Personal narratives of a British officer on the Western front during World War I.

"Carlo Ginzburg's brilliant and timely new essay collection takes a bold stand against naive positivism and allegedly sophisticated neo-skepticism. It looks deeply into questions raised by decades of post-structuralism: What constitutes historical truth? How do we draw a boundary between truth and fiction? What is the relationship between history and memory? How do we grapple with the historical conventions that inform, in different ways, all written documents? In his answers, Ginzburg peels away layers of subsequent readings and interpretations that envelop every text to make a larger argument about history and fiction. Interwoven with compelling autobiographical references, Threads and Traces bears moving witness to Ginzburg's life as a European Jew, the abiding strength of his scholarship, and his deep engagement with the historian's craft"--Provided by publisher.

They have a dream—a dream of a world where everything and everybody can be bought and sold, a world run efficiently by managers, a world where “freedom” means the free market. Maurice Glasman argues that this dream is an unrealizable utopia—or a nightmare if put into practice. He takes the tired old clichés of management-speak of the New Right and New Left alike and turns them on their heads: managers are not efficient, they are barriers to work and production. “Liberal democracy”—which now means the free market and the strong state—should be turned upside down, with democracy at the level of the economy and liberalism at the level of the state. Drawing on the work of Karl Polanyi, Glasman argues that there is no need to surrender solidarity and human rights to the march of the managers and the market. There is another tradition, represented by the labour movement and Catholic Church in postwar West Germany, and Solidarity in Poland before 1989, when statist communitarianism and the New Right took over. Unnecessary Suffering examines this tradition and issues a call that human beings and the environment cannot, should not, and will not be treated like commodities. For all workers drowning in a sea of dogma and management.memos, Unnecesary Suffering is necessary reading.

Berlin! Berlin! is a satirical selection from the "man with the acid pen and the perfect pitch for hypocrisy," as New York author and Tucholsky-expert Peter Wortsman writes. This book os a complete collection of Tucholsky's news stories, features, satirical pieces, and poems about his hometown Berlin. It depicts Weimar Berlin, its cabarets, its policies, its follies, its ticks, and its celebrities, such as Pola Negri, Gussy Holl, Bert Brecht, Max Reinhardt, or Heinrich Zille. The book contains some of Tucholsky's most famous pieces, among them Berlin! Berlin!, a feature of the stereotypical Berliner on the phone, on vacation or doing "bizness", more than one satirical biography of the author himself, and some of his most famed stories such as where the holes in the cheese come from, or about the lion who escaped the Berlin zoo. Herr Wendriner, the chatty Berlin businessman makes an appearance, as well as Lottchen, the flapper, modelled after one of Tucholsky's real-life gilrfriends. Also Tucholsky's long-term friends Karlchen and Jakopp are part of this book. In Weimar Germany, Tucholsky was big, the most brilliant, prolific and witty cultural journalist of his time. He poured scorn on the reactionary institutions of the old regime, the follies of the Weimar Republic, and the peculiarities of the German character. - William Grimes, The New York Times Imagine a writer with the acid voice of Christopher Hitchens and the satirical whimsy of Jon Stewart. That's Tucholsky in a nutshell. - Anne Nelson, author of "The Red Orchestra" and "The Guys" Kurt Tucholsky was one of the most brilliant German-Jewish writers of his time. Today's Berliners adore him as one of their greatest sons. The world has yet to discover his genius. -Peter Schneider, author of "The Wall Jumper" and "Eduard's Homecoming" A selection from the man with the acid pen and the perfect pitch for hypocrisy, who was as much the voice of 1920s Berlin as Georg Grosz was its face. - Peter Wortsman, author of "Ghost Dance in Berlin" . . . a small, fat Berliner, who wanted to stop a catastrophe with his typewriter. -Erich Kästner, author of "Emil and the Detectives"

