"This is an autobiography of one of the pioneers of hearing implants, Dr. Ellis Douek, who was the first to monitor the hearing of a baby at birth, and who participated in the development of a middle ear device for the restoration of hearing that now bears his name: Douek-MED. The book sheds light on the life of a surgeon from the early days of the UK National Health Service, and covers the highlights of Douek's medical career"--

Jacob Rader Marcus (1896-1995), scholar, professor, and rabbi, was called the Dean of American Jewish historians by students and colleagues alike. A seminal force in the evolution of the academic study of American Jewish history, Marcus was the first to apply modern critical methodology to this field. In the course of his long life, he published more than 300 books and articles on the history of American Jews. In 1947 he founded the American Jewish Archives, which he directed for almost fifty years. A beloved teacher and mentor for several generations of Hebrew Union College (HUC) students, Dr. Marcus remains a very significant figure in the history of American Jewry during the twentieth century. Marcus, raised in West Virginia, was the child of East European immigrants. At the age of 15, he moved to Cincinnati to matriculate at HUC, America's oldest rabbinical seminary. After serving in the U.S. Army during World War I, Marcus became a member of the HUC faculty upon his rabbinical ordination in 1920. He subsequently moved to Europe to pursue doctoral studies and, upon returning to Cincinnati, Marcus taught courses in Jewish history. During the late 1930s and early 1940s, Marcus realized that the i American Jewry was fast becoming the most influential Jewish community in the world. In the aftermath of the brutal destruction of European Jewry during World War II, Marcus's keen interest in the history of American Jewry burgeoned. Marcus left the pulpit for a career of scholarship and teaching, he nevertheless maintained a close connection to his students and, through them, to the American rabbinate. A mentor to generations of HUC students and graduates, Marcus was an active participant in the Central Conference of American Rabbis (the organizational arm of the American Reform rabbinate), serving as its president from 1949-1951. In this volume, Gary Philip Zola brings together a unique assortment of Marcus's most important unpublished essays, written for a more popular audience between 1916 and 1989. Read collectively, these essays bring the key themes of Marcus's work into bold relief. In the early "America: The Spiritual Center of Jewry" (1916), as in the much later "Three Hundred Years in America" (1955), Marcus calls upon American Jewry to study its heritage, arguing that this knowledge will kindle a renaissance in American Jewish life. In "Lost: Judaism in the American Expeditionary Forces, the Urgent Need for Welfare Work" (1919), he insists that the Jewish experience in America consists of a symbiotic relationship between individual Jews and the larger Jewish community. A focus on the individual in relation to the whole guided many of Marcus's essays, as did his emphasis on Jews studying their own past, strong echoes of both can be found in "New Literary Responsibilities (1941-1942) as well as works for specific occasions, such as "The Program of the American Jewish Archives" (1947) and Genesis: College Beginnings (1989). Another leitmotif linking these diverse topics is Marcus's view that American Judaism will thrive and distinguish itself as long as Jewish education and Jewish cultural life become a high priority on the Jewish communal agenda. This collection enhances our understanding of how the ideas of one of American Jewry's pioneering historians evolved, while preserving historical documents that trace the development of American Jewish life over the course of the twentieth century.

The only country in the world with a line in its national anthem as desperate as “this people has already suffered for its past and its future,” Hungary is a nation defined by poverty, despair, and conflict. Its history, of course, took an even darker and more tragic turn during the Holocaust. But the story of the Jews in Hungary is also one of survival, heroism, and even humor—and that is the one acclaimed author Adam Biro sets out to recover in One Must Also Be Hungarian , an inspiring and altogether poignant look back at the lives of his family members over the past two hundred years. A Hungarian refugee and celebrated novelist working in Paris, Biro recognizes the enormous sacrifices that his ancestors made to pave the way for his successes and the envious position he occupies as a writer in postwar Europe. Inspired, therefore, to share the story of his family members with his grandson, Biro draws some moving pictures of them here: witty and whimsical vignettes that convey not only their courageous sides, but also their inner fears, angers, jealousies, and weaknesses—traits that lend an indelible humanity to their portraiture. Spanning the turn of the nineteenth century, two destructive world wars, the dramatic rise of communism, and its equally astonishing fall, the stories here convey a particularly Jewish sense of humor and irony throughout—one that made possible their survival amid such enormous adversity possible. Already published to much acclaim in France, One Must Also Be Hungarian is a wry and compulsively readable book that rescues from oblivion the stories of a long-suffering but likewise remarkable and deservedly proud people.

