Previously published as A Billion for Boris Annabel Andrews is back in her body, but life is still anything but normal. When her brother, Ape Face, and her boyfriend, Boris, discover a TV that airs its programs a day early, they're suddenly faced with lots of opportunities. Boris wants to make billions of dollars, but Annabel wants to help mankind. They've got to decide what to do before someone figures out what's going on.... An ALA Notable Children's Book

One of the most famous bullies in children's books, Veronica Ganz has never met her match. She has systematically beaten up everybody in all of the classes, and has never been challenges until... until little Peter Wedemeyer moves into the neighborhood. Taunting, teasing and always one step ahead of her mighty fists, Veronica must find a way to teach him who is boss.

From the beginning, Virginians have styled their government a conservative commonwealth, seeking stability amid change and often fashioning change to fit their concept of what Virginia--and America--should be like. In the eighteenth century Golden Age, Virginia was a world of broad acres and country gentlemen. To preserve the world, Virginians led a revolution and helped to found a government that they believed would secure their children's future. In the name of old and tried principles, Virginians in 1861 seceded from the Union to defend a way of life that to them seemed worth fighting for. In the twentieth century, they "paid as they went," convinced that debt meant the end of good government.

The ultimate Eighties heart-throb Jason Donovan came close to destroying his body, mind, soul and career with drugs. Never one to shy away from the truth, Jason writes candidly about Kylie and winning the battle with his demons in the paperback of his bestselling bombshell autobiography. Jason Donovan burst onto our TVs in the 80s as Scott Robinson from Neighbours, one half of TV couple Scott and Charlene with Kylie Minogue. Kylie and Jason became the celebrity couple of the eighties and released the number one Stock, Aitken and Waterman hit Especially For You in 1988. But behind the squeaky-clean popstar image was a man increasingly addicted to recreational drugs and on a spiralling downwards path until the love of a good woman pulled him through. His pop career launched, Jason went on to sell over 30 million records worldwide and appeared in West End musicals such as Joseph and His Technicolour Dreamcoat and, more recently, The Rocky Horror Show. But just as Jason reached the pinnacle of his career, everything collapsed around him. When Jason sued style magazine The Face for calling him gay, the press tore him apart. Years of binge drug taking and partying to excess followed. In his frank and honest account of his life, Jason talks candidly about the drugs that nearly saw the end of his career, about his relationship with the princess of pop, Kylie Minogue, and how he finally got his own very happy ending with the woman who saved him, his partner Angela and their two children.

Chronicles the author's thirty-year struggle against apartheid in South Africa and provides a portrait of those who would sacrifice their lives for their children's future.

A fast-paced contemporary thriller in the vein of James Patterson and Anthony Horowitz set against the bustling backdrop of Hong Kong, Vietnam, and the border of China. This heart-pounding adventure takes place as two teens, an American teenage boy and his friend, a Chinese girl from his Washington, DC-area high school, must find her father who has been kidnapped—and they only have nine days. Although the characters in the novel are fictionalized, they are based on a real Chinese family who were part of the Chinese Democracy Movement and inspired this story. "Few mysteries combine cultural diversity, politics and physical danger with a lighthearted friendship. This engaging mix will have great appeal."— Kirkus Reviews "A captivating thriller grounded in real-world problems."— Publishers Weekly "A rollicking and fast-paced young adult adventure novel."— South China Morning Post "Hiatt...offers middle-school-aged readers an appealing mix of action and friendship, with lessons about world events and human rights woven throughout."— Washington Post Book World “A compelling, teen-centric political thriller . . . inspired by actual events.”— BooklistOnline.com A NCSS/CBC Notable Children's Trade Book in the Field of Social Studies

Novel Gazing is the first collection of queer criticism on the history of the novel. The contributors to this volume navigate new territory in literary theory with essays that implicitly challenge the "hermeneutic of suspicion" widespread in current critical theory. In a stunning introductory essay, Eve Kosofsky Sedgwick delineates the possibilities for a criticism that would be "reparative" rather than cynical or paranoid. The startlingly imaginative essays in the volume explore new critical practices that can weave the pleasures and disorientations of reading into the fabric of queer analyses. Through discussions of a diverse array of British, French, and American novels—including major canonical novels, best-sellers, children’s fiction, and science fiction—these essays explore queer worlds of taste, texture, joy, and ennui, focusing on such subjects as flogging, wizardry, exorcism, dance, Zionist desire, and Internet sexuality. Interpreting the works of authors as diverse as Benjamin Constant, Toni Morrison, T. H. White, and William Gibson, along with canonical queer modernists such as James, Proust, Woolf, and Cather, contributors reveal the wealth of ways in which selves and communities succeed in extracting sustenance from the objects of a culture whose avowed desire has often been not to sustain them. The dramatic reframing that these essays perform will make the significance of Novel Gazing extend beyond the scope of queer studies to literary criticism in general. Contributors . Stephen Barber, Renu Bora, Anne Chandler, James Creech, Tyler Curtain, Jonathan Goldberg, Joseph Litvak, Michael Lucey, Jeff Nunokawa, Cindy Patton, Jacob Press, Robert F. Reid-Pharr, Eve Kosofsky Sedgwick, Melissa Solomon, Kathryn Bond Stockton, John Vincent, Maurice Wallace, Barry Weller

A dazzling, postmodern debut collection of pulp and surreal fictions: a writer of alternate histories defends his patron's zeppelin against assassins and pirates; a woman transforms into hundreds of gumballs; an emancipated children's collective goes house hunting.

