of speculation on a proposed meeting between Mao and Roosevelt that would have changed the course of postwar history. “Shrewdly observed . . . Tuchman enters another plea for coolness, intelligence and rationality in American Asian policies. One can hardly disagree.”— The New York Times Book Review

The creator of the Pulitzer Prize-winning Maus explores the comics form...and how it formed him! **In a new flexibound format with an updated afterword**[Bokinfo]

The graduating seniors of a Seven Sisters college, trying to decide whether to pattern themselves after Katharine Hepburn or Emily Dickinson. Two young women besieged by the demands of mothers, lovers, and careers--not to mention a highly persistent telephone answering machine--as they struggle to have it all. A brilliant feminist art historian trying to keep her bearings and her sense of humor on the elevator ride from the radical sixties to the heartless eighties. Wendy Wasserstein's characters are so funny, so many-sided, and so "real" that we seem to know them from their Scene One entrances, though the places they go are invariably surprising. And these three plays--"Uncommon Women and Others," "Isn't It Romantic," and the Pulitzer Prize-winning "The Heidi" "Chronicles"--Manage to engage us heart, mind, and soul on such a deep and lasting level that they are already recognized as classics of the modern theater.

"Philip Roth (1933-2018) is one of the most celebrated American writers of his age. Born in Newark, New Jersey -- where his short stories and thirty-one books were often set -- he wrote with immense ambition and drive, along with a keen awareness of what must be done to produce great literature. Yet despite rubbing shoulders with the Kennedys and engaging in a spate of famous and infamous romances, he viewed himself as socially withdrawn, living much like an "unchaste monk" (his words). In this original and lucid biography, Steven J. Zipperstein captures Roth's complex life and the astonishing range of his self-reflective writings-from "Goodbye, Columbus" and "Portnoy's complaint" to the Pulitzer Prize-winning "American pastoral" and "The plot against America." Employing extensive archival research and well over one hundred interviews, including conversations with Roth himself, Zipperstein provides an intimate and probing look at one of the twentieth century's most influential authors, placing his work in the context of Jewishness, freedom, and sexuality in America"-- Provided by publisher.

THE STORY: The esteemed and retired Dr. Conrad Bering has selected, out of countless applicants, several individuals for private as well as Group therapy. It seems this Pulitzer Prize- winning doctor might be writing another book and it further see

In this gripping book, Pulitzer Prize–winning journalist Ron Suskind tells the complete story of the financial meltdown in the United States and an untested new president charged with commanding Washington, taming Wall Street, rescuing an economy on the verge of collapse and restoring the confidence of a shaken nation. Suskind moves from the frenzied trading floors of lower Manhattan to the power corridors inside the Beltway and introduces a larger-than-life cast of politicians and advisors, titans of high finance, reformers, lobbyists and others who faced a crisis that threatened not only a nation, but the entire world. Based on hundreds of hours of interviews and exhaustive research, filled with piercing insight and startling disclosures, Suskind’s eye-opening book goes beyond the headlines and previous accounts, bringing into focus the unprecedented struggle between Wall Street and Washington, between hope and fear, that continues to roil the country.

No writer plunged more wholeheartedly into the chaotic energies of the 1960s than Norman Mailer, as he fearlessly revolutionized literary norms and genres to capture the political, social, and sexual explosions of an unsettled era. Here, for the first time in one volume, are his unforgettable books of the 1960s: two disruptive and visionary novels, and two radically innovative journalistic masterpieces. War hero, television star, existential hipster, seducer, murderer: such is the protagonist of An American Dream, Mailer's hallucinatory voyage through the dark night of an America awash in money, sex, and violence. In Why Are We in Vietnam? a motor-mouthed 18-year-old Texan on the eve of military service recounts with manic and obscene exuberance a grizzly bear hunt in Alaska that exposes the macho roots of the war. The acclaimed "non-fiction novel" The Armies of the Night (winner of the Pulitzer Prize and National Book Award) and its follow-up Miami and the Siege of Chicago are on-the-scene, in-the-scene accounts of an antiwar march on the Pentagon and the party conventions of 1968, as Mailer casts himself as a player in the drama he reports, bringing a sharp and merciless eye on the decade's political upheavals.

Finalist, 2008 Pulitzer Prize Lincoln Kirstein was a tireless champion of the arts in America. Working behind the scenes to provide artists with money, space, audiences, and, at times, emotional support, he helped found such landmark cultural institutions as the New York City Ballet, the School of American Ballet, New York’s Lincoln Center and Stratford's American Shakespeare Festival. Duberman's biography sheds light on this lamentably neglected cultural figure. Though best known as a benefactor of the arts, Kirstein was also an adept critic, poet and novelist who published some fifteen books in his lifetime. From his undergraduate years at Harvard, where he established the influential literary magazine Hound and Horn , as well as the Harvard Society for Contemporary Art (precursor to the Modern Museum of Art), to his complex and historically significant relationship with George Balanchine, Kirstein's contributions were indespensible to the development of the arts in America. Authoritative and elegant, Duberman's biography utilizes previously unavailable documents, including Kirstein's diaries, to reveal the keen eye, incessant self-doubt, and enormous ambition that drove Kirstein's relentless advocacy. The Worlds of Lincoln Kirstein brings attention to an important, but until-now unappreciated figure whose individual contribution to the arts was one of the greatest of the twentieth century.

