The media served a highly partisan and propagandistic role in Nato’s Kosovo war, uncritically reproducing official spin in a way that was incompatible with their proclaimed democratic role as objective purveyors of information. Degraded Capability is the first book to integrate a critical interpretation of Western policy toward the former Yugoslavia with analysis of media coverage of the Kosovo crisis and war. The first part of the book deals with the war itself and the build-up to it, placing this in the context of earlier Western intervention in Yugoslavia. Part two discusses key issues raised by the media coverage, including the demonisation of the enemy, and the role of CNN. In the final section, contributors analyse how the war was reported in different countries around the world, including the United States, Britain, Germany, India, Greece, Russia, and France. The book offers an important corrective to the hysteria and misinformation that permeated media coverage. Subjects covered include the role of the internet, the changing media-military relationship, the depiction and definition of ‘war crimes,’ and how Yugoslav television was presented as a legitimate military target. Contributors include John Pilger, Edward S. Herman, Phil Hammond, Diana Johnstone and Jim Naureckas.

In a collision with a steamship, City of Rome, on the night of September 25, 1925, the U.S. Navy Submarine S-51 sank in 132 feet of water, taking 33 sailors to the ocean floor. This is the story of the men charged with doing the impossible—raising the thousand ton sub from the bottom of the sea. Added to this modern classic of true adventure are a foreword and afterword giving specifics of the accident and the aftermath, additional photographs, a publisher’s preface, and appendices.

This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work is in the "public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

The popular mayor of New York describes his political career, his efforts to save the city from bankruptcy, his unsuccessful run for governor, and his political colleagues and opponents

“An elegant page-turner of nineteenth-century detective fiction.” –The Washington Post Book World One rainy morning in 1871 in lower Manhattan, Martin Pemberton a freelance writer, sees in a passing stagecoach several elderly men, one of whom he recognizes as his supposedly dead and buried father. While trying to unravel the mystery, Pemberton disappears, sending McIlvaine, his employer, the editor of an evening paper, in pursuit of the truth behind his freelancer’s fate. Layer by layer, McIlvaine reveals a modern metropolis surging with primordial urges and sins, where the Tweed Ring operates the city for its own profit and a conspicuously self-satisfied nouveau-riche ignores the poverty and squalor that surrounds them. In E. L. Doctorow’s skilled hands, The Waterworks becomes, in the words of The New York Times , “a dark moral tale . . . an eloquently troubling evocation of our past.” “Startling and spellbinding . . . The waters that lave the narrative all run to the great confluence, where the deepest issues of life and death are borne along on the swift, sure vessel of [Doctorow’s] poetic imagination.” – The New York Times Book Review “Hypnotic . . . a dazzling romp, an extraordinary read, given strength and grace by the telling, by the poetic voice and controlled cynical lyricism of its streetwise and world-weary narrator.” – The Philadelphia Inquirer “A gem of a novel, intimate as chamber music . . . a thriller guaranteed to leave readers with residual chills and shudders.” – Boston Sunday Herald “Enthralling . . . a story of debauchery and redemption that is spellbinding from first page to last.” – Chicago Sun-Times “An immense, extraordinary achievement.” –San Francisco Chronicle

"This is the story of how democracy became entrenched in the world's largest Muslim-majority country"--

Edith Cavell was born on 4th December 1865, daughter of the vicar of Swardeston in Norfolk, and shot in Brussels on 12th October 1915 by the Gestapo for sheltering British and French soldiers and helping them escape over the Belgian border.

In this sparkling debut, a young critic offers an original, passionate, and erudite account of what it means to feel Jewish--even when you're not. Self-hatred. Guilt. Resentment. Paranoia. Hysteria. Overbearing Mother-Love. In this witty, insightful, and poignant book, Devorah Baum delves into fiction, film, memoir, and psychoanalysis to present a dazzlingly original exploration of a series of feelings famously associated with modern Jews. Reflecting on why Jews have so often been depicted, both by others and by themselves, as prone to "negative" feelings, she queries how negative these feelings really are. And as the pace of globalization leaves countless people feeling more marginalized, uprooted, and existentially threatened, she argues that such "Jewish" feelings are becoming increasingly common to us all. Ranging from Franz Kafka to Philip Roth, Sarah Bernhardt to Woody Allen, Anne Frank to Nathan Englander, Feeling Jewish bridges the usual fault lines between left and right, insider and outsider, Jew and Gentile, and even Semite and anti-Semite, to offer an indispensable guide for our divisive times.