"Whether we are to regard Friedrich Nietzsche as a philosopher, a cultural critic, and 'amoralist' or a pre-fascist ideologist, it is certain that his work is one of the main sources of twentieth-century western thought. Formulations such as 'God is dead' or 'the world is the product of the will to power and nothing else besides', and Nietzsche's belief that true value lies in a morality of strenuousness have become part of the experience of our age. His aim is to unmask what he considered the intellectual self-deception of his time and to create a new rejuvenating mythology. His assault on the abstraction and over-systematization of traditional philosophy resulted in a body of writing - much of it published posthumously - which is unsystematic and often contradictory, yet all unmistakably characterized by his philosophical imaginativeness. J. P. Stern's new study offers a careful exegesis of what Nietzsche said and a critical assessment of its importance. In a series of analyses of Nietzsche's 'philosophical experiments' Professor Stern unwinds the many strands of the work - the moral-existential, the religious, the linguistic, the aesthetic - and shows how they all interweave in a single, powerful philosophical enterprise: The enhancement of man in Nietzsche's time and ours. The means to this end Nietzsche saw as the pursuit of truth in all its uncompromising harshness and essential relativity. Stern also considers the political implications of the writings in the light of later developments in German history; he includes a detailed survey of Nietzsche's life; and he contrasts Nietzsche's achievement with that of Marx and Freud as the two thinkers who were to exercise a comparable influence in the twentieth century. This is the only full-scale study of Nietzsche's philosophy which takes issue with the language and literary forms in which his writings are cast. It will provide an exhilarating introduction for those who are unfamiliar with or only beginning to explore the writings of this most vibrant and paradoxical of writers. In addition the book will offer new insights for those who find in the work of Nietzsche an enduring source of fascination and stimulation." -- Book jacket.

"In Catbird: The Ballad of Barbi Prim, the world meets an insightful, opinionated eight-year-old who's already taken a few steps toward becoming a pioneer--but also a shadow of her quirky self. Although she's corroded--sometimes literally--by a toxic but familiar social atmosphere, her love of singing propels her to become the first ordained woman cantor in 3,000 years of Jewish history. A family crisis exposes old and enduring wounds, but she begins to rescue herself--by diligently going to therapy--and embarks on an imperfect but perpetual metamorphosis, becoming the well-coiffed heroine of her own story. Barbara Ostfeld shows us that we are all brave pioneers--at becoming our true selves." -- Amazon.com.

The first few decades of the eighteenth century witnessed an important moment in Jewish-Christian relations, as influential Christian scholars increasingly looked to Jewish texts to reveal the truths of their own faith. To what extent could postbiblical writings help them better understand the New Testament? And who would best be able to explicate these connections?Connecting the Covenants focuses on two separate but entwined stories, the first centering around the colorful character of Moses Marcus. The English-born son of wealthy parents and the grandson of the famous autobiographical author Glikl of Hameln, Marcus was a prominent Jew educated in the Ashkenazic yeshivah at Hamburg. On New Year's Day, 1723, Marcus was baptized as a Christian, later publishing a justification of his conversion and a vindication of his newly discovered faith in a small book in London. A trophy convert, he was promoted by figures at the highest levels of the Anglican Church as a cultural mediator between Judaism and Christianity. His modest successes in the world of the elite clerical establishment were followed, however, by conspicuous failures, both intellectual and material.The second story that David Ruderman tells emerges against the background of Marcus's professional decline. In the end, the prize convert proved to be a theologian of limited ability, far outstripped in sophistication and openness to rabbinic learning by a circle of Enlightenment Protestant scholars. It was not the Jew who had abjured Judaism who was willing or able to apply the Mishnah and Talmud to Christian exegesis, but figures such as William Whiston, Anthony Collins, William Wotton, and the Dutch scholar William Surenhusius who seized upon the ways to connect the covenants.