"Sidney Reilly (c. 1873-1925) is one of the most colorful and best-known spies of the twentieth century. Emerging from humble beginnings in southern Russia, Reilly was an inventive multilingual businessman and conman who enjoyed espionage as a sideline. By the early twentieth century he was working as an agent for Scotland Yard, spying on émigré communities in Paris and London, with occasional sorties to Germany, Russia, and the Far East. He spent World War I in the United States, brokering major arms deals for tsarist Russia, and then decided to become a professional spy, joining the ranks of MI6, Britain's foreign intelligence service. He came close to overthrowing the Bolshevik regime in Moscow before eventually being lured back to Russia and executed. Said to have been the inspiration for Ian Fleming's iconic James Bond character, Reilly was simultaneously married to three or four women and had mistresses galore. Sifting through the reality and the myth of Reilly's life, historian Benny Morris offers a fascinating portrait of one of the most intriguing figures from the golden age of spies"--Amazon.com.

Picking up where he left off in his acclaimed Aces Against Japan and Aces Against Germany, leading combat historian Eric Hammel comes through again with an engrossing new collection of thirty-eight first-person accounts by American World War Il fighter aces. Coupled with a clear overview of America's far-flung air war against Japan and a clear appreciation of the burgeoning industrial might backing the American war effort, Hammel's detailed interviews bring forth the most thrilling in-the-cockpit experiences that World War II's fabled Army, Navy, Marine, and Flying Tiger aces have chosen to tell. Ride with 2d Lieutenant Jack Donalson as he downs three Zeros-over Luzon on the second desperate day of World War II in the Philippines. Share three lonely air battles over Burma and China with Flying Tiger aces RT Smith, Dick Rossi, and Joe Rosbert. Hear the cry of victory as 2d Lieutenant Don McGee survives yet another encounter with Zeros over embattled Port Moresby, New Guinea, in his substandard P-39 Airacobra. Feel your heart beat with anxiety as an injured Ensign Ed Wendorf races against time to land his damaged Helicat aboard the USS Lexington before he bleeds to death. And thrill to the hunt as Pearl Harbor veteran 1st Lieutenant Frank Holmes seeks personal revenge against Admiral Isoroku Yamamoto on one of history's most important and most thrilling fighter missions. Aces Against Japan II is a highly charged excursion into life and death in the air, told by men who excelled at piston-engine aerial combat and lived to tell about it. In sum, it is an emotional rendering of what brave airmen felt and how they fought in the now-dim days of America's living national history.

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The rise and fall of the Jews is compressed into the enigmatic character of Ebenezer Schneerson, who has somehow become the final repository of all Jewish culture following the ravages of World War II.

""The Curtain Falls: Last Days Of The Third Reich"" is a historical account of the final days of Nazi Germany, written by Swedish diplomat and humanitarian, Folke Bernadotte. The book provides a detailed and personal perspective of the events leading up to the fall of Hitler's regime, including the military campaigns, political negotiations, and the atrocities committed by the Nazi regime. Bernadotte's firsthand experiences as a mediator between the Allies and Nazi officials, as well as his interactions with key figures such as Himmler and Goebbels, offer unique insight into the inner workings of the Nazi government during its final days. The book also delves into the aftermath of the war and the Nuremberg Trials, providing a comprehensive look at the end of one of the darkest periods in human history. Overall, ""The Curtain Falls"" is a compelling and informative read for anyone interested in the history of World War II and the downfall of the Third Reich.This scarce antiquarian book is a facsimile reprint of the old original and may contain some imperfections such as library marks and notations. Because we believe this work is culturally important, we have made it available as part of our commitment for protecting, preserving, and promoting the world's literature in affordable, high quality, modern editions, that are true to their original work.

The Greek and Jewish diasporas are the most significant diasporas of Western civilisation. "Homelands and Diasporas" is the first book to explore the similarities and differences between these two experiences. In the process it sheds fascinating light on their fundamental importance for both Greek and Jewish societies. The authors examine Greek and Jewish diasporas throughout history, from classical and Biblical times to the present, and all over the world - in Greece, the Balkans, Turkey, Russia, the Near and Middle East, Spain and the US. They analyse the very nature of diaspora, examining both the Greek concept of noble expansion and the Jewish idea of enforced exile, and analyse community structures as well as social and religious networks, combining Scriptural analysis with cultural and political history. Diaspora is a difficult and emotive concept but "Homelands and Diasporas" offers a balanced and perceptive guide to the connected histories of these two peoples away from their homelands.