Discusses the legal and illegal ways that millions of Jews managed to leave Germany, the challenges they faced, and the diversity of the refugee experience

Whether they came from Sioux Falls or the Bronx, over half a million Jews entered the U.S. armed forces during the Second World War. Uprooted from their working- and middle-class neighborhoods, they joined every branch of the military and saw action on all fronts. Deborah Dash Moore offers an unprecedented view of the struggles these GI Jews faced, having to battle not only the enemy but also the prejudices of their fellow soldiers. Through memoirs, oral histories, and letters, Moore charts the lives of fifteen young Jewish men as they faced military service and tried to make sense of its demands. From confronting pork chops to enduring front-line combat, from the temporary solace of Jewish worship to harrowing encounters with death camp survivors, we come to understand how these soldiers wrestled with what it meant to be an American and a Jew. Moore shows how military service in World War II transformed this generation of Jews, reshaping Jewish life in America and abroad. These men challenged perceptions of Jews as simply victims of the war, and encouraged Jews throughout the diaspora to fight for what was right. At the same time, service strengthened Jews' identification with American democratic ideals, even as it confirmed the importance of their Jewish identity. GI Jews is a powerful, intimate portrayal of the costs of a conflict that was at once physical, emotional, and spiritual, as well as its profound consequences for these hitherto overlooked members of the "greatest generation."

Set in Vienna, the novel tells of the relationship between the penniless writer Rudolf Gurdwell and Baroness Thea von Takow, who treats her husband with cruelty and disdain, In spite of this, Gurdwell struggles to find the will to leave his wife, even when the devoted Lotte Bondheim offers him the prospect of true happiness. Yet this is no mere story of a love triangle. In astonishingly vivid detail, Vogel evokes the atmosphere of 1920s Vienna, taking us from fashionable cafes and aristocratic estates to the shoemaker's workshop and the almshouse. With decadence and poverty existing side by side, Vienna is depicted as a city on the brink of collape - a haunting prefigurement of the horrors to come

"From James Bond to the Beatles, from Saturday Night Fever to Grease, from Daniel Day-Lewis to Dustin Hoffman, from Steve Martin to Cheech and Chong. As president of United Artists, Paramount, and Columbia, producer of The Jerk, Lenny, and The Crucible, [David Picker's] seen it all, loved it all (well, most of it), and now he's sharing it all. When the show is over you will have learned about the deals, the hits, the flops, the good guys, the bad guys, and all the rest"--Amazon.com.

Rabbi Abraham Isaac Kook (1865-1935) was the first Ashkenazic chief rabbi of mandatory Palestine. Admired for the incredible diversity of his talents and interests-talmudist, halakhist, kabbalist, mystic, theologian, moralist, poet, and communal leader--Rav Kook's world outlook extolled breadth and derided narrow specialization. More than any other Orthodox thinker in modern times, he addressed, squarely and boldly, the confrontation between Judaism and the modern world. Kook serves as a natural model to those Jews who seek a religious understanding of and response to the culture and politics of the modern age. These essays, most published here for the first time, offer a range of analyses and interpretations covering, in an accessible, systematic, and comprehensive fashion the major areas of Rav Kook's thought. Among the issues discussed are: his relationship to the Jewish mystical, philosophical, and halakhic traditions; poetry and spirituality; harmonism and pluralism; tolerance and its limits; Zionism, messianism, and politics; and Rav Kook today.