Thea: To Alexandria, Jerusalem and Freedom - is a movng and exciting story of life in Egypt during the tumultuous thirties and forties. The kaleidoscope of human events described, over sixty years of our century, gives the reader a sense of having lived and witnessed important moments of history. It is a book which makes a strong protest against war. But most of all it is the story of ordinary people performing extraordinary feats of love for their fellowmen. This is a sincere, well-written and poignant book with universal appeal.

Selected by his daughter, Vivien, from Max Perutz's voluminous correspondence, the letters reproduced here portray their author with a spontaneity and directness no autobiography could have matched. They chronicle Perutz's adventurous life through his own vivid, erudite and humorous pen, documenting the hopes, roadblocks and moments of elation of his sixty-year quest to understand the molecular biology of hemoglobin. The first great step in this quest ― unraveling the molecular structure of hemoglobin ― earned Perutz the 1962 Nobel Prize in Chemistry. Narrated against a backdrop of family and friends, politics and war, literature, travels, and Max's beloved mountains, these letters provide rare insight into the thoughts of a remarkable and very human scientist, and delightful sketches of some of the people he encountered. Starting with lively letters to a girlfriend written in his youth in Vienna and the impressions of a young scientist in Cambridge, the letters progress to the desperate pleas of an "enemy alien" interned in Canada during World War II. The diary of Perutz's subsequent super-secret war work for the British to build a floating ice airstrip in the North Atlantic, ardent campaigning letters to scientists and politicians, and self-deprecating stories of his own mishaps written to amuse his children and grandchildren are some of the many highlights of these fascinating letters, unique in the annals of recent scientific history. This book is a companion to Georgina Ferry's Max Perutz and the Secret of Life. Together these volumes provide a portrait of an extraordinary character in the development of molecular biology.

Hannah Rochel Verbermacher, a Hasidic holy woman known as the Maiden of Ludmir, was born in early-nineteenth-century Russia and became famous as the only woman in the three-hundred-year history of Hasidism to function as a rebbe—or charismatic leader—in her own right. Nathaniel Deutsch follows the traces left by the Maiden in both history and legend to fully explore her fascinating story for the first time. The Maiden of Ludmir offers powerful insights into the Jewish mystical tradition, into the Maiden’s place within it, and into the remarkable Jewish community of Ludmir. Her biography ultimately becomes a provocative meditation on the complex relationships between history and memory, Judaism and modernity. History first finds the Maiden in the eastern European town of Ludmir, venerated by her followers as a master of the Kabbalah, teacher, and visionary, and accused by her detractors of being possessed by a dybbuk, or evil spirit. Deutsch traces the Maiden’s steps from Ludmir to Ottoman Palestine, where she eventually immigrated and re-established herself as a holy woman. While the Maiden’s story—including her adamant refusal to marry—recalls the lives of holy women in other traditions, it also brings to light the largely unwritten history of early-modern Jewish women. To this day, her transgressive behavior, a challenge to traditional Jewish views of gender and sexuality, continues to inspire debate and, sometimes, censorship within the Jewish community.