"Trophy House" is an extraordinary and complex novel, at one level a romantic thriller, at another a deeply satisfying story about the disintegration of a marriage and the consequences for all concerned -- that rare piece of fiction that is at once thrilling, grown-up and completely believable. It begins with the construction of a totally inappropriate and enormous house -- a "trophy house" -- which unexpectedly comes to threaten the tranquillity of what appears to be one woman's perfect life and marriage. Dannie Faber has lots of reasons to feel blessed. A children's book illustrator, she shares a loving marriage with Tom, an M.I.T. professor, with whom she divides her time between one of Boston's finest suburbs and a beloved beach house in Truro, on Cape Cod. And then, for reasons she could not possibly have foreseen, Dannie's life begins to unravel. With "Trophy House," Anne Bernays -- author of "Professor Romeo" and "Growing Up Rich --" delivers a poignant, funny, and ultimately wrenching story of adults in peril and the unlikely hope for romance that, in the end, becomes the key to surviving events that are beyond their control. It is a brilliant and moving portrait of a marriage.

Continues the life story, as told in Incredible! of young Joe (Yossi) Wallis, member of a tough Bronx gang with ties to the Mafia, who became a wealthy businessman in California, and eventually a religious Jew and rabbi in Israel. Incredible 2 is filled with more stories, adventures, and personalities from Rabbi Wallis's dynamic life.

The photographer Steve Bloom is off on another expedition, this time to see the animals living at the freezing poles: polar bears, penguins, whales and seals. The book follows Steve's journey as he finds out how these animals survive day to day how they live, grow up, hunt and have babies. His on-location account and dramatic photography make for an exciting commentary. Each key animal polar bear, whale, penguin, albatross and seal appears in a 3?4-spread photograph and a close-up box feature that introduces facts. Within the diary narrative, information and photographs are presented in a visually exciting way, from letting the reader watch how a baby penguin grows into an adult, to seeing a roll call of the different kinds of penguin. There are feature boxes throughout, with tips for children who want to take their own photos of animals, and at the back of the book there are two spreads further explaining how to photograph animals in the wild or at home.

New York is a walker's city. You can walk for hours. The streets slip by. There is so much to look at, so much to take in. I walk a lot. Especially when I am not writing . . . Lily Brett's love affair with New York began as an outsider in her late teens when she was posted on assignment there as a young Australian rock journalist. In her early forties she returned, together with her soul mate and three children, to start a new life, and for the best part of three decades she has called New York home. This witty, candid and moving collection of short pieces celebrates the city that's now part of her heartbeat. A compulsive walker, Brett takes us to her favourite places and introduces us to the characters of the city that has nurtured, perplexed and inspired her. She brings to life the delights of Chinatown, the majesty of Grand Central Station, the lure of spandex and sequins in the Garment District, and the peculiarity of canine couture. And she muses on the miracle of love in the Lodz ghetto, the possibility of loneliness amidst skyscrapers, and the joy and redemption in a child's curiosity. Full of wisdom, humour and grace, Only in New York is a human portrait of a city much loved - and of a woman in step with herself. 'Pithy, entertaining and personal . . . the natural, light quality of Brett's writing is a pleasure akin to a conversation with a friend . . . Brett leavens her observations with dry humour.' Weekend Australian 'New York is a city of character and characters and anyone thinking of visiting should use this as a guide to its flavour - and also as an insight into where to eat.' Herald Sun 'Charm ing . . . Her snippets are short and sharp as they portray the essence of New York.' West Australian 'A charming and unique narrative on the city. Brett achieves a perfect combination of wit and naivety, creating a memoir that acknowledges the existence of good and bad experiences, awkward quirks and love affairs with buildings . . . Brett's words have the ability to transport you to the city from the comfort of your own back yard- you may even find it unnecessary to fly to New York after reading it . Readings

With distinctive illustrations, Hanoch Piven crafts a delightful story of competitive siblings whose attempts to frighten each other--revealed through 8 gatefold pages--are surpassed by their baby brother. Mo and Jo are sweet kids who engage in costumed one-upmanship until they're surprised by a “real” monster who turns out to be the baby, Bo. Piven's unique approach-showing the photographed objects that will be used in the children's disguises on the outside of the gatefold, and revealing the finished face when the fold is opened-brings a sense of excitement to this simple but compelling story for children aged 4 to 8.