Music and religion have, throughout history, walked hand in hand. In the rites and rituals of small tribal religions, great world religions, and more recent New-Age and neo-heathen movements, different kinds of music have been used to celebrate the gods, express belief and help believers get in contact with the divine. This innovative book focuses on how mainstream and counter-cultural groups use religion and music to negotiate the challenges of modernisation and globalisation in the European context: a region under-explored by existing literature on the subject. With its internal ethnic diversity, ever-expanding borders and increasing differentiation, Europe has undergone massive dislocation in recent years. The authors show that, in the midst of such change, rock, pop and dance music may in their various forms be used by their practitioners as resources for new kinds of spiritual and religious identification, even as these forms are used as symbols of the deficiencies of secular society. Focusing on Christianity, Judaism, Islam and New Religious Movements, the book explores such topics as Norwegian Black Metal and Neo-paganism, contemporary Jewish Music in the UK, the French hip hop scene, the musical thinking of Muslim convert Cat Stevens/Yusuf Islam and European dance music culture. It offers an ideal introduction to leading-edge thinking at the exciting interface of 'music and religion'.

Felix Gilbert begins this book of memoirs by describing his peaceful and protected childhood in Germany before the First World War. That war, and the revolutionary events that followed it, strongly influenced his choice of profession; he studied history at Heidelberg, Munich, and the University of Berlin. He gives a firsthand account of the intellectually stimulating and politically restless atmosphere in 1920s Berlin. During the first six months of 1933, when the Nazi takeover occurred in Germany, Mr. Gilbert was at work in the archives in Italy. There he received letters from relations and friends in Germany; published here, these letters convey the impact of Nazism on the daily lives of these people. In other chapters of the book Mr. Gilbert, who served as a member of the OSS, vividly describes wartime London, liberated Paris, and occupied Germany. These memoirs end with an account of a mission to Berlin which, for Mr. Gilbert, was also a search for what remained of a world that once had been.

Whether Europe will ever have anything resembling the “common foreign and security policy” described in the Maastricht Treaty will depend most of all on whether France and Germany are able to align their foreign policy goals and means. This thoughtful and original study examines the Franco-German security partnership in its post–Cold War context and analyzes the implications of that partnership for both Europe and the United States. Utilizing French and German sources and extensive interviews in Paris, Bonn, and Washington, Philip Gordon traces the evolution of Franco-German security cooperation since World War II, focusing especially on post-1989 developments. The book's historical and conceptual approach provides a framework for assessing the foundations of the Euro-optimism and -pessimism at odds with each other today.Gordon argues that Franco-German cooperation in the post–Cold War era will be more challenging than it was during a time when the Soviet threat united the two countries in a U.S.-led alliance. The book demonstrates how the end of the Cold War, German unification, a declining U.S. role in Europe, and emerging instabilities to Europe's east and south will test the strength of the Franco-German partnership, and it examines how French and German leaders have stood up to the new challenges so far. Detailed case studies of the Persian Gulf War, the debates over the “Eurocorps,” policies toward Eastern Europe, and the war in Yugoslavia make an invaluable contribution to our understanding of French, German, and Alliance policies in the post–Cold War world. Gordon also identifies new trends in French and German security policies since 1989 and analyzes their effects on the potential for Western and European cohesion.The book concludes that the general commitment in Paris and Berlin to continued cooperation is not in doubt but that a truly common and effective Franco-German or European security policy is unlikely; the national interests of the two countries and their Western partners not only remain different, but they are probably more divergent today than during the Cold War. Consequently, Gordon also argues that U.S. and European fears of Franco-German bilateralism are exaggerated and indeed that the allies have more to gain than to lose from Franco-German cooperation. The problem for the West is not so much that France and Germany have formed a cohesive political-military force within Europe but that they have failed to do so.