"The conventional wisdom about historical memory is summed up in George Santayana's celebrated phrase, "Those who cannot remember the past are condemned to repeat it." Today, the consensus that it is moral to remember, immoral to forget, is nearly absolute. And yet is this right? David Rieff, an independent writer who has reported on bloody conflicts in Africa, the Balkans, and Central Asia, insists that things are not so simple. He poses hard questions about whether remembrance ever truly has, or indeed ever could, "inoculate" the present against repeating the crimes of the past. He argues that rubbing raw historical wounds - whether self-inflicted or imposed by outside forces - neither remedies injustice nor confers reconciliation. If he is right, then historical memory is not a moral imperative but rather a moral option - sometimes called for, sometimes not. Collective remembrance can be toxic. Sometimes, Rieff concludes, it may be more moral to forget. Ranging widely across some of the defining conflicts of modern times - the Irish Troubles and the Easter Uprising of 1916, the white settlement of Australia, the American Civil War, the Balkan wars, the Holocaust, and 9/11 - Rieff presents a pellucid examination of the uses and abuses of historical memory. His contentious, brilliant, and elegant essay is an indispensable work of moral philosophy." -- Publisher

On the Principles of Political Economy and Taxation (19 April 1817) is a book by David Ricardo on economics. The book concludes that land rent grows as population increases. It also presents the theory of comparative advantage, the theory that free trade between two or more countries can be mutually beneficial, even when one country has an absolute advantage over the other countries in all areas of production.

A German patrol wiggles through Russian lines to return with details of Soviet defenses. An expert Luftwaffe interrogator teases secret information from downed Allied airmen. Two spies steal ashore in Maine and make their way into New York City. Filled with episodes of intrigue and adventure, Hitler's Spies reveals the workings of German intelligence-the famed Abwehr, the dreaded SD, the codebreakers, the spies, and the intelligence gatherers of the Foreign Office-and explains its failure to best the Allies. Draws on original documents and extensive interviews.

Through two award-winning National Public Radio documentaries, and now this powerful book, LeAlan Jones and Lloyd Newman have made it their mission to be loud voices from one of this country's darkest places, Chicago's Ida B. Wells housing project. Set against the stunning photographs of a talented young photographer from the projects, Our America evokes the unforgiving world of these two amazing young men, and their struggle to survive unrelenting tragedy. With a gift for clear-eyed journalism, they tell their own stories and others, including that of the death of Eric Morse, a five-year-old who was dropped to his death from the fourteenth floor of an Ida B. Wells apartment building by two other little boys. Sometimes funny, often painful, but always charged with their dream of Our America, LeAlan Jones and Lloyd Newman reach out to grab your attention and break your heart.

1978 Simon & Schuster hardcover, full number line. 0671225340. David Horowitz. The first frontier of the United States and the tricky relationship between the settlers and Native Americans

A chilling, fascinating, and nearly forgotten historical figure is resurrected in this riveting work that links the fascism of the last century with the terrorism of our own. Written with vigor and extraordinary access to primary sources in several languages, Icon of Evil is the definitive account of the man who, during World War II, was called "the fuhrer of the Arab world" and whose ugly legacy lives on today. With new and disturbing details, David G. Dalin and John F. Rothmann show how al -Husseini ingratiated himself with his hero, Adolf Hitler, becoming, with his blond hair and blue eyes, an "honorary Aryan" while dreaming of being installed as Nazi leader of the Middle East. Al-Husseini would later recruit more than 100,000 Muslims in Europe to fight in divisions of the Waffen- SS, and obstruct negotiations with the Allies that might have allowed four thousand Jewish children to escape to Palestine. Some believe that al-Husseini even inspired Hitler to implement the Final Solution. At war's end, al-Husseini escaped indictment at Nuremberg and was harbored in France. Icon of Evil chronicles al-Husseini's postwar relationships with such influential Islamic figures as the radical theoretician Sayyid Qutb and Saddam Hussein's powerful uncle General Khairallah Talfah and his crucial mentoring of the young Yasser Ararat. Finally, it provides compelling evidence that al-Husseini's actions and writings serve as inspirations today to the leaders of Hamas, Hezbollah, and other terrorist organizations pledged to destroy Israel and the United States.

During the Civil War three intelligent, articulate young men served as Abraham Lincoln's secretaries. John Nicolay and John Hay lived in the White House across the hall from the president's office and, together with William Stoddard, spent more time with Lincoln than anyone else outside his immediate family. Lincoln's Men is a fascinating, intimate, and moving portrait of life in the Civil War White House and of the beleaguered president's extraordinary relationship with the indispensable trio he used as a sounding board—the best and the brightest of their day who had a place near the center of Washington's grandest galas and a front-row seat on the drama of war.