"In an unflinching look at love, sex, and fertility, and inspired by real stories of mothers during the Canadian birth-control movement of the early twentieth century, one of Canada's most celebrated playwrights vividly recreates a couple's struggles with reproduction. It's Ottawa in the 1920s, before birth control is legalized. Sophie, a young working-class girl, falls madly in love with her sister's suitor, and eventually marries, a stablehand named Jonny. After two difficult childbirths, doctors tell Sophie she shouldn't have any more children, but don't tell her how to prevent it. When Sophie inevitably becomes pregnant again, she faces a grim dilemma."--

Winner of the Edgar Allan Poe Award from Mystery Writers of America. Final Decree reads like a thriller. Yet, by sheer literary skill, George Jonas thrills us not through artificial catastrophes of far-fetched fiction, but through the dangers and suspense of familiar, everyday life. Kazmer Harcsa, an immigrant carpenter, has worked unstintingly to give his wife, Petrona, and their two children all the comforts of a modest middle-class life in Toronto. Kazmer's confident dreams of a happy future are shattered, however, on the day he comes home to find his family gone and himself a casualty of Petrona's quest for self-fulfillment. Confronted by trendy divorce lawyers and judges, who mistake his native wit for simple-mindedness and his fierce pride for insolence, Kazmer becomes desperate in his search for justice. Humiliation gives way to rage when he decides that to be a man worthy of his ancestors he must take the law into his own hands. A controversial indictment of how progressive laws destroy the very people they seek to protect, Final Decree is, above all, a work of literature. It strips away the masks of fashion to focus on the basic emotions of men and women. It does not plead for social reform, but celebrates the resilience of the human spirit. Tragedy, suspense and controversy combine to make Final Decree an explosive masterful novel.

Marlon Brando was the brightest, boldest, and most iconoclastic acting talent of our time. But while his courage and imagination as an artist brought applause and attention from around the world, Brando shunned nearly everything that goes with celebrity status. He was one of the most reclusive personalities in modern times and a legend beyond compare. He was also an equal opportunity provocateur -- a dazzling baffler -- be it on stage, on screen, or in his private life. Always true to his nature, he never failed to surprise. He did things his way -- The Way It's Never Been Done Before. No one shared as much of Brando's private fields as his lifelong friend and business confidant, George Englund. For more than five decades, Brando and Englund were each other's most trusted ally and closest compadre. Even at their first meeting, at a Hollywood party in 1956 -- the kind of occasion where Brando was most on guard against any who would attempt to get close to him -- he and Englund forged close ties. From that initial meeting right up to the eve of the superstar's death in the summer of 2004, Brando and Englund were in nearly constant contact. They traveled together, worked together, and played together. They consoled and cajoled each other through their marriages and divorces, the births and tragic deaths of their children, good and bad business deals, and the onset of aging, concluding with Brando's death at the age of eighty. "I remembered what Mark Twain wrote," Englund says, "'that everybody is a moon with a dark side he doesn't show anyone else.' I felt this was an appropriate hour for a book that looked at the other side of Marlon, that told of the man and friend and father he was. There has not been such a book in Marlon's lifetime, even including his autobiography, and I felt that after our long years of friendship, perhaps I should attempt to write it. I knew the difficulty I would encounter; to write about Marlon is to work with delicate glass, for he was, without question, the most complicated personality I ever met or knew about. "I once thought what a grand time he and I would have writing the book about our friendship together. That possibility has passed away, for Marlon is gone now -- I must make the attempt to write of us alone. I summon to the task the sacredness, which, when we were at our best, Marlon and I laid upon our friendship."

A superb book of photographs by Elliott Erwitt whose work has been likened to "Chaplin movies." Erwitt is the master of the visual pun, capturing in moments of delicious relaxation children and their pets; women gossiping; couples disporting at the beach.

It is the holiday of Purim -- a time to stage comic and entertaining plays or "Purimshpiels". But in the village of Shamgorod in 1649, this festive custom takes a tragic turn. Three itinerant actors show up at an inn to perform a Purim play for the Jewish community. The discovery that Shamgorod has suffered a pogrom and only two Jews have survived -- the innkeeper, Berish, and his daughter. Egged on by Berish, the actors agree that instead of a "Purimshpiel" they will stage a mock trial of God, indicting Him for allowing such things to happen to His children. Berish wants to be the Prosecutor; the three actors agree to be the Judges. But who will be Defense Attorney? A Stranger, who looks oddly familiar to all of them, appears and offers to take the role. Meanwhile the mob outside is planning a new assault on the inn. -- From publisher's description.

Kosher pork—an oxymoron? Anna Shternshis's fascinating study traces the creation of a Soviet Jewish identity that disassociated Jewishness from Judaism. The cultural transformation of Soviet Jews between 1917 and 1941 was one of the most ambitious experiments in social engineering of the past century. During this period, Russian Jews went from relative isolation to being highly integrated into the new Soviet culture and society, while retaining a strong ethnic and cultural identity. This identity took shape during the 1920s and 1930s, when the government attempted to create a new Jewish culture, "national in form" and "socialist in content." Soviet and Kosher is the first study of key Yiddish documents that brought these Soviet messages to Jews, notably the "Red Haggadah," a Soviet parody of the traditional Passover manual; songs about Lenin and Stalin; scripts from regional theaters; Socialist Realist fiction; and magazines for children and adults. More than 200 interviews conducted by the author in Russia, Germany, and the United States testify to the reception of these cultural products and provide a unique portrait of the cultural life of the average Soviet Jew.