"Proofs & Theories is a long-awaited first gathering of essays by one of this country's most brilliant poets. Like her poems, the prose of Ms. Gluck, who won the Pulitzer Prize for poetry in 1993 for The Wild Iris, is compressed, fastidious, fierce, alert, and absolutely unconsoled. The force of her thought is apparent everywhere in her writing and whether she is contemplating - skeptically - the critical currency of ideas like "courage" and "sincerity," T.S. Eliot's reduced reputation as a poet of impersonality, the loyalties of the objectivist George Oppen, or the ferocity in the headlong art of Sylvia Plath, there is something exhilarating about her seriousness, spare, austere, mind-clearing, and adamantly alive. She shares her skepticism with a whole temper of post-modern critical thought. But post-modernism, on the whole, has stood aside from what artists have thought was at stake in their art in order to dissect it. Ms. Gluck is also quite expert - wry sometimes, darkly funny even - at dissection but in these essays one never doubts what is at stake: an art as truthful, adamant, and unflinching as the intelligence that she brings to her own. Proofs & Theories is not a casual collection. It is the testament of a major poet"--OCLC

"Described as 'America's greatest living playwright' (Wall Street Journal), Kenneth Lonergan is internationally acclaimed for his trademark humour and his genius for capturing the real heart and soul of human interactions. This volume gathers together three of his landmark plays. This Is Our Youth (1996) is a wildly funny, bittersweet and lacerating look at three days in the lives of three affluent young Manhattanites in the 1980s. Its West End premiere in 2002 was notable for its successive casts of young Hollywood stars, including Casey Affleck, Matt Damon, Jake Gyllenhaal, Anna Paquin and Summer Phoenix. 'A rambunctious and witty play... caustic, cruel, compassionate' The New York Times. The Waverly Gallery (1999) is a poignant, generous and frequently hilarious play about a feisty grandmother's last battle against Alzheimer's disease. More than a memory play, it captures the humour and strength of a family in the face of crisis. It was a finalist for the 2001 Pulitzer Prize for Drama, and revived on Broadway in 2018 to widespread acclaim. 'Both one of the most beautiful things you'll ever see in a Broadway theatre and one of the most profoundly sad' Chicago Tribune. Lobby Hero (2001) tells the story of a luckless young security guard trying to get his life together after being thrown out of the navy. But working in a lobby proves to be no sanctuary from the world, as he is unwittingly drawn into a murder investigation. The play received its British premiere at the Donmar Warehouse, London, in 2002, and was also revived on Broadway in 2018. 'Artfully intertwines private and public issues... [Lonergan] has the lightest of touches and writes with deft humour' Guardian. Kenneth Lonergan is an American film director, playwright and screenwriter. He wrote and directed the films You Can Count On Me, Margaret and Manchester by the Sea, for which he won the 2017 Academy Award for Best Original Screenplay. This collection, published alongside the UK premiere of Lonergan's The Starry Messenger in 2019, also features an exclusive introduction by the author."--Provided by publisher.

A highly original, stirring book on Mahatma Gandhi that deepens our sense of his achievements and disappointments-his success in seizing India's imagination and shaping its independence struggle as a mass movement, his recognition late in life that few of his followers paid more than lip service to his ambitious goals of social justice for the country's minorities, outcasts, and rural poor. Pulitzer Prize-winner Joseph Lelyveld shows in vivid, unmatched detail how Gandhi's sense of mission, social values, and philosophy of nonviolent resistance were shaped on another subcontinent-during two decades in South Africa-and then tested by an India that quickly learned to revere him as a Mahatma, or "Great Soul," while following him only a small part of the way to the social transformation he envisioned. The man himself emerges as one of history's most remarkable self-creations, a prosperous lawyer who became an ascetic in a loincloth wholly dedicated to political and social action. Lelyveld leads us step-by-step through the heroic-and tragic-last months of this selfless leader's long campaign when his nonviolent efforts culminated in the partition of India, the creation of Pakistan, and a bloodbath of ethnic cleansing that ended only with his own assassination. India and its politicians were ready to place Gandhi on a pedestal as "Father of the Nation" but were less inclined to embrace his teachings. Muslim support, crucial in his rise to leadership, soon waned, and the oppressed untouchables- for whom Gandhi spoke to Hindus as a whole-produced their own leaders. Here is a vital, brilliant reconsideration of Gandhi's extraordinary struggles on two continents, of his fierce but, finally, unfulfilled hopes, and of his ever-evolving legacy, which more than six decades after his death still ensures his place as India's social conscience-and not just India's.