Totality has been an abiding concern from the first generation of Western Marxists, most notably Lukács, Korsch, Gramsci, and Bloch, through the second, exemplified by the Frankfurt School, Lefebvre, Goldmann, Sartre, Merleau-Ponty, and Della Volpe, up to the most recent, typified by Althusser, Colletti, and Habermas. Yet no consensus has been reached concerning the term's multiple meanings—expressive, decentered, longitudinal, latitudinal, normative—or its implications for other theoretical and practical matters. By closely following the adventures of this troublesome but central concept, Marxism & Totality offers an unconventional account of the history of Western Marxism.

Despite the growing assimilation of the Jews with Czech language and culture in the late 19th-early 20th centuries, many sectors of the Czech national movement regarded the Jews as a Germanizing element. Ch. 8 (pp. 181-197), "Death and the Nation: Ritual Murder as Political Discourse in the Czech Lands" [an earlier version appeared in "Jewish History" 10 (1996)], describes cases of blood libels in 1892-1902 and reflects on the role played by ritual murder discourse in the rhetoric of Czech nationalism. Concludes that the ritual murder accusation against the Jews, as well as belief in their sexual licentiousness, added psychological dimensions to the rhetoric of economic nationalism - e.g. accusations of economic exploitation and "linguistic treason." Ch. 9 (pp. 198-216), "Masaryk and Czech Jewry: The Ambiguities of Friendship, " disputes the myth of Masaryk as a staunch opponent of antisemitism. Throughout his career Masaryk could not overcome antisemitic prejudices adopted in his childhood; he paradoxically combined support for the Jews of Bohemia with expressions of resentment and distrust.

“A moving act of absolution . . . . This strong novel about a girl who is debased but never destroyed pushes the reader to a new level of understanding of the things people do—and the things that are done to them.”— Washington Post Book World She has hair of ginger and lovely green eyes, and she has just been transported with her family from Terezín to Auschwitz. In short order, her father commits suicide, and her mother and younger brother are dispatched to the gas chambers, but fifteen-year-old Hanka Kauderzová is still alive. Faced with the choice of certain death in the camp or working in a German military brothel, she chooses a chance at life. Passing for an Aryan, Hanka spends her days in the brothel cold, hungry, fearful, and ashamed. She is sustained only by her loathing of the men who visit her and by a fierce, indomitable will to live. This devastatingly beautiful novel explores and delineates the impossible choices one sometimes has to make in life, when the fabric of the world is rent asunder. Soaring beyond the nightmare, it leaves the reader with a transcendent sense of hope. Skyhorse Publishing, as well as our Arcade, Yucca, and Good Books imprints, are proud to publish a broad range of books for readers interested in fiction—novels, novellas, political and medical thrillers, comedy, satire, historical fiction, romance, erotic and love stories, mystery, classic literature, folklore and mythology, literary classics including Shakespeare, Dumas, Wilde, Cather, and much more. While not every title we publish becomes a New York Times bestseller or a national bestseller, we are committed to books on subjects that are sometimes overlooked and to authors whose work might not otherwise find a home.

""What Hitler Wants"" is a political analysis written by Leon Trotsky in 1933, shortly after Adolf Hitler and the Nazi Party came to power in Germany. The book explores the motivations, goals, and strategies of the Nazi regime, particularly in regards to its expansionist ambitions and its hostility towards the Soviet Union. Trotsky argues that Hitler's regime is driven by a desire for territorial conquest and domination, fueled by a toxic blend of racism, nationalism, and anti-communism. He also critiques the policies of the Western powers, particularly their appeasement of Hitler and their failure to recognize the threat posed by fascism. The book is a powerful warning against the dangers of fascism and the need for international solidarity in the face of authoritarianism.This scarce antiquarian book is a facsimile reprint of the old original and may contain some imperfections such as library marks and notations. Because we believe this work is culturally important, we have made it available as part of our commitment for protecting, preserving, and promoting the world's literature in affordable, high quality, modern editions, that are true to their original work.