In 1975, at the age of forty, Richard Raskind, a renowned eye surgeon and highly ranked amateur tennis player, "died," and Renée Richards was "born," in what was to become the most public and highly scrutinized sex reassignment to date. It was not until Renée Richards was discovered playing in an amateur tennis tournament that the world took notice. Extensive media coverage and criticism thrust Renée reluctantly into the spotlight, sparking an intense public debate over her private life. Now, at seventy-two, Richards looks back and speaks frankly about all aspects of her complicated and often notorious life in this eye-opening, thought-provoking memoir. Richards' honest and compelling narrative explores the dichotomy between the successful life she lived as Dr. Richard Raskind, who seemed to have everything (devoted friends, a beautiful wife and son, a stellar record of academic and professional achievement, and outstanding athletic ability), and a secret life of struggle with a drive that could not be suppressed, even by years of psychotherapy and the force of a considerable will. Richards takes readers through her difficult decision to undergo surgery and the complex mixture of relief and continued frustration that came with the realization of her new identity. Discussing life after her transformation, Richards candidly relates the details, trials, and pleasures of her romantic life as well as fascinating stories about her tennis career, including her experiences as Martina Navratilova's coach. She also provides an intimate account of her difficult but rewarding relationship with her rebellious son: runaway teenager, high-stakes Vegas gambler, karate champion, and entrepreneur. She describes the deterioration of a once-loving marriage and the challenges of reclaiming her place at the forefront of her demanding medical specialty. Having lived as a woman almost as long as she lived as a man, Richards draws on a personal history that illuminates thirty years of remarkable change in society's attitude toward gender issues. Her absorbing and inspiring story, at once heartbreaking and uplifting, is a testimony to how far we have progressed in our ability to discuss and accept sexuality in all its iterations, as well as a reminder of how far we still must travel.

A Memoir of Creativity chronicles one woman's life journey as she derives a theory, revealing meaning in abstract painting, from varied personal and professional experiences, and tells how she locates this theory within a broader social context. In 1966, Piri Halasz became the first woman within living memory to write a cover story for Time (and not just any cover story, either: the notorious one on "Swinging London"). With wit and wisdom, she provides a glimpse into her "red-diaper" childhood, as well as reporting on her climb at Time from research to the writing staff. Vividly, she describes her controversial career as a female journalist during the sixties, offering an inside view of newsweekly rivalries during that tempestuous decade. Halasz then moves on to her initiation into the art world, her lively interaction with some of its most distinguished denizens and her immersion in graduate school. She concludes with what she has learned about art, art history, and history itself since the early eighties, applying that knowledge to better understand the twenty-first century. Through sharing her life story, Halasz encourages others to remain open to new experiences, to try different ways of seeing, and to use creativity to tackle hurdles.

Edgar Morin, one of France's greatest living intellectuals, tells the story of his father, Vidal Nahoum, but also the story of Sephardic Jews, and of Europe. In this 'holographic history' Vidal's story, and that of his family, carries within it the flowering, decline, and death of Jewish culture in Spain, the passage from Empires to Nation States, the complex relations between Jews and Gentiles, between East and West, and, ultimately, the history of the twentieth century itself. Morin's work ranges from the great sweep of global historical events to the everyday details of individual lives, letters, feelings, reflections, and experiences. Vidal was born in 1894 in the Ottoman Empire's great Macedonian port. His great-grandfather came from Tuscany and spoke Italian. His mother tongue was fifteenth-century Spanish. He learned French and German as a child. When he was an adolescent, he dreamed of living in France; he was deported there as a prisoner, and then liberated by the French Prime Minister. He lived through the Balkan wars, the collapse of the Ottoman Empire, and two World Wars. Vidal cannot be isolated from his family. And as Edgar Morin explains, "this book also tells the stories of the men and women in his immediate family When, as his son, I inevitably come into his story... I describe him as objectively as possible. The reverence that inspired me did not call for a work of edification; it implied that I should attempt to write a truthful book. For this reason, the book is not in the least respectful, or at least not in the usual sense of the word. Vidal felt that loving someone meant being able to tease him. The author of these lines, who has inherited something of this trait, does not think it disrespectful to tease or make fun of the people he loves."

"In the late nineteenth and early twentieth centuries, both Muslim and non-Muslim Turks went to try their luck in the New World. [...] Drawing upon eyewitness testimony, Rifat N. Bali tells the story of a century of Turkish immigrants to the USA."--Back cover.